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      Landscape

      • Data di creazione1699
      • Dimensioni18.0 x 45.0 cm
      In the inscription on this fan, Shitao sets forth his theory of painting, "the single stroke," or "the painting of oneness (yihua)":On a windy, rainy, spring day, I am happy I have no visitors; my hand is free, my mind relaxed and cleansed. The ancients called it yihua, the "single stroke": a thousand hills, ten thousand valleys, people, bamboo, trees,a single brushstroke and all is completed. On one level, yihua constitutes a very practical concept: a complete design begins and finishes with the single brushstroke. On a metaphysical level, it suggests that "myriad strokes are reunited in oneness" through the mind and hand of the artist and through the artist"s spiritual communion with nature.
      A cura del team editoriale di ArtsDot.com

      Shitao (? – ?)

      A leading figure of the Individualist School of Chinese painting, Shitao masterfully blended calligraphy and landscape in works like 'Landscapes After Bada Shanren,' offering a unique vision that continues to inspire—discover his profound artistic world.

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