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William Pether

A Man with the Initials FM

Dimenzije
8.0 x 6.0 cm

A master of mezzotint engraving known for works after Rembrandt. Discover the atmospheric beauty of his prints today.
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Giclée / Umjetnički otisak

Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu izradu i raznolike opcije završne obrade. ( Kupi ručno oslikano djelo Prebacite na digitalnu sliku)

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Standardne dimenzije
po mjeri
CM
INCH

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širina
visina

Unesite potrebnu širinu i visinu kako bi odgovarali vašem okviru ili zidu. Print se može samo izrezati, nikada ne može biti veći od slike, stoga format s drugačijim omjerom stranica uzrokuje gubitak dijela slike. Prije bilo kakve štampe šaljemo vam digitalni prikaz (mockup) na odobrenje. Slika prikazana na ovoj stranici ne prikazuje stvarni rez — to prikazuje isključivo digitalni prikaz.

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Ukupna cijena

€ 56

A Man with the Initials FM

Giclée / Umjetnički otisak

Veličina reprodukcije

-

Ukupna cijena

€ 56

Srodna umjetnička djela

Untitled (9888) — Georges Braque, Cubism
Georges Braque untitled (9888)
Moses Is Saved From The Waters Of Nile By Pharaoh's Daughter (exodus Ii, 5 6) — Mark Šagal, Expressionism
Mark Šagal Moses is saved from the waters of Nile by Pharaoh's daughter (Exodus II, 5 6)
Starry Night Over The Rhône, Pen Sketch (1888) — Vincent Van Gogh, Post-impressionism
Vincent Van Gogh Starry Night over the Rhône, Pen Sketch (1888)
American Neutrality Obverse — Karl Otto Götz, German Art Informel
Karl Otto Götz American Neutrality Obverse
Potato Field Behind The Dunes — Vincent Van Gogh, Post-impressionism
Vincent Van Gogh Potato field behind the dunes
Friar, Standing — Žan Antuan Vato, Rococo
Žan Antuan Vato Friar, standing
Portrait Of A Man (formerly Called Cowper The Poet) — Anna Atkins, Anne Dixon, Baroque
Anna Atkins, Anne Dixon Portrait of a Man (formerly called Cowper the Poet)
St. Anthony — Albrecht Dürer, German Renaissance
Albrecht Dürer St. Anthony
St. John Lamenting — Albrecht Dürer, Northern Renaissance
Albrecht Dürer St. John Lamenting
World War I Dutch Ivora Neutrality Plate — Pieter Van Der Want
Pieter Van Der Want World War I Dutch Ivora Neutrality Plate

Biografija umjetnika

The Shadow and the Light

London, 1738. A child is born into a city of growing industry and shifting tastes. William Pether enters the world, eventually finding his way to the studio of Thomas Frye. This apprenticeship marks the beginning of a technical obsession with light. By 1761, he is no longer merely a student but a partner to Frye. The partnership provides a foundation for a career defined by the mezzotint—a method where darkness is carved away to reveal brilliance.

The work emerges from deep blacks. He does not simply draw; he excavates. His hands move across copper plates, translating the heavy shadows of Rembrandt and the dramatic, atmospheric lighting of Joseph Wright of Derby into print. In works like The Jewish Bride or A Lecture on the Orrery, the tension lies in the contrast. The light does not just sit on the surface; it seems to struggle against an encroaching gloom.

Versatility in Miniature and Porcelain

Beyond the heavy grain of the mezzotint, Pether’s hand finds a different scale. He moves from the broad, dark textures of large-scale engravings to the delicate precision of ivory. The transition is sharp. Here, the artist becomes a miniaturist, applying thin layers of paint to create intimate portraits that require a much closer gaze.

His reach extends even to the decorative arts. He applies his skill to the surface of porcelain, decorating objects with the same eye for detail found in his drawings. His repertoire is wide and occasionally unexpected:

  • Mezzotint engravings after Dutch and English masters
  • Oil paintings and pastel drawings
  • Miniature painting on ivory
  • Porcelain decoration
  • Inventions of various gadgets

The Shift to the Provinces

The momentum of London life eventually gives way to a more fragmented existence. Pether moves between London, Nottingham, and Bristol. The prestige of being a foundation fellow of the Incorporated Society of Artists and a director of the same body remains, yet his physical presence drifts toward the edges of the capital. In Bristol, the grander ambitions of the engraver settle into the practicalities of a drawing-master and picture-cleaner.

The later years are marked by a quiet retreat from the center of the art world. He engages in engraving portraits of local figures like Edward Colston and Samuel Syer, working within the established traditions of his craft. By the time he reaches Montague Street in Bristol, the man who once captured the dramatic light of the masters has largely faded into obscurity. He dies in 1821, leaving behind a body of work that exists in the delicate balance between the deep shadows of the mezzotint and the fine lines of the miniature.

William Pether

William Pether

1738 - 1821

Osnovne informacije

  • Artistic Movement Or Style: Romanticism
  • Artists Who Influenced This Artist:
    • Thomas Frye
    • Rembrandt
    • Joseph Wright of Derby
  • Full Name: William Pether
  • Nationality: English
  • Notable Artworks:
    • Moonlit River Scene
    • Moonlit Lake
    • A Farrier's Shop
    • An Academy
  • Place Of Birth: London, England
  • Date Of Birth: 1738
  • Date Of Death: 1821