Pendolo

寸法
100.0 x 28.0 cm

選択した条件に基づいた画像: , .

作品解説

Discover 'Pendolo' by Giancarlo Sciannella – a striking 1980s mixed-media artwork featuring wood, copper & wire. Minimalist abstraction evokes tension & balance. Explore Italian contemporary art.

アーティストの略歴

Explore the evocative terracotta sculptures of Giancarlo Sciannella, a leading Italian artist inspired by Greek & Roman mythology. Discover his iconic works & legacy.

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作者は誰?

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刻印入りブロンズプレートの詳細

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

透明アクリル銘板の詳細

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

黒アクリル製銘板の詳細

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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ご注文通りの絵画内容

Pendolo

再現技法

複製画サイズ一覧

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至高の熟練アーティスト

より細部までこだわった表現、洗練された技術、そして十分な制作時間

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複製画用フレーム

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

組み立てには専門知識が必要です(DIY用製品ではありません)。
本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。

  • すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。

  • 付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください(ボンドは付属しておりません)。ボンドは額装業者様にてご手配をお願いいたします。

  • プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。

重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

キャプション

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保護用ワニス

光沢ワニス(色彩を鮮やかに引き立て、光や湿気から保護します)

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作品をカスタマイズ

カスタマイズの例:顔をお客様の写真に差し替える、ペットを追加する(例:猫を犬に変更)、背景に隠しメッセージを入れる、背景の風景や要素を変更する。

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お急ぎ便

世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(6 11月)。品質には一切の妥協を許しません。

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お急ぎ便

世界中への配送()は、5週間ほどでお届けします。(13 11月)。

込み

合計金額

¥ 41563

合計金額 ¥ 41563

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。

すべての注文に同梱

  • 世界中へ無料エクスプレス配送
  • 高品質なリネンキャンバス
  • 配送時完全保険付
  • 関税・輸入税の払い戻し保証
  • 真の色彩再現に関する保証
  • 100日間返品保証(製造上の欠陥がある場合のみ)
  • 100% 全額返金保証
  • まとめ買い割引のご案内
Giancarlo Sciannella was born in Castelli, a town of the Abruzzi region renownedfor its ceramics, and spent his childhood there among the flames of its ever-activeovens, shapeless clay and coloured enamels, often accompanied by his grandfather,an expert potter. It was thus quite natural for the young Sciannella to devote his lifeto ceramics, the working of earth and fire. From the outset, his attention focusedmore on material than form. It was in the 1980s that he introduced a sort of hybridization with the insertion of other materials. The Pendulum, which ideally measures time with its movement, is one of his first attempts at orderly arrangement of the physical surface, divided into geometric sections that separate and harmonizethe terracotta with inserts of iron, wood and gold. (Transl. by Paul Metcalfe per Scriptum, Roma)

Q&A

Giancarlo Sciannella作「Pendolo」の配色はどのように表現されていますか?

Giancarlo Sciannella作「Pendolo」は、Earthyなカラーパレットを使用しています。この配色は、作品全体の色彩的特徴を象徴しています。

Ministero degli Affari Esteri e della Cooperazione Internazionale. Collezione Farnesinaに所蔵されているGiancarlo Sciannella作「Pendolo」は、法的に複製することが可能でしょうか?

「Pendolo」の原画はMinistero degli Affari Esteri e della Cooperazione Internazionale. Collezione Farnesinaに所蔵されており、本作品は著作権の保護対象ですです。

Giancarlo Sciannella作「Pendolo」を彩る主役の色は何ですか?

