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Northern Wall, Detail. The Hall of Loves of Jupiter, whose name identifies the subject represented in the varoius painted scenes, the love presented in different type (OMNIA VINCET AMOR-LOVE CONQUERS EVERYTHING), was painted and painted in stuccoes, respectively, by Agostino Carracci (Bolonia 1557-Parma 1602) and Giovanni Bosco. Speaking of this last person, Giovanni, there are some circumstances that are not clear: was often substitued by Luca Rieti, artist of stuccoes who realized in Parma some statues for the Teatro Farnese. Speaking of Carracci

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Biografia dell'artista

Early Life and Artistic Training

Born: Around 1630 in Bologna, Italy
Family Background: Details scarce; known to have had a son, Felice Cignani (1660–1724), also a painter, and a nephew, Paolo Cignani (1709–1764).
Early Influences: Deeply inspired by Correggio's frescoes in the cupola of the Cathedral of Parma and Melozzo da Forlì’s perspective techniques.
Artistic Training: Initially trained under Albani, absorbing his elaborate finish and use of color.
Accademia del Nudo: Established an accademia del nudo in Bologna for painting from models, demonstrating a commitment to anatomical study. Giuseppe Maria Crespi was one of his pupils.

Major Works and Artistic Development

Assumption of Saint Rose of Lima: A significant work painted in Forlì, showcasing his ability to create dramatic compositions under ceilings.
Entry of Paul III into Bologna: Depicts a historical event with characteristic intellectual character.
Francis I Touching for Kings Evil: Demonstrates skill in portraying royal figures and courtly scenes.
Power of Love: Painted under a ceiling by Agostino Carracci, highlighting his versatility across different artistic styles.
Adam and Eve: Exhibited at Dresden and Copenhagen, reflecting his international recognition.
Joseph and Potiphar's Wife: Multiple versions exist (Dresden, Ajaccio), illustrating a recurring theme in his oeuvre.

Artistic Influences and Style

Correggio: Profound influence on his use of color and dramatic compositions, particularly evident in the Assumption of Saint Rose of Lima.
Melozzo da Forlì: Inspired his perspective techniques and ability to create illusionistic space.
Albani: Absorbed Albani’s style, though developed a distinct intellectual character in his works.
Agostino Carracci: Collaborated with Carracci on the Power of Love, demonstrating versatility across different artistic styles.
Style Characteristics: Intellectual character, elaborate finish, use of color inspired by Correggio, and mastery of perspective techniques influenced by Melozzo da Forlì.

Historical Significance and Legacy

International Recognition: Works exhibited at Dresden and Copenhagen, reflecting his international acclaim.
Pupil Influence: Mentored numerous artists including Giuseppe Maria Crespi, Paolo Antonio Paderna., and Sante Vandi, contributing to the development of Bolognese art.
Self-Portrait: A valuable record of his appearance and artistic identity.
Pinacoteca Civica in Forlì: Several works housed in the Pinacoteca Civica, ensuring preservation and accessibility for future generations.
Lasting Impact: Recognized as a significant figure in Bolognese art history, known for intellectual character, mastery of perspective, and influence on subsequent artists.

Later Years and Death

Circolo della Scranna, Forlì: Aurora painted here.
Pinacoteca Civica: Incoronazione di Santa Rosa (Coronation of Saint Rose of Lima) housed here.
Death: Details scarce; presumed to have died after a prolific career.

Carlo Cignani

1628 - 1719 , Italia

Informazioni rapide

Artistic Movement Or Style: Barocco bolognese
Artists Or Movements Influenced By This Artist:
- Sante Vandi
- Scuola bolognese
Artists Who Influenced This Artist:
- Paolo Antonio Paderna
- Giuseppe Maria Crespi
Date Of Birth: 1692
Full Name: Paolo Antonio Paderna
Nationality: Italiana
Notable Artworks:
- Ritratto di Sante Vandi
- Allegoria della Pittura
- San Carlo Borromeo
- Bacco e Arianna
Place Of Birth: Bologna, Italia

Carlo Cignani: Tutta la collezione

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