Triptych
手描き油彩複製画
当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え
デジタル画像販売へ切り替え)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
フレームや壁のスペースに合わせて、ご希望の幅と高さを入力してください。本作品は手描きのため、異なる比率のサイズをご希望の場合、絵画の周囲を少し広げて描くか、あるいは端を少しカットして調整することが可能です。お客様のご要望に合わせます。制作を開始する前に、仕上がりを確認するためのデジタルモックアップをお送りいたします。このページに表示されている画像は完成品の実物ではなく、あくまでモックアップによるイメージです。
ご注文後、ArtsDot.com チームより詳細な指示をお送りするとともに、仕上がりイメージ(モックアップ)をご提供いたします。
Triptych
再現技法
複製画サイズ一覧
-
合計金額
¥ 41437
関連作品
アーティストについて
Mariotto Albertinelli: A Florentine Renaissance Painter
- Born: Florence, Italy (1474)
- Died: 1515
Early Life and Training
Mariotto di Bigio di Bindo Albertinelli was born in Florence as the son of a gold beater. He was an only child, and his mother died when he was just five years old. Initially trained as a gold beater until the age of 12, he then became a pupil of Cosimo Rosselli, sharing studies with Fra Bartolomeo. The close friendship between Albertinelli and Fra Bartolomeo led them to establish a joint studio in Florence by 1494.
Artistic Development and Influences
Albertinelli’s style demonstrates the influence of several prominent artists including Perugino, Piero di Cosimo, Lorenzo di Credi, and Flemish painters. His early works, produced independently of Fra Bartolomeo, are stylistically distinct and reveal a sophisticated taste for detail. Piero di Cosimo introduced him to Flemish techniques, enriching his artistic palette. A period of independence followed Fra Bartolomeo’s entry into the Dominican order in 1500, allowing Albertinelli to develop his own voice while still maintaining a connection to his former mentor's style.
Major Works and Collaborations
- The Visitation (1503): Housed in the Uffizi Gallery, this is considered Albertinelli’s masterpiece. It depicts the biblical story of Elizabeth visiting Mary, showcasing his skill in composition, narrative depiction, and blending influences from Fra Bartolomeo and Perugino.
- Altarpiece for the Chapel of Congregazione di San Martino: This altarpiece includes panels depicting the Visitation, Annunciation, Nativity, and Circumcision. It demonstrates Albertinelli's ability to create a cohesive narrative across multiple panels.
- Kress Tondo: Initially attributed solely to Fra Bartolomeo, it is now believed that Albertinelli used his partner’s cartoon in its creation, highlighting their collaborative relationship.
- Annunciation (1511): A joint work with Fra Bartolomeo, showcasing a period of stylistic convergence and collaboration.
Historical Significance and Legacy
Albertinelli's artistic career reflects the dynamic shifts within Florentine painting during the High Renaissance. His ability to synthesize diverse influences—Perugino’s grace, Flemish detail, and Leonardo’s sfumato technique—created a unique style that contributed to the richness of Florentine art. He trained notable artists such as Jacopo da Pontormo, Innocenzo di Pietro Francucci da Imola, and Giuliano Bugiardini, ensuring his influence extended beyond his own works. Despite facing financial difficulties later in life, Albertinelli left behind a body of work that demonstrates his skill and artistic versatility, solidifying his place within the Florentine Renaissance.
Mariotto Albertinelli
1474 - 1515 , Italy
アーティスト情報
- Full Name: Mariotto Albertinelli
- Nationality: Italian
- Date Of Birth: 1474
- Date Of Death: 1515
- Place Of Birth: Florence, Italy
- Notable Artworks:
- Visitation (1503)
- Scenes from Genesis panels
- Artistic Movement Or Style: Florentine Renaissance
- Artists Who Influenced This Artist:
- Perugino
- Piero di Cosimo
- Lorenzo di Credi
- Leonardo da Vinci
- Fra Bartolomeo
- Artists Or Movements Influenced By This Artist:
- Jacopo da Pontormo
- Giuliano Bugiardini

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。