{{ artwork.title }} 지클레 프린트 주문하기 Stuart (Creepy) BRose

From the artist: We are in the midst of a moment of epochal transformation that started beforeCharlottesville with the demand that the landscape of American memory, embodied infigurative public monuments, be transformed through additions and erasures thatcorrect historical erasures resulting in systematic biases extending into the present. Weare thereby experiencing the greatest wave of iconoclasm in US History.The Anna Pierrepont Series (howardskrill.blogspot.com] has explored this landscapesince its inception in 2013.These latest works, many made between 2018 through 2021, is perhaps an inevitableprogression from the practice that I launched in 2013, modest plein-air drawings offigurative monuments near my home in Brooklyn. The latest studio works on paper arean unanticipated and anguished project originating with the blood of innocents.The most recent pieces concern the splashing of extant public monuments, with aparticular emphasis on graffiti.Monuments exist to promote a master narrative (in this case literally and figuratively)that speaks to the supremacy of the glorified individual (typically generals on horseback)as reflections of collective values.Elizabeth Alexander of the Mellon foundation describes monuments such as these as

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Howard Skrill: Bridging Remembrance and Observation

Howard Skrill’s artistic practice is rooted in a profound engagement with the visual landscape of Brooklyn, New York—specifically its monuments and memorials. Born in Brooklyn in 1962, Skrill pursued formal training at SUNY Purchase and subsequently earned an MFA from CUNY Queens College, equipping him with both technical skill and intellectual curiosity to tackle complex themes surrounding history and memory. His current work centers on meticulously rendered figurative drawings of public sculptures situated within his neighborhood, capturing not just their physical form but also the subtle nuances of light and shadow that imbue them with atmosphere. This dedication to observation—combined with a masterful command of realism—reflects a broader artistic sensibility informed by influences ranging from Rembrandt’s chiaroscuro technique to the expressive power of Eugène Delacroix's Romantic paintings.

Early Influences: Skrill cites Rembrandt and Delacroix as pivotal figures in shaping his artistic vision, recognizing their ability to convey emotion through careful manipulation of light and color.
Education & Teaching Experience: He honed his skills during his undergraduate studies at SUNY Purchase and continued his artistic development through postgraduate coursework at CUNY Queens College. Currently, he instructs college students in studio arts and art survey, fostering a new generation of artists while simultaneously refining his own approach.
Exhibitions & Recognition: Skrill’s artwork has garnered attention within the New York art scene, appearing in galleries like Electric Gallery and MutualArt. His meticulous depictions of public monuments resonate with viewers interested in exploring themes of commemoration and artistic interpretation.

Thematic Exploration: Monuments as Vessels of Memory

Skrill’s recurring subject matter—public sculptures—is deliberately chosen to provoke contemplation about the role of art in preserving historical narratives. He isn't merely documenting objects; he strives to imbue them with psychological depth, capturing not only their visual appearance but also the emotional resonance they evoke. The artist’s fascination stems from a desire to understand how monuments function as tangible reminders of past events and figures—symbols that carry weight beyond their materiality. This conceptual underpinning informs his artistic process, demanding precision in rendering detail while simultaneously encouraging viewers to consider the broader implications of remembrance.

Brooklyn Landscape: Skrill’s studio is located in Park Slope Brooklyn where he resides with his wife and fellow artist Mary Cuddihee. His surroundings serve as constant inspiration for his artistic endeavors.
Notable Projects: Among his notable projects are depictions of “Removal of General Nathan Bedford Forrest Statue from Memphis” and “Stuart (Creepy) BRose,” showcasing his ability to tackle challenging subjects with sensitivity and artistic rigor.

Membership & Artistic Community

Skrill’s commitment to fostering artistic dialogue extends beyond his teaching role. He is an active member of Park Slope Windsor Terrace Artists, a collective dedicated to supporting emerging artists and promoting collaborative creativity. This engagement with fellow creatives underscores the importance of shared experience in shaping artistic perspectives—a belief that undoubtedly contributes to the distinctive character of Skrill’s oeuvre.

Concluding Thoughts: A Quiet Resonance

Howard Skrill's art speaks volumes without uttering a word. Through his unwavering dedication to realism and his thoughtful engagement with historical subjects, he achieves a remarkable feat—creating images that simultaneously capture visual beauty and invite profound reflection on the complexities of memory and commemoration. His work stands as testament to the enduring power of observation and artistic skill in conveying emotional truth within the framework of meticulously crafted depictions.

Howard Skrill

1962 - , United States of America

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Artistic Movement Or Style: Contemporary realism
Date Of Birth: 1962
Full Name: Howard Skrill
Nationality: American
Notable Artworks:
- Stuart (Creepy) BRose
- Removal of General Nathan Bedford Forrest Statue from Memphis
Place Of Birth: Brooklyn, United States

Stuart (Creepy) BRose

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