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Untitled (762)

Discover "Untitled (762)" by Giuseppe Santomaso – an abstract painting of a yellow field & purple square. Explore this unique artwork's bold composition & contrasting colors. Hand-painted reproduction available.

Explore Giuseppe Santomaso's evocative paintings of landscapes & figures. Known for dreamlike scenes & masterful use of color, his work captures timeless beauty.

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ジークレー/アートプリント

スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描きの複製画を注文する デジタル画像販売へ切り替え)

Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 天然木, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 天然木, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 天然木, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 天然木, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 天然木, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 天然木, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 天然木, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 天然木, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 天然木, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 天然木, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 天然木, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 天然木, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 天然木, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 天然木, 6 cm wide and 3.5 cm thick
W953PJ ¥8

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合計金額

¥ 9785

Untitled (762)

ジークレー/アートプリント

複製画サイズ一覧

-

合計金額

¥ 9785


アーティストについて

Early Life and Artistic Beginnings

Giuseppe Santomaso, affectionately known as Bepi Santomaso, was born in Venice, Italy, in 1907 – a city that would indelibly shape his artistic vision. The lagoon’s ethereal light, the crumbling grandeur of its palazzi, and the weight of centuries steeped in history permeated his very being, becoming foundational elements of his unique style. Santomaso didn't initially pursue formal art training in a conventional manner; instead, he began as a decorative painter, honing his technical skills through practical experience restoring frescoes and ornaments throughout Venice. This early work instilled in him a deep understanding of materials, color mixing, and the subtleties of light and shadow – knowledge that would later prove invaluable. While self-taught in many respects, Santomaso was deeply immersed in the artistic currents of his time, absorbing influences from Futurism and Surrealism, though he never fully aligned himself with any single movement. His initial explorations were marked by a fascination with Venetian architecture and cityscapes, rendered with a precision that belied a growing desire to move beyond mere representation.

The Post-War Period and the Development of a Unique Style

Following World War II, Santomaso’s artistic voice began to truly emerge. The devastation of the war years profoundly impacted him, leading to a rejection of traditional forms and a search for new ways to express the anxieties and uncertainties of the era. He became increasingly interested in exploring the subconscious mind, drawing inspiration from the writings of psychoanalysts like Carl Jung and the dreamlike imagery of Surrealism. This period saw a shift in his subject matter, moving away from detailed depictions of Venice towards more abstract compositions featuring fragmented figures and landscapes bathed in an otherworldly light. His palette underwent a transformation as well, becoming richer and more nuanced, characterized by luminous blues, greens, and ochres that evoked the atmosphere of the Venetian lagoon. Santomaso’s technique also evolved during this time; he began to experiment with layering washes of color, creating a sense of depth and ambiguity in his paintings. He wasn't interested in depicting reality as it *was*, but rather as it *felt* – a subjective experience filtered through memory and emotion.

Influences and Artistic Connections

Santomaso’s artistic journey was not one of isolation. While fiercely independent, he engaged with the vibrant art scene of post-war Venice and forged connections with several key figures. He was particularly influenced by the work of Giorgio Morandi, whose intimate still lifes and subtle tonal variations resonated deeply with Santomaso's own exploration of form and color. The abstract expressionism emerging from America also left its mark, though Santomaso adapted these ideas to his unique Venetian sensibility.
  • Giorgio Morandi: Influence on tonal subtlety and intimate compositions.
  • Surrealism: Inspiration for exploring the subconscious and dreamlike imagery.
  • Abstract Expressionism: Adaptation of abstract techniques to a Venetian context.
He participated in numerous group exhibitions, showcasing his work alongside other prominent Italian artists. These interactions fostered a sense of dialogue and experimentation, pushing him to refine his artistic vision further.

Major Achievements and Recurring Themes

Throughout his prolific career, Santomaso produced an extensive body of work that encompasses paintings, drawings, and etchings. His most celebrated works are undoubtedly his landscapes – not literal representations of specific places, but rather evocative evocations of atmosphere and mood. These paintings often feature solitary figures dwarfed by vast expanses of sky and water, conveying a sense of isolation and contemplation. The Lagoon Series, in particular, exemplifies his mastery of color and light, capturing the ephemeral beauty of Venice with breathtaking sensitivity. Recurring themes in Santomaso’s work include memory, loss, and the passage of time. His paintings are often imbued with a melancholic quality, reflecting a deep awareness of the fragility of existence. He also explored the human figure extensively, depicting fragmented bodies and faces that seem to dissolve into the surrounding environment – symbols of identity and alienation in the modern world.

Historical Significance and Legacy

Giuseppe Santomaso’s work occupies a unique position within 20th-century Italian art. While he resisted easy categorization, his paintings represent a powerful synthesis of various influences – from Futurism and Surrealism to Abstract Expressionism and Morandi's tonalism. He is recognized as a key figure in the development of post-war Italian abstraction, paving the way for future generations of artists. His masterful use of color, evocative imagery, and profound exploration of psychological themes continue to resonate with audiences today. Santomaso’s paintings are held in major museum collections around the world, and his legacy as one of Italy's most important 20th-century painters remains secure. He died in Venice in 1990, leaving behind a body of work that stands as a testament to the enduring power of art to capture the beauty, mystery, and complexity of the human experience.
Giuseppe Santomaso

Giuseppe Santomaso

1907 - 1990

アーティスト情報

  • Full Name: Giuseppe Santomaso
  • Nationality: Italian
  • Date Of Birth: 1907
  • Date Of Death: 1990
  • Place Of Birth: Venice, Veneto
  • Notable Artworks: ['Lettere a Palladio']
  • Artistic Movement Or Style: Arte Informale
  • Artists Who Influenced This Artist: ['Georges Braque']
  • Artists Or Movements Influenced By This Artist: ['Arte Informale']