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25L

Explore Alberto Tadiello’s ‘25L’ sculpture: an industrial-inspired installation of orange PVC pipes & a dark grey megaphone. Abstract, chaotic, and evocative – a unique piece for art collectors.

Explore Alberto Tadiello's innovative art blending technology & everyday life. Discover his unconventional sculptures, installations, & sound pieces.

手描き油彩複製画

当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 (プリントを購入 プリントを購入画像を購入 画像を購入)

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作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

高さ

特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認(承認)をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。

カスタマイズの例:顔をお客様の写真に置き換える、ペットを追加する(例:猫を犬に変更)、背景に隠れたメッセージを入れる、背景の風景や要素を変更するなど。
ご注文後、ArtsDot.com チームより詳細な指示をお送りするとともに、仕上がりイメージ(モックアップ)をご提供いたします。

世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(13 8月)。品質には一切妥協いたしません。

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世界中へ無料エクスプレス配送
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配送時完全保険付
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関税・輸入税の払い戻し保証
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忠実な色彩再現保証
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60日間返品保証(製造上の欠陥のみ)
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100% 全額返金保証
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まとめ買い割引のご案内

合計金額

$ 263

reproduction

25L

複製技法

複製画のサイズ

-

合計金額

$ 263

作品解説

Can a sound undermine? To hurt? Kill? Is there a sound that can ward off, reject, bump? Which vibrations and which sonic pressures are bearable by the human body? Have you ever seen an acoustic cannon? It is said to have been used against pirates. And there is talk of murderous murders and shouts capable of pushing away. Perhaps the next great war will be fought just like that. HL (2009), 25 L (2010) and LK100A (2010) are three works that differ in part due to their assumed form and used materials, but all three start from a common base: that of study and research concerning acoustic weapons. These are works that are filled with air, loading it in the compressor basins like in a big belly. They hold their breath to the limit of the possible and then release it violently, strongly. The vocal cords of the horns, solicited, vibrate. The tubes then release that forced breath, lead it and amplify it, adding strident and rustling. The final funnels, like very elegant mouths, allow the breathing with grace and decision. The download. The outburst. Until the end. Until silence. When they are silent, they can be confused with attractive shrubs. From cylindrical stems and large trumpet flowers. Resistant to frost. Prosthesis, to hit. Toxic.

アーティストの略歴

Alberto Tadiello: Sculpting the Echoes of Industry and Nature

Born in 1983 in Montecchio Maggiore, Italy – a town nestled at the foot of the majestic Dolomites – Alberto Tadiello’s artistic journey is inextricably linked to his surroundings. His early life amidst this rugged landscape, coupled with a formal education rooted in visual arts and design at the IUAV University of Venice, has profoundly shaped his distinctive approach to sculpture, installation, and sound art. Tadiello doesn't simply create; he interrogates – questioning the relationship between technology, industry, and the natural world through meticulously crafted works that often feel both familiar and unsettlingly alien.

His studio, an old bakery transformed into a creative haven, serves as a crucial element of his practice. This deliberate choice—working within a space historically associated with domesticity and sustenance—immediately introduces a layer of complexity to his art. It’s a juxtaposition of the mundane and the monumental, mirroring the core themes he explores: the repurposing of industrial materials, the manipulation of electronic devices, and the unexpected beauty found in discarded objects.

The Alchemy of Materials

Tadiello's work is immediately recognizable for its unconventional material choices. He frequently employs salvaged industrial components – PVC pipes, metal fragments, circuit boards – transforming them into evocative sculptures that defy easy categorization. These aren’t simply assemblages; they are carefully considered interventions, imbued with a sense of history and decay. The use of orange PVC pipes in pieces like ‘25L’, for example, creates an immediate visual impact, reminiscent of both industrial infrastructure and the vibrant hues of autumn foliage. This deliberate blending of aesthetics speaks to his broader interest in disrupting conventional notions of beauty and value.

He’s not merely assembling; he's actively manipulating these materials, often incorporating electronic elements – speakers, sensors, and microcontrollers – to generate soundscapes that accompany or amplify the visual experience. This integration of technology isn’t gratuitous; it serves as a means of exploring the dialogue between human ingenuity and the mechanical world.

Recognition and Artistic Evolution

Tadiello's artistic trajectory has been marked by critical recognition and numerous awards, including the prestigious Furla Award in 2009 and the ALA Art Prize in 2022. These accolades underscore the growing appreciation for his unique vision and technical skill. His work has been exhibited extensively throughout Italy and internationally, solidifying his position as a significant voice within contemporary art.

His residency programs – including stints at ISCP New York, HIAP Helsinki, and Villa Arson Nice – have provided invaluable opportunities for experimentation and collaboration. These experiences undoubtedly contributed to the evolution of his practice, exposing him to diverse artistic perspectives and pushing the boundaries of his creative exploration. The “Natura Naturans/Naturata” residency in Buenos Aires further demonstrates a commitment to exploring themes of nature and its relationship with technology.

Sound, Space, and Disruption

A defining characteristic of Tadiello’s work is the incorporation of sound. His installations often generate layered sonic environments that interact with the visual elements, creating immersive experiences for the viewer. Pieces like ‘Backmasking’ (2023) in Rome exemplify this approach, utilizing a megaphone to distort and amplify sounds, generating an unsettling yet captivating atmosphere. This deliberate disruption of auditory expectations is central to his artistic strategy – challenging our perceptions and prompting us to reconsider the ways we engage with space and sound.

His exploration extends beyond mere sonic manipulation; he frequently utilizes “variable intensity rain gradient aloft” techniques, referencing early experimental audio practices, further demonstrating a deep engagement with art history and a willingness to push the boundaries of his medium. Ultimately, Alberto Tadiello’s work is a testament to the power of unconventional materials, technological integration, and a profound interrogation of our relationship with the world around us.

Alberto Tadiello

Alberto Tadiello

1983 - , Italy

基本情報

  • Artistic Movement Or Style: Tech art installations
  • Artists Or Movements Influenced By This Artist: ['']
  • Artists Who Influenced This Artist: ['']
  • Date Of Birth: 1983
  • Full Name: Alberto Tadiello
  • Nationality: Italian
  • Notable Artworks:
    • 25L
    • Backmasking
    • Chlamydomonas Nivalis
    • Flanger
    • Nenia
    • Sciolto Lo Sguardo Nel Rarefarsi Di Uno Spazio Eccedente
  • Place Of Birth: Montecchio Maggiore, Italy