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William Wright, Gatekeeper At Bramham

George Garrard (1760-1826) was a British animal & landscape painter known for his models & copyright advocacy. Explore his equestrian art, portraits & influential role in art law.

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Corner sample of the P118B picture frame: polistirene stampato, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: polistirene stampato, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: polistirene stampato, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: polistirene stampato, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: polistirene stampato, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: polistirene stampato, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: polistirene stampato, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: polistirene stampato, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: polistirene stampato, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: polistirene stampato, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: polistirene stampato, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: polistirene stampato, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: polistirene stampato, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: legno massello, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: legno massello, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: legno massello, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: legno massello, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: legno massello, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: legno massello, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: legno massello, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: legno massello, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: legno massello, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: legno massello, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: legno massello, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: legno massello, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: legno massello, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: legno massello, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: legno massello, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: legno massello, 6 cm wide and 3.5 cm thick
W953PJ €8

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Esempi di ciò che può essere modificato: sostituire il volto con una foto del cliente; aggiungere un animale domestico (ad esempio, sostituire un gatto con un cane); inserire un messaggio nascosto nello sfondo; cambiare il paesaggio o gli elementi dello sfondo.
Dopo l'ordine, il team di ArtsDot.com contatterà il cliente via e-mail per ricevere le istruzioni e fornirà un'anteprima del mockup

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Prezzo totale

€ 231

William Wright, Gatekeeper At Bramham

Tecnica di riproduzione

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Prezzo finale calcolato

€ 231


Biografia dell'artista

George Garrard (1760 – 1826): Champion of Artistic Integrity and Equestrian Master

George Garrard ARA was a pivotal figure in the British art world of the late eighteenth century, distinguished not only for his captivating depictions of animals—particularly horses—but also for his unwavering advocacy of copyright law. Born around 1760 in Bedfordshire, Garrard descended from Marcus Gheeraerts the Younger, a Flemish painter who served Queen Elizabeth I and Anne of Denmark, establishing him within a lineage steeped in artistic tradition. His early training under Joseph Simpson and Sawrey Gilpin instilled foundational skills in drawing and observation—skills that would prove invaluable throughout his prolific career. A student at the Royal Academy from 1781, Garrard swiftly gained recognition for his masterful renderings of equine subjects. His initial exhibitions showcased a remarkable talent for capturing movement and texture, establishing him as one of the foremost animal painters of his time. Notably, he collaborated closely with Sir Joshua Reynolds, whose patronage fostered Garrard’s artistic development and resulted in commissions that solidified his reputation. The depiction of “Sheep-shearing at Aston Clinton” exemplifies Reynolds' influence—a scene rendered with meticulous detail and imbued with a palpable sense of rural life. This collaboration cemented Garrard’s understanding of how to convey emotion and atmosphere through visual representation, shaping his artistic vision for years to come. However, Garrard’s contribution extended far beyond mere aesthetic achievement. Recognizing the vulnerability of model makers – artisans who painstakingly crafted plaster casts of figures for artists – to exploitation by publishers, he spearheaded a campaign for legislative protection. Driven by this conviction, Garrard drafted a petition urging Parliament to enact legislation safeguarding copyright on sculptural works. This initiative culminated in the landmark “Models and Busts Act” of 1798—a groundbreaking step forward in recognizing artistic rights beyond printmaking. Garrard’s tireless efforts ensured that British law acknowledged the importance of preserving artistic craftsmanship and fostering creativity, marking a crucial victory for artists' liberties. His dedication to sculptural artistry blossomed during his time at Woburn Abbey, where he undertook ambitious projects including low-relief plaster overdoor panels depicting pastoral scenes and monumental sculptures honoring prominent figures like Sir John Moore and William Pitt the Younger. Garrard’s meticulous attention to detail—evident in his depictions of animals and architectural embellishments—demonstrated a profound respect for both artistic technique and historical commemoration. He skillfully blended classical influences with Romantic sensibilities, creating works that resonated deeply with the spirit of their era. Throughout his life, Garrard remained steadfast in his belief that art should serve as a conduit for moral instruction and aesthetic contemplation. His legacy endures not only through his celebrated paintings—such as “Turk, A Greyhound” and “Four Roan Coach Horses With Two Grooms”—but also through his courageous defense of copyright law and his unwavering commitment to artistic excellence. He is remembered as a true humanist artist who championed intellectual freedom and elevated the visual arts to new heights of sophistication.
George Garrard

George Garrard

1760 - 1826 , United Kingdom

Dettagli rapidi

  • Artistic Movement Or Style: Animal Portraiture Art
  • Artists Who Influenced This Artist:
    • Marcus Gheeraerts the Younger
    • Joseph Simpson
    • Sawrey Gilpin
  • Date Of Birth: 1760
  • Date Of Death: 1826
  • Full Name: George Garrard
  • Nationality: Britannico
  • Notable Artworks:
    • Turk, A Greyhound, The Property Of George Lane Fox
    • A Durham Ox
    • Four Roan Coach Horses With Two Grooms
  • Place Of Birth: Londra