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Passport No.2

Dimenzije
150.0 x 120.0 cm

A striking blend of bureaucratic imagery and pop art elements defines Wang Guangyi's Passport No.2, a powerful critique of state control and identity that invites you to explore this iconic contemporary masterpiece.

Istražite Political Pop umjetnost Wang Guangyija, vodećeg kineskog suvremenog umjetnika. Poznat po seriji 'Great Criticism' koja spaja propagandu Kulturne revolucije i zapadne logotipe, on izaziva percepcije moći i konzumerizma.

Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.

Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.

Giclée / Umjetnički otisak

Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu izradu i raznolike opcije završne obrade. ( Kupi ručno oslikano djelo Prebacite na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ €8

Standardne dimenzije
po mjeri
CM
INCH

Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.

širina
visina

Unesite potrebnu širinu i visinu kako bi odgovarali vašem okviru ili zidu. Print se može samo izrezati, nikada ne može biti veći od slike, stoga format s drugačijim omjerom stranica uzrokuje gubitak dijela slike. Prije bilo kakve štampe šaljemo vam digitalni prikaz (mockup) na odobrenje. Slika prikazana na ovoj stranici ne prikazuje stvarni rez — to prikazuje isključivo digitalni prikaz.

Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (5 Studeni)

Besplatna ekspresna dostava širom svijeta
Visokokvalitetno laneno platno
Potpuno osiguranje dostave
Jamstvo povrata carine i uvoznih poreza
Jamstvo vjernosti boja
Politika povrata u roku od 100 dana (samo u slučaju nedostataka)
Jamstvo povrata 100% novca
Popust na više proizvoda

Ukupna cijena

€ 56

Passport No.2

Giclée / Umjetnički otisak

Veličina reprodukcije

-

Ukupna cijena

€ 56

Osnovne informacije

  • Notable elements or techniques: Text overlays, bureaucratic information
  • Artist: Wang Guangyi
  • Dimensions: 150 x 120 cm

The Intersection of Identity and Bureaucracy

In the profound and intellectually stimulating work Passport No.2, the renowned Chinese contemporary artist Wang Guangyi invites viewers into a complex dialogue between the individual and the state. At first glance, the painting presents a striking portrait of a man, poised in a suit and tie, his gaze directed thoughtfully away from the viewer. Yet, this is no traditional portrait; it is a layered exploration of how human identity is codified, categorized, and ultimately reduced to data. The presence of text—words such as "passport," "names," "sex," "male," and "date of birth"—intertwines with the figure, creating a visual tension between the living, breathing subject and the cold, clinical labels used by bureaucratic institutions to define existence.

The composition is masterfully executed, utilizing a style that bridges the gap between classical oil painting techniques and the bold, graphic language of modern propaganda. Wang Guangyi, a pivotal figure in the Great Criticism movement, utilizes his background in socialist realism to manipulate imagery that feels both familiar and unsettling. The man’s attire—the formal suit and glasses—suggests a sense of professional or civic order, yet the scattered red and black typography acts as a disruptive force, much like the intrusive nature of modern surveillance and globalized movement. This interplay of text and image forces the eye to oscillate between the human face and the administrative script, mirroring the way we navigate our lives through the lens of official documentation.

A Masterpiece of Symbolic Critique

To understand Passport No.2 is to understand the historical weight of Wang Guangyi’s era. Emerging from the transformative period of the Cultural Revolution in China, Wang developed a unique visual vocabulary that critiques the collision between political ideology and the rising tide of global consumerism. In this specific piece, the symbolism of the "visa" and "passport" serves as a poignant metaphor for the boundaries—both physical and psychological—that define our place in the world. The inclusion of specific identifiers like "China" and "birth place" grounds the work in a geopolitical reality, reminding us that our identities are often constructed by the borders we inhabit and the documents we carry.

For the discerning collector or interior designer, this artwork offers more than just visual prestige; it provides a profound intellectual anchor for any sophisticated space. The large-scale 150 x 120 cm format allows the intricate details of the brushwork and the sharp clarity of the typography to command attention, making it an ideal centerpiece for galleries, executive offices, or modern living environments that value thought-provoking contemporary art. The muted tones, punctuated by the authoritative red lettering, create a palette that is both somber and commanding, ensuring that the piece resonates with an emotional depth that lingers long after the initial viewing.

