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作品解説
Bernini’s artistic legacy extends beyond ‘The Assumption,’ encompassing collaborations with his son Gian Lorenzo and architectural achievements like Palazzo Barberini. His influence on subsequent generations of artists solidified his position as Michelangelo’s successor, shaping the visual language of Baroque Rome.
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アーティストの略歴
Pietro Bernini (1562-1629) was an Italian Mannerist sculptor & father of Gian Lorenzo Bernini. Known for Baroque contributions like the Fontana della Barcaccia, his work influenced Roman art.
手描き油彩複製画
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プリント版に切り替え デジタル画像販売へ切り替え)
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統計情報Order your painting in four simple steps
Take your time. You can change any answer; the price in your order card follows each choice.
1 Step one of four
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These sizes keep the proportions of the original painting. The drawing shows your choice on a wall, above a two-metre sofa.
Or give your own measurements
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
フレームや壁のスペースに合わせて、ご希望の幅と高さを入力してください。本作品は手描きのため、異なる比率のサイズをご希望の場合、絵画の周囲を少し広げて描くか、あるいは端を少しカットして調整することが可能です。お客様のご要望に合わせます。制作を開始する前に、仕上がりを確認するためのデジタルモックアップをお送りいたします。このページに表示されている画像は完成品の実物ではなく、あくまでモックアップによるイメージです。
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Blurside ¥1
Extended ¥1
P118B ¥10
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P438Z ¥10
P508JH ¥12
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P805H ¥10
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H24-GOLD ¥30
H24-SILVER ¥30
H36-GOLD ¥45
H36-SILVER ¥45
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A nameplate, as in a museum?
刻印入りブロンズプレートの詳細
This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
透明アクリル銘板の詳細
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
黒アクリル製銘板の詳細
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
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Your painting, as you ordered it
The Assumption
再現技法
複製画サイズ一覧
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至高の熟練アーティスト
より細部までこだわった表現、洗練された技術、そして十分な制作時間
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複製画用フレーム
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いずれかの辺が105 cm（約41インチ）を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。
組み立てには専門知識が必要です（DIY用製品ではありません）。
本キットは、経験豊富なプロの額装師が、木工用ボンド（別売）、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。
いずれかの辺が105 cm（約41インチ）を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。
付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください（ボンドは付属しておりません）。ボンドは額装業者様にてご手配をお願いいたします。
プロ仕様の道具が必要ですが、キットには含まれていません：キャンバス用ストレッチングプライヤー（テンショナー）、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。
重要：
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師（フライマー）の手配をお願いいたします。
キャプション
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保護用ワニス
光沢ワニス（色彩を鮮やかに引き立て、光や湿気から保護します）
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作品をカスタマイズ
カスタマイズの例：顔をお客様の写真に差し替える、ペットを追加する（例：猫を犬に変更）、背景に隠しメッセージを入れる、背景の風景や要素を変更する。
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お急ぎ便
世界中への配送（）は、通常の5週間ではなく、3〜4週間でお届けいたします。（3 11月）。品質には一切の妥協を許しません。
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お急ぎ便
世界中への配送（）は、5週間ほどでお届けします。（10 11月）。
込み
合計金額
¥ 41477
ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
Included with every order
- 世界中へ無料エクスプレス配送
- 高品質なリネンキャンバス
- 配送時完全保険付
- 関税・輸入税の払い戻し保証
- 真の色彩再現に関する保証
- 100日間返品保証（製造上の欠陥がある場合のみ）
- 100% 全額返金保証
- まとめ買い割引のご案内
The Assumption by Pietro Bernini
Pietro Bernini’s “The Assumption,” completed between 1607 and 1610, stands as one of the most iconic representations of Marian devotion within the Baroque artistic tradition. Situated in Santa Maria Maggiore Basilica, Rome—a site steeped in papal history and religious significance—the sculpture embodies Bernini's unparalleled mastery of marble carving and his profound understanding of theatrical composition. It’s a monumental work that transcends mere depiction; it strives to convey an experience of transcendent beauty and spiritual awe.- Subject Matter: The sculpture portrays the Virgin Mary ascending into heaven, embodying the Catholic dogma concerning her immaculate conception and glorious resurrection. This event is central to Christian theology, symbolizing divine grace and redemption.
- Style & Technique: Bernini’s approach aligns perfectly with the Baroque aesthetic—characterized by dynamism, dramatic lighting, and emotional intensity. He employs a technique known as “contrapposto,” where Mary’s torso tilts slightly away from the viewer, creating an illusion of movement and conveying her serene dignity. The sculpture utilizes meticulous detail to capture the folds of Mary's robes, the delicate expressions on her face, and the intricate patterns adorning the angelic figures surrounding her.
