Cosmo Queen
Geometric Abstraction
1972
168.0 x 123.0 cm
Giclée / Műnyomat
Múzeumi minőségű giclée vagy vászonnyomat, gyors gyártással és rugalmas finomítási lehetőségekkel.
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60 napos visszaküldési lehetőség (csak gyártási hibák esetén)
100%-os pénzvisszatérítési garancia
Kedvezmény több termény esetén
Cosmo Queen
Giclée / Műnyomat
A reprodukció mérete
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Összesített ár
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Hasonló műalkotások
A művész életrajza
Jacob Kainen: A Life in Art and Scholarship
Jacob Kainen was a multifaceted American artist, renowned as a painter, printmaker, art historian, and collector. His career spanned decades, marked by stylistic evolution, intellectual curiosity, and significant contributions to the art world both through his own creations and his scholarly endeavors. He died in March 2001 at his home in Chevy Chase, Maryland, at the age of ninety-one. During our twenty-five years of friendship, I came to view his life and his art as inextricably intertwined. Kainen’s extraordinary intelligence and his deeply felt passions are likewise inseparable. His complex vision is vividly apparent in the many hundreds of paintings on canvas and paper he produced and in his important body of drawings and prints that span more than seventy years.Early Life and Artistic Beginnings
Jacob Kainen was born December 7, 1909, in Waterbury, Connecticut, to Russian immigrant parents. His father Joseph was a tool-and-die maker and an inventor, whose inventions included the “Dead Man’s Brake,” which shuts down a train in case of emergency (family lore says the patent was stolen from him). He instilled in Kainen a love for industry and craftsmanship—a passion that would continue throughout his life. His mother Fannie Levine fostered a deep appreciation for music, art, and literature, nurturing Kainen's artistic inclinations from an early age. At ten years old, Kainen began to copy art reproductions from *The Jewish Daily Forward*, demonstrating his innate fascination with visual culture. Moving to New York City in 1918 provided access to institutions like the Metropolitan Museum of Art and the New York Public Library, fueling his passion for art history. He studied at the Art Students League, where Kimon Nicolaides emphasized freedom and confidence in artistic expression. Kainen’s expulsion from Pratt Institute three weeks before graduation due to disagreements with the institution's conservative curriculum proved pivotal, pushing him toward avant-garde movements.Evolution of Style and Artistic Influences
Initially drawn to Old Masters—Rembrandt, Velázquez—Kainen’s artistic trajectory shifted during the 1930s as he embraced German Expressionism and Social Realism. Artists like Stuart Davis and Arshile Gorky encouraged exploration of the unconscious and copying master works. Kainen joined the John Reed Club and met Diego Rivera, Henry Glintenkamp, George Ault, Hilaire Hiler, and Stuart Davis during this period—artists who shared his institutional contempt. He was profoundly influenced by Ernst Ludwig Kirchner and Edvard Munch, whose expressive styles resonated deeply with him. During the WPA years, Kainen honed his printmaking skills while exploring social themes through art. His prints reflected the anxieties of the Great Depression and the urgency of addressing social injustices. He experimented with various techniques—drypoint, etching, silkscreen—each serving as a vehicle for conveying complex ideas and emotions. As he matured, Kainen moved toward abstraction, influenced by figures like Arshile Gorky. However, he never abandoned humanism or historical awareness, seeking to imbue even abstract forms with a sense of experience.Curatorial Work and Contributions to the Smithsonian
From 1942 to 1970, Kainen served as curator of the Division of Graphic Arts at the Smithsonian Institution’s U.S. National Museum. He revitalized the collection through exhibitions and acquisitions—introducing Morris Louis to Kenneth Noland and fostering connections within the art community. His meticulous scholarship focused on John Baptist Jackson and the etchings of Canaletto, demonstrating his profound knowledge and passion for art history. Kainen's legacy extends beyond his own artistic output; he championed younger artists and fostered a vibrant dialogue about art’s role in society. He donated a significant portion of his collection of German Expressionist art to the National Gallery of Art in 1985—a testament to his lifelong commitment to preserving and disseminating cultural heritage. ### Legacy and Historical Significance Jacob Kainen's enduring artistic vision is reflected in his hundreds of paintings on canvas and paper, as well as his extensive body of drawings and prints. His work embodies a synthesis of intellectual curiosity, stylistic evolution, and unwavering dedication to exploring the human condition through diverse mediums. He was known for his meticulous craftsmanship—mixing paint from various tubes to create new colors that he then applied in layers—a technique that imbued his canvases with a rich surface pulsation. Kainen’s influence continues to inspire artists today, cementing his place as one of America's most important printmakers and art historians.Kainen Jakó
1909 - 2002 , Egyesült Államok
Rövid tények
- Artistic Movement Or Style:
- Egyetemes ekspreszionizmus
- Szociális realizmus
- Együttesség
- Artists Or Movements Influenced By This Artist:
- Morris Louis
- Kenneth Noland
- Artists Who Influenced This Artist:
- Rembrandt
- Velázquez
- John Constable
- Ernst Ludwig Kirchner
- Edvard Munch
- Date Of Birth: 1909
- Date Of Death: 2001
- Full Name: Jacob Kainen
- Nationality: Amerikai
- Notable Artworks:
- Egyéni táj
- Ébresztő
- Place Of Birth: Waterbury, United States

Az üvegkeretes opció csak 110 cm alatti méretben érhető el
