設置イメージを表示 ARで試着 手描き複製画を注文する デジタル画像販売へ切り替え シェアする
詳細を見る ガイドを表示 お気に入りに追加 ダウンロード 似ている作品 X線調査 スライドショーを表示 Q&A 統計情報
Robert Hannah

Astronomy

寸法
125.0 x 75.0 cm

Robert Hannah (1812-1909) was a British painter known for portraits, genre scenes, historical subjects & landscapes. His style resembled the Faeds. Explore his artworks depicting notable figures and events!
詳細を表示

ジークレー／アートプリント

スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描き複製画を注文する デジタル画像販売へ切り替え)

詳しく読む

標準サイズ
オーダーメイド
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

横幅
高さ

額縁や壁のスペースに合わせて、ご希望の幅と高さを入力してください。プリントはカットすることは可能ですが、元の画像より大きくすることはできないため、異なる比率のサイズを選択された場合は、画像の一部が欠けることになります。印刷を開始する前に、内容を確認していただくためのデジタルモックアップをお送りいたします。このページに表示されている画像は、実際のカット後の状態を示すものではありません。実際の仕上がりはモックアップにてご確認ください。

詳しく読む

詳しく読む

詳しく読む

世界中への配送（）は、標準の4〜5週間ではなく、2週間でお届けいたします。（8 11月）

詳しく読む

世界中へ無料エクスプレス配送
高品質なリネンキャンバス
配送時完全保険付
関税・輸入税の払い戻し保証
真の色彩再現に関する保証
100日間返品保証（製造上の欠陥がある場合のみ）
100% 全額返金保証
まとめ買い割引のご案内
詳しく読む

合計金額

¥ 9972

Astronomy

ジークレー／アートプリント

複製画サイズ一覧

-

合計金額

¥ 9972

関連作品

The Promenade — セザンヌ, Post-impressionism
セザンヌ The Promenade
Portrait Of A Woman (mme. Georges Hartmann) — ピエール＝オーギュスト・ルノワール, Impressionistic Portraiture
ピエール＝オーギュスト・ルノワール Portrait of a woman (Mme. Georges Hartmann)
Sainte Casilde — フランシスコ・デ・ズラバラン, Baroque Style
フランシスコ・デ・ズラバラン Sainte Casilde
Still Life With Apples And Pomegranates — ギュスターヴ・クールベ, Contemporary Realism
ギュスターヴ・クールベ Still Life with Apples and Pomegranates
Blockade — アリ・タリーブ・アル＝サッファール, Abstract Expressionism
アリ・タリーブ・アル＝サッファール Blockade
C. Parson, Ra — ジョージ・エドマンド・バトラー, Contemporary Realism
ジョージ・エドマンド・バトラー C. Parson, RA
The Cat — Paresh Maity, Symbolism
Paresh Maity The Cat
Satyr Playing Flute — ヤコブ・ヨルダーンス, Baroque
ヤコブ・ヨルダーンス Satyr playing flute
The Artist And The Model — ベオグラード市立博物館, Impressionism
ベオグラード市立博物館 The Artist and the Model
Rabbit — ネイサン・オリベイラ, Bay Area Figurative Movement
ネイサン・オリベイラ Rabbit

作家プロフィール

A Life in Light and Shadow

Born in 1812, Robert Hannah emerged from a family of artisans in the Kirkcudbrightshire region of Scotland. The son of a builder, his early years were shaped by the quiet landscapes of Kirkmabreck, though the exact details of his upbringing remain obscured by time. He eventually moved toward the urban centers of art, studying in Liverpool and at the Royal Society of Arts Schools in London. His ambitions eventually led him to Rome, a period of study that likely refined the technical precision he would later apply to his more atmospheric compositions. By 1842, he was established enough to exhibit at the Royal Academy, a presence he maintained through 1870.

His personal life was anchored by his marriage to Emma Cordy Baxter in 1845. The couple resided in various London districts, moving from the streets of Brompton to the quieter reaches of Kensington and Chelsea. While his professional life was defined by the brush, his domestic life was one of stability, supported by the income of a successful painter and his interests as a bond fund holder. He was a man of his era, navigating the social and economic structures of Victorian London while maintaining a connection to his Scottish roots.

The Faedal Aesthetic

Hannah’s work is defined by a specific, almost spectral quality often described as Faedal. This style moved away from the rigid demands of meticulous realism, opting instead to capture the mood of a landscape or the psychological weight of a portrait. He achieved this through a careful application of glazing, layering translucent pigments to create a sense of depth and internal light. His subjects often appeared solitary, set against desolate or hazy vistas that suggested a world governed by folklore rather than strict geography.

His subject matter was diverse, ranging from the dignity of formal portraiture to the quiet narratives of genre scenes. He found particular inspiration in the traditions of Celtic mythology and the rugged terrain of the Scottish Highlands, where he spent much of his adult life. His ability to translate emotion into color allowed him to move beyond mere representation, focusing instead on the atmosphere surrounding his figures. This approach allowed him to explore themes of rural life and historical memory with a distinct, imaginative sensibility.

Artistic Legacy and Recognition

Throughout his career, Hannah produced a significant body of work, with approximately 350 paintings attributed to his hand. His reputation was bolstered by notable collectors and exhibitions. His paintings The Novel and The Play, both exhibited at the Royal Academy in 1852, were acquired by Charles Dickens, signaling his standing within the mid-Victorian art world. His versatility was evident in his ability to move between different genres, including:

  • Portraiture that captured the melancholy of his subjects.
  • Genre scenes exploring rural life and folklore.
  • Landscapes of the Scottish Highlands.
  • Historical subjects and scientific demonstrations, such as William Harvey Demonstrating the Circulation of Blood to Charles I.

By the time of his death in 1909, Hannah had left behind a legacy of individualistic expression. He did not follow the academic trends of his day, choosing instead to prioritize the conveyance of emotion and the interpretation of the imagination. His works remain a study in how light and atmosphere can be used to suggest the unseen, making him a singular figure in the history of British painting.

Robert Hannah

Robert Hannah

1812 - 1909

プロフィール概要

  • Artistic Movement Or Style: Faeds style
  • Artists Who Influenced This Artist:
    • William Holman Hunt
    • John Everett Millais
  • Date Of Birth: 1812
  • Date Of Death: 1909
  • Full Name: Robert Hannah
  • Nationality: British
  • Notable Artworks:
    • The Shepherdess
    • A Cottage Interior
  • Place Of Birth: London, England