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Old Pine Tree

  • 제작 연도1891
  • 크기 및 규격172.0 x 540.0 cm

Discover Kawai Yoshisaburō (Kawai Gyokudō), a Japanese painter known for vibrant landscapes of mountains & rivers, capturing seasonal beauty. Explore his unique style & legacy.

수제 유화 복제품

원하는 크기와 액자로 주문 제작되는, 작가들이 직접 캔버스에 손으로 그린 유화 작품입니다. (프린트 구매 프린트 구매이미지 구매 이미지 구매)

표준 규격
맞춤형
CM
INCH

작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.

가로 너비
세로 길이

특정 프레임이나 공간에 맞도록 직접 크기를 입력할 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않는 경우, 작품을 자르거나 추가적인 손으로 그린 요소를 사용하여 그림을 확장합니다. 제작 시작 전 승인을 위해 디지털 목업을 보내드립니다.
화면 미리 보기는 실제 자르기 또는 확장을 반영하지 않습니다. 최종 구성은 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본 비율을 유지하기 위해 사전 정의된 목록에서 크기를 선택하시는 것을 권장합니다.

변경 가능한 예시: 얼굴을 고객의 사진으로 교체, 반려동물 추가(예: 고양이를 강아지로 변경), 배경에 숨겨진 메시지 삽입, 배경 풍경 또는 요소 변경 등
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전 세계 배송()은 표준 5주 대신 3~4주 내에 완료됩니다. (7 9월). 품질에는 어떠한 타협도 하지 않습니다.

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전 세계 무료 특급 배송
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프리미엄 린넨 캔버스
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전체 배송 보험 보장
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관세 환불 보장
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실제 색상 일치 보장
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100일 반품 정책 (결함 발생 시에만 적용)
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100% 환불 보장
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다량 구매 할인 혜택

총 합계 금액

$ 263

reproduction

Old Pine Tree

재현 기법

복제본 크기

-

최종 결제 금액

$ 263

A 17-year-old work by Hanjiro Sugiyama, who was a classmate at Kawai Gyokudo and Gifu Hirotsugu High School (currently Gifu City Gifu Elementary School). The previous year, he moved to Kyoto to study painting in earnest and was introduced to Kono Bairei of the Shijo school. The trunk of the pine tree uses the mogu technique that the Shijo school was good at, and the sharp leaves are represented by lines. It is a powerful drawing. His ambition and pride as a painter can be seen in the fact that the young Tamado is boldly challenging the masterpiece of the gold folding screen.

작가 약력

The Genesis of a Master

Born into the fragrant atmosphere of a family dedicated to the craft of papermaking and ink production, Kawai Yoshisaburō’s destiny was etched in the very materials of his future art. In the heart of Ichinomiya, Aichi Prefecture, the young artist grew up surrounded by the tactile essence of tradition. This early immersion in the physical components of nihonga—the brushes, the pigments, and the delicate papers—provided a foundation far deeper than mere technical skill; it was an elemental connection to the medium itself. As he journeyed from his childhood home to the vibrant artistic hubs of Kyoto, his identity began to transform, eventually adopting the evocative pseudonym Kawai Gyokudō, a name that would become synonymous with the seasonal soul of Japan.

A Tapestry of Influences

The evolution of Gyokudō’s style was a deliberate dance between the ancient and the emerging. Under the tutelage of masters like Mochizuki Gyokusen and Kōno Bairei, he absorbed the meticulous realism of the Maruyama-shijo school, learning to observe the natural world with an almost scientific precision. Yet, his spirit was not bound by the past alone. By integrating the disciplined brushwork of the Kanō school from Hashimoto Gahō and the luminous, atmospheric perspectives of Western Impressionism, he achieved a breathtaking synthesis. His canvases became more than mere depictions; they were windows into a world where:

  • Traditional Nihonga techniques met the vibrant, light-filled palettes of modern Europe.
  • The mogu technique brought a powerful, textured life to the trunks of ancient pines.
  • Compositional principles from Chinese traditions provided a structural elegance to his landscapes.


Capturing the Eternal Seasons

Gyokudō’s true mastery lay in his ability to arrest time, capturing the fleeting transitions of the Japanese landscape with profound emotional resonance. His oeuvre serves as a seasonal chronicle, where the arrival of spring and the descent of winter are felt through every brushstroke. In works such as “Futsuka zuki” (The New Moon), one finds a serene, moonlit winter stillness, while “Yuku haru” (The Departing Spring) evokes the bittersweet melancholy of falling blossoms. Whether portraying the dramatic silhouette of a hawk perched upon an old pine or the rhythmic dance of cormorant fishing against the dark rocks of Kinka-zan mountain, his art celebrates a harmonious existence between humanity and the wild. Through his eyes, the mountains and rivers are not merely scenery, but living, breathing entities that pulse with the rhythm of the earth.
kawai yoshisaburō

kawai yoshisaburō

1873 - 1957 , Japan

주요 정보

  • Artistic Movement Or Style: Nihonga
  • Artists Who Influenced This Artist:
    • Kōno Bairei
    • Hashimoto Gahō
  • Date Of Birth: November 24, 1873
  • Date Of Death: June 30, 1957
  • Full Name: Kawai Yoshisaburō
  • Nationality: Japanese
  • Notable Artworks:
    • Futsuka zuki
    • Yuku haru
    • Mine-no-yu
    • Bosetsu
  • Place Of Birth: Ichinomiya City, Aichi Prefecture