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Khairullah Bin Rahim

Intimate Apparitions

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Singapore-based artist Khairullah Rahim explores marginalized communities through mixed media & photography. His work addresses social issues & activism, exhibited globally.
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지클레 / 아트 프린트

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표준 규격
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전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (5 11월)

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전 세계 무료 특급 배송
프리미엄 린넨 캔버스
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100일 이내 반품 정책 (결함 발생 시)
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다량 구매 할인 혜택
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총 결제 금액

₩ 84341

Intimate Apparitions

지클레 / 아트 프린트

복제본 크기

-

최종 결제 금액

₩ 84341

What does it mean to regard a place as ‘public’ or ‘private’? Are there types of activities that are restricted to these places, and if so, what constitutes their distinctions?

질의응답

Khairullah Bin Rahim의 "Intimate Apparitions"의 수작업 복제화를 판매하는 곳이 어디인가요?

Khairullah Bin Rahim의 "Intimate Apparitions"의 수작업 복제화는 주문 제작 방식으로 수작업 유화 복제화 페이지에서 직접 주문하실 수 있습니다: 리넨 캔버스에 손으로 직접 그린 유화 복제화

Khairullah Bin Rahim의 "Intimate Apparitions"의 휘도는 어느 정도인가요?

Khairullah Bin Rahim의 "Intimate Apparitions"의 휘도는 Gentle Luminance입니다. 휘도는 색상이 빛을 얼마나 반사하는지를 나타냅니다.

"Intimate Apparitions"의 작가인 Khairullah Bin Rahim는 다른 이름으로도 알려져 있나요?

Khairullah Bin Rahim은(는) Khairullah Rahim(으)로도 알려져 있습니다.

유사한 작품들

Feather Equilibrium (interatomic Balance Of A Swan's Feather), 1947 — 살바도르 달리, Surrealist Movement
살바도르 달리 Feather Equilibrium (Interatomic Balance of a Swan's Feather), 1947
Feather Equilibrium (interatomic Balance Of A Swans Feather) — 살바도르 달리, Surrealism
살바도르 달리 Feather Equilibrium (Interatomic Balance of a Swans Feather)
Woman Holding A Balance — 요하네스 페르메이르, Dutch Golden Age Painting
요하네스 페르메이르 Woman Holding a Balance
Lizard Tail — 히로미 탱고, Contemporary Art
히로미 탱고 Lizard Tail
Woman With A Balance — 요하네스 페르메이르, Baroque
요하네스 페르메이르 Woman With A Balance
Woman Holding A Balance — 요하네스 페르메이르, Dutch Golden Age
요하네스 페르메이르 Woman Holding a Balance
Woman Holding A Balance Ngw — 요하네스 페르메이르, Dutch Golden Age
요하네스 페르메이르 Woman holding a balance ngw
Woman Holding A Balance Detalj 4 Ngw — 요하네스 페르메이르, Dutch Golden Age
요하네스 페르메이르 Woman holding a balance detalj 4 ngw
Woman Holding A Balance Detalj 5 Ngw — 요하네스 페르메이르, Northern Renaissance
요하네스 페르메이르 Woman holding a balance detalj 5 ngw
Portrait Of A Woman With A Balance — 토마스 데 케이저, Dutch Golden Age Portraiture
토마스 데 케이저 Portrait of a Woman with a Balance

작가 정보

Khairullah Rahim: Exploring Marginality Through Material Experimentation and Conceptual Engagement

Singapore-based artist Khairullah Rahim’s practice is rooted in a profound engagement with marginalized communities—gay men, drag queens, Indian migrant workers, and domestic workers—a concern that consistently informs his artistic explorations across mixed media installation, object-making, painting, photography, and moving image. His MFA from Rutgers University, New Jersey, USA, solidified this commitment to critical inquiry and fueled a desire to translate complex social realities into compelling visual narratives. Rahim’s work isn't merely aesthetically driven; it actively confronts issues of surveillance, control, exclusion, and resilience—themes that permeate his artistic process and resonate throughout his oeuvre.
  • Early Influences: Rahim’s formative years in Singapore were marked by exposure to diverse cultural traditions and a burgeoning interest in visual arts, particularly drawing. He honed his skills during his undergraduate studies at LASALLE College of the Arts, where he developed a foundational understanding of artistic techniques and conceptual frameworks.
  • Formal Training & Residencies: Recognizing the importance of broadening his artistic horizons, Rahim pursued postgraduate studies at Rutgers University, delving into advanced methodologies for visual storytelling. Furthermore, he actively sought opportunities to engage with international contexts through artist residencies at IASPIS (Stockholm), Goethe-Institut (Singapore), Salzburger Kunstverein (Salzburg), Facebook (Singapore), Hubei Institute of Fine Arts (Hubei), Taipei Artist Village (Taipei), and YOUKOBO Art Residency Programme (Tokyo)—experiences that profoundly shaped his artistic vision.

