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Liza Križanić first used the flower motif in 1930. Of the two hundred and ninety-nine paintings listed in the monograph of her artistic opus, a hundred and thirty-three are chrysanthemums, irises, roses, lilacs, magnolias, cyclamen, tuberoses, violets, hyacinths, pansies, sunflowers, wild and other flowers in vases, jars, jugs and other vessels, with only the outline of a base, always with simple, yet colour-wise harmoniously accordant backgrounds. She sometimes included blossoming branches, and flower arrangements even in her landscapes and a few still-lifes, so that she was truly a painter of flowers. Even these Flowers in a white majolica jug with only a hint of the characteristic blue ornament, confirm that Liza Križanić never gave up her intimist ideals, even when this movement was branded as decadent western formalism which was not compatible with the new social order. She definitely did not wish to change either herself or the world by revolution, although she kept concisely illustrating her husband’s cartoons with acutely witty sentences even in the years immediately after World War II. Her painting revealed the significance of the small necessary and dear details from one’s immediate surroundings. The nerve-lines of her drawings, the playfulbrushstrokes and pastel tones reflect her tenderness and her nature. This old-school woman artist resisted new trends in art and kept nurturing what she had begun in her formative years. Yet her artistic work was not isolated but related to the work done at the same time by kindred artists such as Svetolik Lukić and Aleksandar Kumrić.

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early life and artistic style

draginja marić, also known as liza križanić, was born in 1905 in kosjerić, serbia. she passed away in 1982, leaving behind a legacy as a significant representative of color expressionism in the yugoslavian art scene during the 1930s. her landscapes, particularly those of dalmatia, are reminiscent of the style of van gogh, with whom she shared a deep passion for capturing the vibrant colors of nature.

notable works and inspiration

job's landscapes of dalmatia are not only a testament to her skill but also reflect her inspiration from the mediterranean landscape. her series of paintings inspired by life on the island of brač, as seen in her artworks on ArtsDot.com, showcase her unique ability to capture the essence of the region.

supetar, a town in brač, was often depicted in her works, reflecting her deep connection with the island's culture and beauty.
fishing themes, portraits, and nudes also feature in her portfolio, demonstrating her versatility as an artist.
her paintings of olive trees swayed by the maestral (a type of wind) are particularly notable for their use of color and composition.

legacy and influence

draginja marić's work, characterized by its expressive use of color, has influenced generations of artists in yugoslavia. her contribution to the development of color expressionism in the region remains significant. important links: - art movements (for more on art styles and movements) - draginja marić's artworks on ArtsDot.com - yugoslav art on wikipedia (for broader context on yugoslavian art)

draginja marić

1905 - 1982 , Serbia

주요 정보

Artistic Movement Or Style: Color Expressionism
Artists Or Movements Influenced By This Artist: ['Yugoslav Art']
Artists Who Influenced This Artist: ['Van Gogh']
Date Of Birth: 1905
Date Of Death: 1982
Full Name: Draginja Marić Križanić
Nationality: Serbian
Notable Artworks:
- Dalmatian Landscapes
- Brač Island Paintings
Place Of Birth: Kosjerić, Serbia

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유사한 작품들

작가 약력

early life and artistic style