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통계 정보Head
1913
65.0 x 46.0 cm
국립 현대 미술관 - 무제우 두 치아두
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지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. (
수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Head
지클레 / 아트 프린트
복제본 규격
-
총 결제 금액
$ 62
관련 작품들
작가 소개
Guilherme de Santa-Rita: A Pioneer of Portuguese Futurism
Early Life and Education
- Born: Guilherme Augusto Cau da Costa de Santa-Rita in Lisbon, Portugal, in 1889.
- He initially studied at the Academy of Fine Arts in Lisbon before pursuing further education abroad.
- In 1910, he received a state scholarship to study at the École des Beaux-Arts in Paris.
- While in Paris, he shared a studio with Amadeo de Souza-Cardoso and encountered the burgeoning Futurist movement through Filippo Tommaso Marinetti.
Embracing Futurism & Return to Portugal
- Santa-Rita became deeply involved with Futurism, embracing its principles of dynamism, technology, and rejection of traditional artistic values.
- Upon his return to Portugal, he aimed to establish himself as the leading proponent of Futurism within the country.
- He faced challenges, including conflict with political figures after the 1910 Revolution which led to the loss of his scholarship.
Artistic Development and Key Works
- Santa-Rita’s artistic style was characterized by its experimental nature, reflecting Futurist ideals. His surviving works are relatively few due to his later instructions for their destruction.
- His paintings often display fragmented forms, bold colors, and a sense of movement, attempting to capture the energy of modern life.
- Notable Works: Include “Head” and several untitled pieces preserved in museum collections. Many works are known only through black-and-white illustrations published in journals.
Portugal Futurista & Orpheu
- In 1915, he participated in a conference at the Teatro República alongside José de Almada Negreiros where Futurist manifestos were presented.
- He co-launched the journal Portugal Futurista in 1917. However, its single issue was largely suppressed by authorities due to accusations of obscenity.
- Santa-Rita also contributed to the influential modernist journal Orpheu, further disseminating avant-garde ideas within Portugal.
Final Years and Legacy
- Guilherme de Santa-Rita tragically died of tuberculosis in 1918 at the age of 29.
- Before his death, he requested that all of his artwork be destroyed, a testament to his radical artistic convictions and perhaps disillusionment with the reception of Futurism in Portugal.
- Fortunately, some paintings were saved by friends and collectors and are now held by the Ministry of Culture and the Chiado Museum.
- Historical Significance: Despite his short career and limited surviving oeuvre, Santa-Rita played a crucial role in introducing Futurism to Portugal. He remains an important figure in the history of Portuguese modern art, bridging international avant-garde movements with local artistic expression.
guilherme de santa rita
1889 - 1918 , Portugal
작가 정보 요약
- Birth Date: 1889
- Birth Place: Lisbon, Portugal
- Death Date: 1918
- Influenced By: Filippo Tommaso Marinetti, Amadeo de Souza-Cardoso
- Movement: Futurism
- Name: Guilherme de Santa-Rita
- Nationality: Portuguese
- Notable Works: Head, Untitled (various)