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The Hunter

American painter Jerry Farnsworth achieved acclaim with works like The Hunter. Discover his masterful oil paintings and artistic legacy today.

이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.

이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.

지클레 / 아트 프린트

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The Hunter

지클레 / 아트 프린트

복제본 규격

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총 결제 금액

₩ 84854

Jerry Farnsworth was an American painter born in Dalton, GA in 1895. During his formative years, he studied at the Corcoran School of Art and with Charles W. Hawthorne.Not always a professional artist, Farnsworth worked in cotton and steel mills, dispensed soda at a drug store, and was a Fuller Brush man and a Western Union messenger boy.During his lifetime, he was a member of The National Arts Club, an Academican of the National Academy of Design, and the Salmagundi Club, all of which are located in New York City. He received many recognitions for his work, including awards from The National Arts Club, National Academy of Design,Los Angeles Museum of Art and Grand Central Galleries. He also wrote several books, including Painting with Jerry Farnsworth, Learning to Paint in Oil and Portrait and Figure Painting.In addition to NAC, Farnsworth

질의응답

"The Hunter"의 전체적인 밝기는 어느 정도인가요?

시각적 밝기 측면에서 볼 때, Jerry Farnsworth의 "The Hunter"은(는) deep_shadow 수준입니다.

The National Arts Club에 소장된 Jerry Farnsworth의 "The Hunter"를 법적으로 복제할 수 있습니까?

Jerry Farnsworth의 "The Hunter"의 저작권 상태는 명확합니다. 이 작품은 여전히 저작권의 보호를 받고 있습니다 상태이며, The National Arts Club에 소장되어 있다는 사실이 해당 상태를 변경하지 않습니다.

"The Hunter"은(는) 저작권 보호 대상이 아닌가요?

Jerry Farnsworth의 "The Hunter"은(는) 여전히 저작권의 보호를 받고 있습니다 상태입니다. 이 상태에 따라 해당 작품 이미지의 복제 가능 여부가 결정됩니다.


작가 소개

A Life of Labor and Light

Before he was a fixture of the American art scene, Jerry Farnsworth lived a life defined by the grit of manual work. Born in Dalton, Georgia, in 1895, his early years were far removed from the quietude of a studio. He moved through various roles that demanded physical endurance, working in cotton and steel mills, serving as a Western Union messenger boy, and even laboring as a Fuller Brush man. There was a certain rhythm to this period of his life, one that preceded the more measured pace of his later years. Even while stationed in Washington, D. and.C. with the U.S. Navy between 1916 and 1919, he sought out evening art courses at the Corcoran School of Art.

This period of transition eventually led him to the coast. In 1921, Farnsworth arrived in Provincetown, Massachusetts, where his path was shaped by the instruction of Charles W. Hawthorne. It was here that the technical foundations of his work began to solidify. He later studied with Dewitt Clinton Peters in New York, absorbing a tradition of portraiture and figure painting that would become his hallmark. His life was often shared with his wife, the artist Helen Alton Sawyer, and together they established a presence in both the summer colonies of Cape Cod and the winter landscapes of Sarasota, Florida.

The Art of the Human Form

Farnsworth’s practice was rooted in the observation of people. He specialized in portrait, figure, landscape, and genre painting, often focusing on the quiet dignity found in everyday subjects. His work frequently captured a sense of focused intention, as seen in pieces like Working Girl, which reflects the era's atmosphere of determination. His ability to render the human presence was recognized through commissions that reached far beyond local galleries; he produced portraits for the covers of Time and Fortune magazines, including a notable depiction of Sara Delano Roosevelt.

His technical approach relied on oil on canvas and panel, utilizing a method that respected the traditions of the old masters while remaining contemporary to his era. This skill earned him several accolades, including:

  • Six awards from the National Academy of Design
  • The Hallgarten Prize in 1925 and 1927
  • Recognition from the Los Angeles County Museum of Art
  • The Golden State Prize in 1928

Beyond the canvas, he was a dedicated educator. He operated the Farnsworth School of Art in North Truro and Sarasota, passing on his knowledge of oil painting to others. His instructional books, such as Learning to Paint in Oil, remain part of his pedagogical record.

A Permanent Record

By the time of his death in 1983, Farnsworth had left a substantial mark on American institutional collections. His paintings are held in several prominent repositories, ensuring that his specific vision of American life remains accessible to scholars and the public alike. These include:

  • The Metropolitan Museum of Art
  • The Whitney Museum of American Art
  • The Museum of Modern Art
  • The Pennsylvania Academy of Fine Arts
  • The Nelson-Atkins Museum of Art
  • The National Portrait Gallery

His career was not merely a series of exhibitions, but a long engagement with the evolving American identity. From his early days in the mills of Georgia to his role as an Artist-in-Residence at the University of Illinois, he maintained a focus on the tangible and the human. His work remains a record of a specific time and place, captured through the lens of a man who understood both the struggle of labor and the precision of art.

Jerry Farnsworth

Jerry Farnsworth

1895 - 1983 , United States of America

작가 정보 요약

  • Artists Who Influenced This Artist: ['Charles W. Hawthorne']
  • Full Name: Jerry Farnsworth
  • Nationality: American
  • Notable Artworks: ['The Hunter']
  • Place Of Birth: Dalton, Georgia, United States of America
  • Date Of Birth: 1895
  • Date Of Death: 1983