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통계 정보Self Portrait
- 166.0 x 126.0 cm
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이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.
이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 수준의 지클레이 및 캔버스 프린트. (
수작업 채색 복제본 주문하기 디지털 이미지로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Self Portrait
지클레 / 아트 프린트
복제본 크기
-
최종 결제 금액
₩ 84408
작가 정보
Balraj Khanna (1939–2024): A Pioneer of Color Field Painting
Balraj Khanna, born October 3rd, 1939 in Jhang, Punjab, India, was a multifaceted artist whose life spanned from witnessing the tumultuous Partition of India to establishing himself as a prominent figure in British art. His formative years were marked by profound experiences that instilled within him an enduring sensitivity to social and political realities—a characteristic that would permeate his artistic vision throughout his career. Khanna’s journey began with formal studies at Chandigarh University, where he honed his skills in English literature before relocating to London in 1962, driven by aspirations for intellectual enrichment. Initially facing considerable prejudice as described by Francis Newton Souza, Khanna quickly found solace and camaraderie amongst fellow artists—including Souza, Avinash Chandra, and W.G.Archer—who championed the recognition of Indian artists within Britain’s cultural landscape. This supportive environment fostered his artistic growth, culminating in a solo exhibition at Oxford's Ashmolean Museum in 1968, marking a pivotal moment in his burgeoning career. Bryan Robertson lauded Khanna as “one of the most distinguished artists working in England,” praising his distinctive style—characterized by delicate gravity and luminous color—which captured the essence of an inner world profoundly shaped by his personal history. Khanna’s artistic output extended beyond painting, encompassing sculpture, writing, and curatorial endeavors. He participated in significant exhibitions showcasing Afro-Asian art alongside Rasheed Araeen at the Hayward Gallery in 1989, responding to pervasive societal biases within Britain during that era. This commitment to social commentary solidified his reputation as an artist deeply invested in addressing pressing issues of his time. His work gained international acclaim and was housed in major institutions across Europe and America—a testament to his enduring legacy. Khanna passed away January 19th, 2024 at the age of 84, leaving behind a rich artistic heritage that continues to inspire artists and scholars alike.- Notable Achievements: Khanna’s oeuvre includes monumental murals commissioned for public spaces, reflecting his dedication to civic engagement and artistic innovation.
- Influences: Khanna drew inspiration from Surrealism, Expressionism, and Color Field Painting—styles that profoundly impacted his aesthetic sensibilities.
- Signature Style: Khanna's distinctive approach involved layering acrylic paints onto canvas, creating textured surfaces and vibrant color palettes that conveyed emotional depth and visual dynamism.
Exploring Khanna’s Artistic Language: Tondo Paintings and Landscape Visions
Khanna’s artistic practice centered around two primary mediums—tondo paintings and landscape compositions—each embodying a unique exploration of form, color, and spatial relationships. His tondo works, characterized by circular canvases adorned with intricate geometric patterns and stylized imagery, exemplify his mastery of abstraction and visual symbolism. These pieces often evoke meditative contemplation and invite viewers to engage in introspection—reflecting Khanna’s belief that art could serve as a catalyst for personal transformation. Simultaneously, Khanna's landscapes captured the grandeur and subtlety of the natural world, employing bold brushstrokes and luminous hues to convey atmospheric conditions and textural nuances.- Sussex by the Sea: This striking abstract expressionist painting exemplifies Khanna’s ability to distill complex emotions into visual form—characterized by diagonal lines and vibrant color palettes.
- Apple Green (detail): A meticulously crafted tondo featuring birds amidst lush greenery, demonstrating Khanna's meticulous attention to detail and his masterful manipulation of color.
The Legacy of Mini Tondo II: Minimalism and Surrealist Echoes
Khanna’s artistic experimentation reached its zenith in *Mini Tondo II*, created in 2004. This piece—a deceptively simple cut-out paper artwork—challenged conventional notions of representation, embracing abstraction and surrealist influences. The stark white tondo served as a canvas for layered textures and an enigmatic composition—reflecting Khanna’s unwavering commitment to pushing artistic boundaries.Further Exploration
For more information about Balraj Khanna's life and work, please visit Balraj-Khanna.com.
Balraj Khanna
1940 -
작가 정보 요약
- Full Name: Balraj Khanna
- Nationality: British-Indian
- Date Of Birth: 1940
- Date Of Death: January 19, 2024
- Place Of Birth: Jhang, Punjab, India
- Notable Artworks:
- Sussex by the Sea
- Apple Green
- Artistic Movement Or Style: Abstract Expressionism
- Artists Who Influenced This Artist:
- Francis Newton Souza
- A. Chandra
- Artists Or Movements Influenced By This Artist: ['Impressionism']
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