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統計情報The Hunter
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このページに掲載されている作品は著作権法によって保護されており、当社の許可なく同一の複製物を制作または販売することは法律で禁じられています。この保護は、以下のような国際条約に基づき執行されます。 ベルヌ条約 および、以下の条項に定められたものを含む各国の法律により、 米国著作権法 第17編。
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ジークレー／アートプリント
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手描きの複製画を注文する デジタル画像販売へ切り替え)
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The Hunter
ジークレー／アートプリント
複製画サイズ一覧
-
合計金額
¥ 9839
よくあるご質問
「The Hunter」全体の明るさはどの程度ですか？
視覚的な明るさの観点から見ると、Jerry Farnsworth作「The Hunter」 は deep_shadow です。
The National Arts Clubに所蔵されているJerry Farnsworth作「The Hunter」は、法的に複製することが可能でしょうか？
Jerry Farnsworth作「The Hunter」の著作権の状態は明確であり、本作は著作権により保護されていますです。The National Arts Clubに所蔵されているという事実によって、この状態が変わることはありません。
「The Hunter」に著作権はかかっていますか？
Jerry Farnsworth作「The Hunter」は著作権により保護されていますです。このステータスは、作品の画像の複製方法を規定するものです。
関連作品
アーティストについて
A Life of Labor and Light
Before he was a fixture of the American art scene, Jerry Farnsworth lived a life defined by the grit of manual work. Born in Dalton, Georgia, in 1895, his early years were far removed from the quietude of a studio. He moved through various roles that demanded physical endurance, working in cotton and steel mills, serving as a Western Union messenger boy, and even laboring as a Fuller Brush man. There was a certain rhythm to this period of his life, one that preceded the more measured pace of his later years. Even while stationed in Washington, D. and.C. with the U.S. Navy between 1916 and 1919, he sought out evening art courses at the Corcoran School of Art.
This period of transition eventually led him to the coast. In 1921, Farnsworth arrived in Provincetown, Massachusetts, where his path was shaped by the instruction of Charles W. Hawthorne. It was here that the technical foundations of his work began to solidify. He later studied with Dewitt Clinton Peters in New York, absorbing a tradition of portraiture and figure painting that would become his hallmark. His life was often shared with his wife, the artist Helen Alton Sawyer, and together they established a presence in both the summer colonies of Cape Cod and the winter landscapes of Sarasota, Florida.
The Art of the Human Form
Farnsworth’s practice was rooted in the observation of people. He specialized in portrait, figure, landscape, and genre painting, often focusing on the quiet dignity found in everyday subjects. His work frequently captured a sense of focused intention, as seen in pieces like Working Girl, which reflects the era's atmosphere of determination. His ability to render the human presence was recognized through commissions that reached far beyond local galleries; he produced portraits for the covers of Time and Fortune magazines, including a notable depiction of Sara Delano Roosevelt.
His technical approach relied on oil on canvas and panel, utilizing a method that respected the traditions of the old masters while remaining contemporary to his era. This skill earned him several accolades, including:
- Six awards from the National Academy of Design
- The Hallgarten Prize in 1925 and 1927
- Recognition from the Los Angeles County Museum of Art
- The Golden State Prize in 1928
Beyond the canvas, he was a dedicated educator. He operated the Farnsworth School of Art in North Truro and Sarasota, passing on his knowledge of oil painting to others. His instructional books, such as Learning to Paint in Oil, remain part of his pedagogical record.
A Permanent Record
By the time of his death in 1983, Farnsworth had left a substantial mark on American institutional collections. His paintings are held in several prominent repositories, ensuring that his specific vision of American life remains accessible to scholars and the public alike. These include:
- The Metropolitan Museum of Art
- The Whitney Museum of American Art
- The Museum of Modern Art
- The Pennsylvania Academy of Fine Arts
- The Nelson-Atkins Museum of Art
- The National Portrait Gallery
His career was not merely a series of exhibitions, but a long engagement with the evolving American identity. From his early days in the mills of Georgia to his role as an Artist-in-Residence at the University of Illinois, he maintained a focus on the tangible and the human. His work remains a record of a specific time and place, captured through the lens of a man who understood both the struggle of labor and the precision of art.
Jerry Farnsworth
1895 - 1983 , United States of America
アーティスト情報
- Artists Who Influenced This Artist: ['Charles W. Hawthorne']
- Full Name: Jerry Farnsworth
- Nationality: American
- Notable Artworks: ['The Hunter']
- Place Of Birth: Dalton, Georgia, United States of America
- Date Of Birth: 1895
- Date Of Death: 1983