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상세 정보상세 정보 즐겨찾기에 추가 즐겨찾기에 추가 다운로드다운로드 유사 작품유사 작품 X-레이X-레이 슬라이드 쇼슬라이드 쇼

Self-portrait

Explore ádám mányoki’s 1711 Self-Portrait – a dramatic Baroque oil painting showcasing realistic detail & confident self-representation. A timeless piece for art collectors.

Explore the Baroque portraits of Ádám Mányoki, a Hungarian artist who served Prussian & Polish courts. Discover his refined style & historical subjects.

수제 유화 복제품

원하는 크기와 액자로 주문 제작되는, 작가들이 직접 캔버스에 손으로 그린 유화 작품입니다. (프린트 주문으로 전환 프린트 주문으로 전환이미지로 전환 이미지로 전환)

Standard
custom
CM
INCH

작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.

가로 너비
세로 길이

특정 프레임이나 공간에 맞도록 직접 크기를 입력할 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않는 경우, 작품을 자르거나 추가적인 손으로 그린 요소를 사용하여 그림을 확장합니다. 제작 시작 전 승인을 위해 디지털 목업을 보내드립니다.
화면 미리 보기는 실제 자르기 또는 확장을 반영하지 않습니다. 최종 구성은 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본 비율을 유지하기 위해 사전 정의된 목록에서 크기를 선택하시는 것을 권장합니다.

변경 가능한 예시: 얼굴을 고객의 사진으로 교체, 반려동물 추가(예: 고양이를 강아지로 변경), 배경에 숨겨진 메시지 삽입, 배경 풍경 또는 요소 변경 등
주문 후 ArtsDot.com 팀에서 상세 안내를 위해 고객님께 이메일을 보내드리며, 미리보기 시안을 제공해 드립니다.

전 세계 배송()은 표준 5주 대신 3~4주 내에 완료됩니다. (3 8월). 품질에는 어떠한 타협도 하지 않습니다.

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전 세계 무료 특급 배송
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프리미엄 린넨 캔버스
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전체 배송 보험 보장
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관세 환불 보장
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실제 색상 일치 보장
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60일 이내 반품 정책 (제조 결함 시)
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100% 환불 보장
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다량 구매 할인 혜택

총 합계 금액

$ 263

reproduction

Self-portrait

재현 기법

복제본 크기

-

최종 결제 금액

$ 263


작가 약력

Ádám Mányoki: A Hungarian Baroque Master Reflecting Light and Shadow

Ádám Mányoki (1673, Szokolya – 6 August 1757, Dresden) was a Hungarian Baroque portrait painter who achieved considerable renown during his lifetime and continues to be admired for his refined style and masterful depiction of human emotion. Born into a modest Protestant family in Szokolya, Hungary, Mányoki’s early life was marked by hardship—his father served as a pastor in a rural parish struggling financially—a circumstance that profoundly shaped his artistic trajectory. Recognizing his innate talent, Dölfer, a German staff officer who took responsibility for his upbringing, secured him an education at Lüneburg and Hamburg, laying the foundation for his burgeoning artistic career. These formative years instilled in Mányoki a deep appreciation for classical ideals of beauty and proportion, influences that would permeate his subsequent work. He honed his skills under the tutelage of Andreas Scheits in Hanover and Nicolas de Largillière in Paris—institutions renowned for fostering innovation within the Baroque tradition—expanding his artistic horizons beyond Hungary’s borders. The Parisian atelier proved particularly influential, exposing him to the burgeoning Enlightenment spirit and encouraging experimentation with new techniques. Mányoki's formal training culminated in a journey to Amsterdam where he immersed himself in the vibrant art scene of the Dutch Republic. This exposure solidified his commitment to capturing the subtleties of human psychology through portraiture—a medium he would champion throughout his prolific artistic output. His decision to relocate to Berlin in 1703 marked a pivotal moment, securing him patronage from King Frederick William I and establishing him as a prominent figure within Prussia’s cultural elite. During this period, Mányoki produced several celebrated portraits of royal family members, demonstrating his ability to convey dignity and gravitas with remarkable precision. However, Mányoki's artistic ambitions extended beyond the confines of court commissions. He actively sought opportunities to engage with broader artistic currents, traveling extensively throughout Europe—visiting Prague and Vienna—where he undertook commissions for emperors Charles VI and Maria Theresa. These expeditions broadened his understanding of European art history and fueled his desire to explore diverse stylistic approaches. His portraits of Maria Anna, Habsburg Empress and daughter of Charles VI, stand out as particularly evocative representations of aristocratic femininity, capturing both inner grace and outward composure. From 1724 to 1731, Mányoki returned to Hungary, where he captivated audiences with his depictions of Hungarian nobility—including Pál Ráday (hu) and his wife—and members of the Podmanitzky family. His meticulous attention to detail—particularly in capturing skin tones and facial expressions—became a hallmark of his style. Following this period, Mányoki resided in Dresden and Leipzig, securing royal patronage from Augustus III of Poland and continuing to produce works that reflected the artistic sensibilities of the era. He resigned his position as court painter in 1753 due to unresolved salary disputes, marking the end of an illustrious career—a poignant reminder of the challenges faced by artists striving for recognition during their time. Mányoki died peacefully in Dresden at the age of 84, leaving behind a legacy of exquisitely rendered portraits that continue to inspire admiration and scholarly study.
  • Notable Works: “Portrait of Jan Szembek,” “Portrait of Angelique Debargues”
  • Influences: Classical Idealism, Baroque Tradition, Parisian Atelier
  • Style Characteristics: Precise Detail, Subtle Expression, Mastery of Light and Shadow
Sources:
  • RKD Research
  • Biography - askART
ádám mányoki

ádám mányoki

1673 - 1757

주요 정보

  • Artistic Movement Or Style: Baroque Painting
  • Artists Or Movements Influenced By This Artist: ['Nicolas de Largillière']
  • Artists Who Influenced This Artist: ['Andreas Scheits']
  • Date Of Death: 1757
  • Full Name: Ádám Mányoki
  • Nationality: Hungarian
  • Notable Artworks:
    • Portrait of Jan Szembek.
    • Portrait of Adam Mányoki
  • Place Of Birth: Szokolya, Hungary