- Historical Context: Created during Pope Paul V’s reign—a period marked by fervent piety and artistic patronage—the Assumption reflects the broader cultural climate of Rome at the time. Bernini's commission was driven by a desire to elevate the basilica’s spiritual stature and solidify papal authority. The sculpture served as a powerful symbol of papal piety and divine providence.
- Symbolism: The sculpture is laden with symbolic references. Mary’s outstretched hand gestures towards God, signifying prayer and supplication—a gesture that underscores humanity's yearning for divine grace. The radiant halo encircling Mary’s head symbolizes her holiness and divinity, while the angelic figures convey reverence and adoration. The clouds beneath Mary represent heaven itself, emphasizing the ascension into eternal glory.
- Emotional Impact: “The Assumption” aims to inspire contemplation and evoke a profound emotional response in viewers. Bernini's masterful manipulation of marble creates an illusion of palpable movement—drawing the eye upwards towards Mary’s figure and immersing the spectator in a realm of ethereal beauty. The sculpture’s grandeur and meticulous detail serve as testament to Bernini’s artistic genius, leaving visitors breathless with wonder and reverence.
Q&A
Pietro Bernini作「The Assumption」は、Baroqueにおいてどのような情緒を表現していますか？
Baroqueのムーブメントにおいて、「The Assumption」はPowerfulなトーンで描かれています。
「The Assumption」の油彩複製画を注文することはできますか？
Pietro Bernini作「The Assumption」の手描き複製画は、こちらの手描き油彩複製画ページから直接ご注文いただけます：リネンキャンバスに手描きされた油彩複製画（受注制作）
「The Assumption」には、どのような情緒や感情が込められているのでしょうか？
「The Assumption」は、DramaticなムードにPowerfulな感情が添えられた作品です。
関連作品
Pietro Bernini
1562 - 1629, Italy
作家プロフィール
Pietro Bernini: Life and Legacy
Early Life and Training
- Born: Sesto Fiorentino, Tuscany, Italy in 1562.
- Pietro Bernini emerged during the late Mannerist period, a time of stylistic transition in Italian art. His early training likely involved exposure to the prevailing artistic trends of Florence, characterized by elegance and refinement.
- Details regarding his initial apprenticeship remain somewhat scarce, but it’s understood he developed foundational skills in sculpture before relocating to Naples.
Naples and Family Beginnings
- Bernini moved to Naples to contribute to the artistic embellishment of the Certosa di San Martino, a significant religious complex.
- Significant Event: It was in Naples that he met and married Domenica Pizzuti, and their son, the future Baroque master Gian Lorenzo Bernini, was born in 1598.
- This period marked a crucial turning point, laying the groundwork for a family dynasty of artists.
Rome and Papal Patronage
- Relocation: In 1605, the Bernini family relocated to Rome under the protection of Cardinal Scipione Borghese, a powerful figure in the Roman art world.
- Pietro quickly secured commissions from Pope Paul V (also a Borghese), contributing to projects such as the Pauline Chapel within the Basilica of Santa Maria Maggiore. This marked his entry into the heart of Roman artistic activity.
- Influence: The patronage of the Borghese family proved instrumental in establishing Pietro’s career and providing opportunities for both him and, eventually, his son.
Major Works and Artistic Style
- Fontana della Barcaccia: Perhaps his most celebrated work, the Fontana della Barcaccia (Fountain of the Old Boat) at the foot of the Spanish Steps in Rome. Completed in 1627, it’s a striking example of Baroque ingenuity, resembling a beached ship.
- Other Notable Works: Contributions to the Fountain of Neptune in Naples (completed between 1600-1601), and sculptural work within Santa Maria Maggiore.
- Artistic Style: Pietro’s style blended Mannerist elegance with emerging Baroque dynamism. His sculptures often exhibit a sense of movement, emotional intensity, and dramatic flair.
Collaboration and Legacy
- Early Collaboration with Gian Lorenzo: Pietro initially collaborated with his son on projects like the Boy with a Dragon (1617), showcasing early signs of Gian Lorenzo’s exceptional talent.
- Shift in Roles: As Gian Lorenzo's abilities surpassed his own, Pietro willingly transitioned into a supportive role, often acting as an assistant to his son. This demonstrates a remarkable level of artistic maturity and familial dedication.
- Historical Significance: While overshadowed by his son’s immense fame, Pietro Bernini played a vital role in shaping the Roman Baroque landscape. His work paved the way for Gian Lorenzo's groundbreaking achievements and contributed to the flourishing of art during this period.
- Death: Pietro Bernini died in Rome in 1629 at the age of 67, leaving behind a legacy as both a skilled sculptor and the father of one of history’s greatest artists.
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