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Gračanica Monastery

A warm pinkish hue illuminates the architectural grandeur of Gračanica Monastery in this 1913 masterpiece by Serbian expressionist Nadežda Petrović, inviting you to explore a timeless piece of Balkan history.

Discover Nadežda Petrović (1873-1915), Serbia's most famous expressionist & fauvist painter. Pioneer war photographer, dedicated nurse, and influential artist capturing Serbian life with bold colors & emotion. Explore her legacy!

ジークレー/アートプリント

スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描き複製画を注文する デジタル画像販売へ切り替え)

Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 無垢材, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 無垢材, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 無垢材, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 無垢材, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 無垢材, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 無垢材, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 無垢材, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 無垢材, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 無垢材, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 無垢材, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 無垢材, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 無垢材, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 無垢材, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 無垢材, 6 cm wide and 3.5 cm thick
W953PJ ¥8

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世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(4 11月)

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合計金額

¥ 9952

Gračanica Monastery

ジークレー/アートプリント

複製画サイズ一覧

-

合計金額

¥ 9952

The painting belongs to the War period of Nadežda

Q&A

「Gračanica Monastery」の素材とスタイルについて教えてください。

「Gračanica Monastery」は、Expressionism様式のOilで制作されています。

「Gračanica Monastery」にはどのような技法が用いられ、いつ制作されたものですか?

「Gračanica Monastery」は、1913年にOilで制作されました。

「Gračanica Monastery」は、どのような色彩と感情を併せ持っているのでしょうか?

Nadežda Petrović作「Gračanica Monastery」のEarthyなパレットは、そのSpiritualな情緒的トーンと見事に調和しています。色彩は、作品が感情を伝えるための重要な要素の一つです。


作家プロフィール

Nadežda Petrović (1873–1915): Serbia’s Expressionist Visionary

Nadežda Petrović (Serbian Cyrillic: Надежда Петровић; 11/12 October 1873 – 3 April 1915) was a Serbian painter and one of the women war photography pioneers in the region. Considered Serbia’s most famous expressionist and fauvist, she was the most important Serbian female painter of the period. Born in Čačak, Serbia, Petrović moved to Belgrade in her youth and attended the women's school of higher education there. Graduating in 1891, she taught there for a period beginning in 1893 before moving to Munich to study with Slovenian artist Anton Ažbe. Between 1901 and 1912, she exhibited her work in many cities throughout Europe. Her artistic journey culminated in a tragically premature death during World War I, leaving behind an indelible mark on Serbian art history.

Early Life and Education

Nadežda Petrović was born into a family of intellectuals—her father Dimitrije Petrović was a professor of mathematics and her mother Mileva Petrović was a teacher—providing her with a privileged upbringing steeped in culture and artistic appreciation. Growing up in Čačak, she experienced the hardships of Serbian life under Austro-Hungarian rule, fostering resilience and shaping her worldview. Recognizing her talent for art early on, her parents encouraged her pursuit of education beyond the conventional roles expected of women at the time. She excelled academically, earning a degree from Belgrade’s Women's School of Higher Education in 1891, marking a pivotal moment in her life and establishing her foundation for artistic endeavors. Her subsequent teaching position allowed her to nurture young minds and disseminate knowledge—a testament to her dedication and commitment to education.

Munich and Artistic Influences

Petrović’s relocation to Munich in 1901 proved transformative, exposing her to the burgeoning avant-garde movements of Expressionism and Fauvism. Studying under Anton Ažbe, a Slovenian artist who championed innovative techniques and stylistic experimentation, she absorbed influences from artists like Edvard Munch and Henri Matisse. These encounters ignited her creative spirit and propelled her artistic style toward bold color palettes, distorted forms, and emotionally charged compositions—characteristics that would define her oeuvre. The Munich environment fostered intellectual discourse and challenged established artistic conventions, encouraging Petrović to forge her own distinctive path as an artist.

Artistic Style and Notable Works

Petrović’s artistic style is characterized by Expressionism and Fauvism, movements that prioritized emotional intensity over realistic representation. Her paintings frequently employed vibrant hues—particularly crimson—and exaggerated brushstrokes to convey profound feelings and capture the essence of her subjects. Among her most celebrated works are “Ksenija Atanasijević,” a portrait imbued with melancholic beauty and psychological depth, and “Gračanica Monastery,” which exemplifies her masterful use of color and texture to depict Serbian Orthodox spirituality. These paintings stand as enduring symbols of Serbian artistic heritage and continue to inspire admiration for Petrović’s visionary approach to art. Furthermore, she contributed significantly to the preservation of Serbian cultural identity through her depictions of sacred sites and historical narratives.

War Photography and Humanitarian Service

Beyond her painting achievements, Nadežda Petrović demonstrated remarkable courage and compassion by volunteering as a nurse during the Balkan Wars (1912–1913) and subsequently during World War I. Driven by an unwavering commitment to humanitarian service, she tirelessly cared for wounded soldiers—often under perilous conditions—risking her own safety for the benefit of others. Her dedication earned her recognition from Serbian authorities and cemented her reputation as a selfless advocate for human dignity. Petrović’s bravery was honored with a Medal for Bravery and an Order of the Red Cross, acknowledging her extraordinary contribution to alleviating suffering during wartime.

Legacy and Recognition

Nadežda Petrović's legacy extends beyond her artistic output; she remains a symbol of Serbian resilience, creativity, and humanitarian spirit. Her paintings are housed in prominent museums across Serbia, including the National Museum of Serbia and the Pavle Beljanski Memorial Collection, ensuring that her artistic vision continues to resonate with audiences today. Moreover, her work is available for purchase as prints or hand-painted replicas on ArtsDot.com, allowing enthusiasts worldwide to experience the beauty and emotional power of her masterpieces. Petrović’s pioneering role as a woman artist in Serbia—and as a war photographer—serves as an inspiration for future generations striving to honor artistic excellence alongside social responsibility.
Nadežda Petrović

Nadežda Petrović

1873 - 1915 , Serbia

プロフィール概要

  • Full Name: Nadežda Petrović
  • Nationality: Serbian
  • Date Of Birth: 1873
  • Date Of Death: 1915
  • Place Of Birth: Cacak, Serbia
  • Notable Artworks:
    • Ksenija Atanasijević
    • Gračanica Monastery
  • Artistic Movement Or Style: Expressionism & Fauvism
  • Artists Who Influenced This Artist: ['Anton Ažbe']
  • Artists Or Movements Influenced By This Artist: ['Fauvism']