「Pendolo」は、Putty (#dfe1e1)を主軸としたEarthyなパレットによって構成されています。

Giancarlo Sciannella

Giancarlo Sciannella

1943 - 2016, Italy

作家プロフィール

A Sculptor of Myth and Matter: The Life and Work of Giancarlo Sciannella

Giancarlo Sciannella, born in Castelli, Italy, in 1943 and passing away in Rome in 2016, stands as a pivotal figure in contemporary Italian sculpture. His life’s work wasn't merely the creation of objects but an ongoing dialogue with history, mythology, and the very essence of earthly materials – particularly terracotta. Sciannella didn’t simply *work* with clay; he coaxed stories from it, imbuing his sculptures with a weight that transcends their physical form. His early artistic development was deeply rooted in the traditions of his birthplace, Castelli, a town renowned for its centuries-old ceramic heritage. He initially apprenticed at the “Giacomini, Mancini & Pardi” manufactory, absorbing the technical skills passed down through generations of artisans. However, Sciannella’s ambition extended beyond traditional craftsmanship; he sought to transform terracotta from a decorative medium into a powerful vehicle for artistic expression. This pursuit led him to Rome in 1972, where he balanced his studio practice with teaching, further refining his vision and establishing himself within the vibrant Roman art scene.

The Language of Mythology and Abstraction

Sciannella’s artistic journey is characterized by a profound engagement with classical mythology, especially the narratives of ancient Greece and Rome. These weren't literal interpretations but rather evocative allusions—fragments of stories re-imagined in clay. His sculptures often hint at archetypal figures and scenes, inviting viewers to participate in their own act of interpretation. The influence of artists like Martini, Fontana, Melotti, and Leoncillo is palpable in his work, representing a lineage of Italian sculptors who pushed the boundaries of form and material. He moved from initial informal explorations into increasingly abstract compositions during the 1970s, establishing a strong sculptural presence. This evolution culminated in works that incorporated diverse materials alongside terracotta, creating complex assemblages that challenged conventional notions of sculpture. The artist’s fascination with mythology wasn't simply aesthetic; it was a means of exploring universal themes of human existence—love, loss, power, and mortality.

Installation Art and Retrospective Recognition

Sciannella’s impact extended beyond individual sculptures to encompass ambitious installation work. His presentation at the exhibition ‘Rome exposes Italian ceramics’ demonstrated his ability to create immersive environments that engaged with space and perception. This marked a turning point in his career, solidifying his reputation as an innovator within the field of contemporary art. The retrospective mounted at the Mercati di Traiano in Rome was a testament to his enduring legacy—a comprehensive survey of his artistic evolution spanning decades. It offered a rare opportunity to trace the development of his unique visual language and appreciate the depth and complexity of his work. The exhibition highlighted not only his technical mastery but also his conceptual rigor, revealing an artist deeply committed to exploring the possibilities of sculpture as a means of philosophical inquiry.

Terracotta Transformed: A Unique Artistic Process

What truly sets Sciannella apart is his masterful manipulation of terracotta. He didn’t treat it as merely a pliable substance but rather as a living material with its own inherent qualities and limitations. His process involved an intimate understanding of the clay's behavior—its plasticity, its fragility, its capacity for transformation. He often employed unconventional techniques, pushing the boundaries of traditional ceramic methods to achieve his desired effects. The surfaces of his sculptures are rarely smooth or polished; instead, they bear the marks of the artist’s hand—the fingerprints, the tool marks, the subtle imperfections that reveal the process of creation. This emphasis on materiality lends his work a sense of authenticity and immediacy, grounding it in the physical world while simultaneously evoking a timeless quality. His sculptures are not simply representations; they *are* – tangible embodiments of artistic vision.

A Lasting Legacy: Sciannella’s Place in Contemporary Art

Giancarlo Sciannella's contribution to contemporary Italian sculpture is undeniable. He elevated terracotta from a craft tradition to a sophisticated art form, demonstrating its potential for expressing complex ideas and emotions. His work continues to resonate with audiences today, inspiring artists and scholars alike. His sculptures are held in numerous public and private collections, serving as enduring reminders of his artistic vision. The Premio Faenza, an important Italian ceramics competition, showcases his participation over several editions, highlighting the consistent quality and innovation of his work throughout his career. Sciannella’s legacy lies not only in the beauty and power of his individual sculptures but also in his unwavering commitment to exploring the fundamental questions of human existence through the transformative medium of clay. He remains a vital voice in the ongoing dialogue between art, mythology, and the enduring allure of earthly materials.