Ma Qiusha, Oh, Be Sweet
핸드메이드 유화 복제화
작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환
디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
특정 프레임이나 공간에 맞춰 원하는 크기를 직접 입력하실 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 자르거나 추가적인 수작업 요소를 더해 그림을 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업을 보내드립니다.
화면상의 미리 보기는 실제 크롭(자르기)이나 확장된 상태를 완벽히 반영하지 않을 수 있습니다. 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본의 비율을 그대로 유지하기 위해서는 미리 정의된 목록에서 크기를 선택하시는 것을 권장합니다.
주문 완료 후 ArtsDot.com 팀에서 상세 안내를 위해 고객님께 이메일을 보내드리며, 미리보기 시안을 함께 제공해 드립니다.
Ma Qiusha, Oh, Be Sweet
재현 매체
복제본 규격
-
총 결제 금액
$ 263
관련 작품들
작가 소개
Ma Qiusha: Sculpting Memory and Identity in Resin
Born in Beijing in 1982, Ma Qiusha’s artistic journey is deeply rooted in personal experience and a profound exploration of Chinese identity, memory, and the complexities of societal structures. Her work, primarily focused on sculpture and installation, utilizes resin as its primary medium, lending an ethereal quality to her often intensely intimate narratives. From early studies at the Central Academy of Fine Arts in Beijing to her MFA from Alfred University in New York, Ma Qiusha’s artistic development has been shaped by a confluence of influences – traditional Chinese art practices, contemporary video and photography, and a critical engagement with the rapidly changing landscape of China.
Early in her career, Ma Qiusha began documenting her family history through video installations. These pieces, often intensely personal and emotionally raw, served as a crucial foundation for her later work. Her initial explorations centered around the impact of China’s one-child policy on individuals and families, particularly focusing on the experiences of women within that system. This early focus established a recurring theme: the tension between individual desire and societal expectation, often expressed through a lens of quiet suffering and understated resilience. The artist's work is characterized by a meticulous attention to detail, reflecting a deep respect for her subjects and a commitment to portraying their stories with honesty and vulnerability.
The Language of Resin
Ma Qiusha’s choice of resin as her primary medium is not arbitrary; it’s integral to the conceptual framework of her work. The process of creating her sculptures – layering, casting, and manipulating the material – mirrors the act of memory itself: fragmented, layered, and often difficult to fully reconstruct. Resin's ability to capture light and create translucent effects lends a dreamlike quality to her pieces, blurring the lines between reality and recollection. The material’s inherent stillness contrasts sharply with the emotional intensity of the narratives she presents, creating a powerful juxtaposition that forces viewers to confront uncomfortable truths about family dynamics, personal sacrifice, and the weight of history.
Her sculptures frequently depict seemingly ordinary objects – a worn shoe, a faded photograph, a simple utensil – imbued with layers of meaning through subtle gestures and carefully considered arrangements. These everyday items become symbolic representations of lost moments, unspoken words, and unresolved tensions. The slow, deliberate process of working with resin allows Ma Qiusha to imbue each piece with a sense of quiet contemplation, inviting viewers to engage in their own personal interpretations.
Exhibitions and Recognition
Ma Qiusha’s work has garnered significant international recognition, demonstrating the growing appreciation for her unique artistic vision. Her pieces have been featured in prestigious venues worldwide, including the Contemporary Arts Museum Houston, Groninger Museum, National Museum of China, Minsheng Art Museum, Portland Institute for Contemporary Art, Tate Modern Museum, Ullens Center for Contemporary Art, and ZKM. These exhibitions underscore her growing presence within the international contemporary art scene.
Notable solo shows include “From No.4 Ping Yuan Li To No.4 Tian Qiao Bei Li, 2007” at the ZKM in Karlsruhe, Germany, a deeply personal exploration of her childhood and family history through video and installation. Her work has also been included in group exhibitions such as "NOW: A dialogue on female Chinese contemporary artists" at HOME in Shanghai and “Middlesbrough Institute of Art” in Middlesbrough, UK. These engagements highlight the breadth of her artistic interests and her ability to engage with diverse audiences.
Themes and Legacy
At its core, Ma Qiusha’s art is a meditation on memory, identity, and the enduring impact of historical forces on individual lives. Her work doesn't offer easy answers or grand pronouncements; instead, it presents a series of intimate vignettes that invite viewers to contemplate the complexities of human experience. By confronting difficult subjects with sensitivity and honesty, Ma Qiusha has created a body of work that is both profoundly moving and intellectually stimulating.
Her continued exploration of familial narratives, combined with her masterful use of resin as a symbolic medium, positions Ma Qiusha as a significant voice within contemporary Chinese art. She’s not simply documenting the past; she's actively shaping our understanding of it, prompting reflection on the enduring legacies of history and the ongoing negotiation between individual identity and societal expectations. Her work continues to evolve, promising further explorations into the depths of human experience.
ma qiusha
1982 - , China
작가 정보 요약
- Artistic Movement Or Style: Resin sculpture/installation
- Date Of Birth: 1982
- Full Name: Ma Qiusha
- Nationality: Chinese
- Notable Artworks: ['From No.4 Ping Yuan Li To No.4 Tian Qiao Bei Li, 2007']
- Place Of Birth: Beijing, China

유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.