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統計情報Stairs
1983
510.0 x 310.0 cm
Museum Kampa
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手描き油彩複製画
当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 (
プリント版に切り替え デジタル画像販売へ切り替え)
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Stairs
複製技法
複製画のサイズ
-
合計金額
$ 263
関連作品
アーティストの略歴
Early Life and Education
Magdalena Jetelová was born in Semily, Czech Republic (1946), a region steeped in Bohemian folklore and artistic tradition. From a young age, she demonstrated an innate fascination with sculpture and spatial exploration—interests that would profoundly shape her artistic trajectory. Her formative years were spent studying at the Prague Academy of Fine Arts from 1965–71, where she honed her skills under the guidance of established sculptors and gained exposure to diverse artistic methodologies. Notably, she undertook a brief stint abroad at Brera Academy in Milan (1967–68), collaborating with Marino Marini—a pivotal encounter that broadened her stylistic horizons and instilled in her an appreciation for Italian sculptural aesthetics. This early immersion into international art discourse cemented Jetelová’s commitment to pushing creative boundaries.Notable Works
Jetelová's artistic reputation ascended dramatically with her groundbreaking installation “Marking by Red Smoke,” executed in Prague during the turbulent years of the Prague Spring (1968). This piece, conceived as a commentary on political repression and societal fragmentation, utilized monumental wooden sculptures to disrupt conventional spatial perceptions. Simultaneously, she captivated audiences with “Place”—a colossal sculpture perched atop the Forest of Dean Sculpture Trail—which endured for nearly three decades before its eventual removal in 2015. The sculpture’s deliberate vulnerability to fire served as a poignant symbol of artistic impermanence and invited contemplation on themes of decay and renewal.Land Art Experiments
Recognizing the transformative potential of engaging directly with natural landscapes, Jetelová embarked upon ambitious land art projects—most notably “Domestication of the Pyramid,” wherein she positioned a pyramid constructed from red quartz sand within Vienna’s Museum of Applied Arts. This audacious intervention challenged viewers to reconsider notions of cultural heritage and artistic representation, prompting dialogue about the relationship between architecture and environment.International Recognition
Jetelová's work garnered widespread acclaim across Europe and beyond, securing prominent exhibitions at institutions such as Museu d’Art Contemporani de Barcelona, Tate Gallery London, Museum of Modern Art, 21er Haus, and Martin-Gropius-Bau. Her sculptures are now housed in prestigious collections—including Hirshhorn Museum, Centre Pompidou, and Museum Ludwig—underscoring her enduring influence on contemporary art.Legacy
Magdalena Jetelová’s artistic legacy resides in her unwavering dedication to exploring the interplay between form, material, and context. Her sculptures—characterized by their monumental scale and deliberate disruption of spatial conventions—remain a testament to her pioneering spirit and her profound engagement with pressing social and philosophical questions. She continues to inspire artists globally through her innovative approach to land art and installation, cementing her place as one of the foremost figures in Czech contemporary sculpture.
magdalena jetelová
1946 - , Czech Republic
基本情報
- Artistic Movement Or Style: Installation art & Land Art
- Artists Or Movements Influenced By This Artist: ['Minimalism']
- Artists Who Influenced This Artist: ['Marino Marini']
- Date Of Birth: June 4, 1946
- Date Of Death: (Living)
- Full Name: Magdalena Jetelová
- Nationality: Czech
- Notable Artworks: ['Marking by Red Smoke']
- Place Of Birth: Semily, Czech Republic