Material Experimentation & Conceptual Frameworks

Rahim’s artistic practice distinguishes itself through a meticulous exploration of material experimentation, notably his sustained engagement with synthetic polymers—specifically rhinestones—which he utilizes as conceptual tools for camouflage, seduction, and deflection. This deliberate choice isn't arbitrary; it reflects a broader intellectual preoccupation with challenging conventional ideas around visibility and legibility. As Rahim articulates, “My works are colourful, but I hope viewers engage with them on a deeper level to probe into what I’m actually using these colours to say.” He actively interrogates the role of colour symbolism within Western cultural narratives—rejecting simplistic associations like white representing purity and black embodying evil—and advocates for an open posture when interpreting art.
  • Rhinestones as Conceptual Devices: Rahim views rhinestones not merely as decorative elements but as instruments for disrupting established visual hierarchies. Their reflective surfaces complicate notions of transparency and reveal hidden layers of meaning, mirroring the artist’s broader commitment to uncovering obscured narratives within marginalized communities.
  • Decolonizing Botany & Challenging Surveillance: Rahim's research delves into strategies of survival and resourcefulness—particularly within environments under constant surveillance—drawing inspiration from botanical studies that question colonial epistemologies and patriarchal frameworks. He seeks to re-inscribe silenced voices into public consciousness, fostering a critical yet affective space where marginality is not simply endured but creatively reimagined.

Notable Exhibitions & Recognition

Rahim’s artistic endeavors have garnered considerable acclaim and recognition on both national and international stages. His work has been showcased in prestigious institutions such as the Barbican Centre (London), Tai Kwun Contemporary (Hong Kong), Centre for Contemporary Arts (Glasgow), Tiger Strikes Asteroid (New York), Bangkok Art and Culture Centre (Bangkok), and the National Gallery Singapore—demonstrating a commitment to disseminating his artistic vision to diverse audiences. Key projects include participation in the 6th Singapore Biennale, curated by Patrick Flores; Silent Hands, curated by Rotana Shaker, Zain Al Saie, and Jean Wong at Hayy Jameel (Jeddah); and HIV Science as Art, curated by Daniel Cordner and Jessica Whitbread at Brainlab (Munich). He was awarded the IMPART Award for Visual Arts in 2017—a testament to his artistic merit and dedication—and his artworks are held in permanent collections of the Singapore Art Museum and SUNPRIDE Foundation.

Current Focus & Artistic Vision

Currently, Rahim continues to teach as an adjunct lecturer at LASALLE College of the Arts, Singapore, furthering his commitment to fostering artistic dialogue and nurturing emerging talent. His ongoing research explores how artists can engage with complex social issues—particularly those pertaining to queer visibility and marginalization—through innovative visual languages. He strives to create artworks that transcend simplistic representations of reality, prompting viewers to confront uncomfortable truths and embrace nuanced perspectives. Rahim’s unwavering dedication to artistic experimentation and conceptual engagement ensures that his work remains relevant and impactful within the evolving landscape of contemporary art.
Khairullah Bin Rahim

Khairullah Bin Rahim

1987 - , Singapore

작가 정보 요약

  • Full Name: Khairullah bin Rahim
  • Nationality: Singaporean
  • Date Of Birth: 1987
  • Place Of Birth: Singapore, Singapore
  • Notable Artworks: ['Intimate Apparitions']
  • Artistic Movement Or Style: Mixed Media Art
  • Artists Who Influenced This Artist: ['Christopher Kulendran Thomas']
  • Artists Or Movements Influenced By This Artist: ['Contemporary Art']