Will he do it
手描き油彩複製画
当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え
画像に切り替え)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認(承認)をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
ご注文後、ArtsDot.com チームより詳細な指示をお送りするとともに、仕上がりイメージ(モックアップ)をご提供いたします。
Will he do it
複製技法
複製画のサイズ
-
合計金額
$ 388
関連作品
アーティストの略歴
George Elgar Hicks: A Victorian Genre Pioneer
George Elgar Hicks (1824 – 1914) stands as a singular figure in Victorian art, recognized primarily for his ambitious genre paintings that meticulously emulate the dramatic style of William Powell Frith. Yet, beyond this stylistic kinship lies a considerable contribution to British artistic landscape—a dedication to portraying scenes from everyday life with remarkable realism and psychological depth. Born on March 13th, 1824, in Lymington, Hampshire, Hicks descended from a wealthy family who instilled in him an early inclination towards medicine, though he ultimately abandoned this path for the pursuit of artistic expression. His formal training commenced at University College London in 1840, but after only three years’ arduous study, Hicks recognized that his true vocation lay within painting. Driven by this conviction, he enrolled at Sass's Academy and subsequently entered the Royal Academy Schools in 1844, marking a pivotal moment in shaping his artistic trajectory. Despite initial struggles to gain recognition as an artist—he famously described his work during this period as “small and unimportant”—Hicks persevered, fueled by familial responsibilities and a steadfast belief in his craft. Marriage to Maria Hariss in 1847 solidified his domestic life, resulting in eight children born within the ensuing seven years. This busy family life undoubtedly hampered Hicks’ artistic endeavors during his formative years, yet it also instilled in him an understanding of human emotion and social dynamics—elements that would later permeate his paintings. Notably, Hicks distinguished himself from many contemporaries by demonstrating a sustained fascination with Frith's stylistic approach, establishing himself as his principal imitator. His artistic output gained considerable momentum in the late 1850s when he achieved success with “Dividend Day at the Bank of England,” an exhibition piece that captivated audiences and solidified Frith’s influence on Hicks’ oeuvre. Subsequent paintings—including "One Minute to Six," "Billingsgate Fish Market," and "Changing Homes"—further cemented his reputation as a chronicler of modern life, albeit often met with critical reservations regarding their aesthetic merit. These works tackled subjects rarely explored by other artists of the time, reflecting Hicks' willingness to confront challenging social realities. Hicks’ artistic legacy resides not merely in stylistic imitation but also in his pioneering exploration of genre painting—a medium that demanded meticulous observation and psychological insight. He achieved particular renown for depicting scenes from the bustling Billingsgate Fish Market and capturing the essence of everyday life with unflinching honesty. His paintings continue to resonate today, offering a valuable glimpse into Victorian society and demonstrating Hicks’ enduring contribution to British art history.George Elgar Hicks
1824 - 1914 , United Kingdom
基本情報
- Artistic Movement Or Style: Victorian Painting; Frith Imitation
- Artists Who Influenced This Artist: ['William Powell Frith']
- Date Of Birth: 1824
- Date Of Death: 1914
- Full Name: George Elgar Hicks
- Nationality: English
- Notable Artworks:
- Dividend Day at the Bank of England
- The General Post Office
- Billingsgate Fish Market
- Changing Homes
- Three Young Cricketers
- The Orphans
- Place Of Birth: Lymington, United Kingdom


ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
