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Bird on a Branch

  • 制作日501
  • 寸法24.0cm x 28.0cm

Discover the intricate paper art of unkei eii, a 16th-century Japanese master known for his serene 'Bird on a Branch' & unique artistic style. Explore his legacy!

手描き油彩複製画

当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

標準サイズ
オーダーメイド
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

高さ

特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認(承認)をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。

カスタマイズの例:顔をお客様の写真に置き換える、ペットを追加する(例:猫を犬に変更)、背景に隠れたメッセージを入れる、背景の風景や要素を変更するなど。
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世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(22 9月)。品質には一切妥協いたしません。

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世界中へ無料エクスプレス配送
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高品質なリネンキャンバス
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配送時完全保険付
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関税・輸入税の払い戻し保証
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忠実な色彩再現保証
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100日間返品保証(製造上の欠陥がある場合のみ)
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100% 全額返金保証
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まとめ買い割引のご案内

合計金額

$ 263

reproduction

Bird on a Branch

複製技法

複製画のサイズ

-

合計金額

$ 263

This small painting perfectly encapsulates both the spirit and style of Zen ink compositions of the late medieval period in the style of Sesshū Tōyō (1420–1506). Monochrome and effectively utilizing blank space, the work features dry and spontaneous brushwork that captures the moment a small bird (a titmouse) has alighted on a wizened branch. The brusquely brushed calligraphy by Daitokuji temple prelate Daiko Shōkaku cites a verse by the well-known Zen monk‑poet Son’an (Kisei Reigen, 1402–1488). It reads: In the forest, when evening comes birds retire and nest together.Coupled birds remain in flight, their joined wings letting them soar,not looking for a place to spend the night.—Son’an(Trans. adapted from Miyeko Murase)

アーティストの略歴

The Soul of the Kei School: The Life and Legacy of Unkei Eii

In the turbulent transition to the Kamakura period, a transformative energy surged through the heart of Japanese sculpture, driven by a visionary whose name remains synonymous with spiritual vitality. Unkei Eii, born around 1150, did not merely carve wood; he breathed life into the divine. As a central figure of the illustrious Kei school, Unkei orchestrated a profound departure from the delicate, aristocratic aesthetics that had long dominated the Kyoto courts. Where previous eras favored a serene, almost detached elegance, Unkei introduced a breathtaking naturalism and a muscular dynamism that captured the raw, emotional essence of Buddhist devotion. His work stands as a monumental bridge between the stylized traditions of the past and a new, visceral realism that would redefine Japanese sacred art for centuries.

The foundations of Unkei’s mastery were laid within a lineage of unparalleled sculptural prestige. Though much of his early life remains shrouded in the mists of history, his artistic DNA was deeply rooted in the revivalist spirit of Nara. He was the descendant of Jōchō, the legendary sculptor who had revitalized Buddhist imagery following the devastation of earlier conflicts, and the son of Kōkei, the progenitor of the Kei school. Under his father’s tutelage, Unkei absorbed the rigorous technical disciplines of Nara-style carving while simultaneously embracing a revolutionary impulse to reject stylistic rigidity. This upbringing provided him with the essential tools to manipulate medium and form, allowing him to move beyond mere representation toward a profound expression of enlightenment and compassion.

A Revolution in Realism and Spiritual Expression

The artistic landscape of Unkei’s era was characterized by a tension between the refined, static beauty favored by the Kyoto aristocracy and a rising demand for art that resonated with the burgeoning warrior class and the common people. Unkei spearheaded this cultural shift by prioritizing realism above all else. His sculptures were not intended to be distant icons of worship but living presences capable of evoking palpable emotion in the viewer. By focusing on anatomical accuracy, expressive facial features, and a sense of kinetic energy, he achieved a feat of spiritual alchemy—making the intangible concepts of Buddhist doctrine visible through the physical weight and texture of wood.

The technical brilliance of Unkei’s achievements can be observed in several key areas of his development:

  • Dynamic Composition: Moving away from symmetrical, static poses to create figures that seem caught in a moment of profound movement or intense meditation.
  • Naturalistic Detail: The meticulous rendering of musculature, flowing drapery, and facial expressions that convey deep psychological depth.
  • Material Mastery: Utilizing the medium of wood to capture both the strength of the divine and the vulnerability of the human spirit.

Ultimately, the historical significance of Unkei Eii lies in his ability to have captured the zeitgeist of a changing Japan. His work moved the focus of Japanese sculpture from the ethereal heavens down to the earthly realm, grounding the divine in a reality that was both accessible and awe-inspiring. Through the Kei school, Unkei left an indelible mark on the history of art, ensuring that the pursuit of naturalism and emotional truth would remain a cornerstone of the Japanese aesthetic identity long after his passing in approximately 1223.

unkei eii

unkei eii

Japan

基本情報

  • Artistic Movement Or Style: Kei school
  • Artists Or Movements Influenced By This Artist: ['Kanō Motonobu']
  • Artists Who Influenced This Artist: ['Kōkei']
  • Date Of Birth: c. 1150
  • Date Of Death: 1223
  • Full Name: Unkei eii
  • Nationality: Japanese
  • Notable Artworks: ['Bird on a Branch']
  • Place Of Birth: Japan