Investing in a high-quality reproduction of this work allows one to bring the heavy, contemplative atmosphere of Wang Guangyi’s vision into their own collection. It is a piece that invites conversation, challenging guests and residents alike to reflect on the nature of freedom, identity, and the invisible structures that govern our modern lives. Through its masterful blend of portraiture and graphic design, Passport No.2 remains a timeless testament to the power of art to interrogate the very essence of what it means to be human in an increasingly regulated world.

Pitanja i odgovori

Iz kojeg razdoblja potječe "Passport No.2"?

"Passport No.2" pripada razdoblju Contemporary.

Koja je koloristička identiteta djela "Passport No.2" autora Wang Guangyi?

"Passport No.2" definira paleta boja Dark koju predvodi Walnut (#93611a).

Koja je tehnika i dimenzija originalnog djela "Passport No.2" autora Wang Guangyi?

Originalno djelo "Passport No.2" autora Wang Guangyi je rad u tehnici Oil On Canvas dimenzija 150 x 120 cm. Tehnika i dimenzije opisuju izvorni predmet.


Biografija umjetnika

Wang Guangyi: Biografija

Rani život i obrazovanje

  • Rođen: Harbin, Kina (1957.)
  • Proživio je turbulentne godine Kulturne revolucije i radio u ruralnom selu prije nego što se posvetio umjetnosti.
  • Studirao je na Akademiji likovnih umjetnosti Zhejiang, diplomiravši na odjelu za slikarstvo uljem 1984. godine.

Umjetnički razvoj i ključna djela

  • Rani radovi (1980-te): Istraživao je zapadnu filozofiju kroz serije poput „North Pole“ i „Post-Classical“, često koristeći sive tonove i referirajući se na ikonična zapadna umjetnička djela kako bi odstupio od klasičnih stilova.
  • Serija The Great Criticism (1990. – 2007.): Ovo je najpoznatiji ciklus djela Wang Guangyija, koji spaja socijalističke motive iz Kulturne revolucije s logotipima zapadnih potrošačkih brendova. Serija kritizira sukob između političke ideologije i komercijalizma. Primjeri uključuju „Great Criticism: Coca-Cola“.
  • Serije VISA, Passport i Virus Carriers (1990-te): Ove instalacije prikazuju slike pojedinaca praćene birokratskim informacijama, komentirajući državnu kontrolu i individualni identitet.
  • Serija Materialist (2001. – 2005.): Istraživao je transcendentalne teme koristeći skulpture izvedene iz propagandnih slika, odražavajući interes za dijalektički materijalizam.

Utjecaji i umjetnički stil

  • Ernst Gombrich: Wang navodi Gombrichovu teoriju naslijeđenih „shemata“ kao utjecajnu u njegovom umjetničkom pristupu kulturnoj reviziji i kontinuitetu.
  • Andy Warhol i Joseph Beuys: Pod utjecajem ovih umjetnika, Wang je razvio stil Political Pop koji miješa socijalističke motive s referencama na potrošačku kulturu.
  • Political Pop: Wang se smatra vodećom figurom pokreta Political Pop, koristeći umjetnost kao alat za kritiku političkih i komercijalnih struktura moći.

Povijesni značaj i nasljeđe

  • Predvodnik novog umjetničkog pokreta (post-1989.): Wang Guangyi odigrao je značajnu ulogu u oblikovanju suvremene kineske umjetnosti nakon 1989. godine.
  • Kritika propagande: Njegov rad izaziva gledatelje da kritički ispitaju propagandu kako socijalističkih, tako i kapitalističkih sustava.
  • Globalna priznatost: Izlagao je diljem svijeta, a njegova djela su dio vodećih svjetskih muzejskih kolekcija, što potvrđuje njegovo mjesto značajne figure u suvremenoj umjetnosti.
Wang Guangyi

Wang Guangyi

1957 - , Kina

Osnovne informacije

  • Artistic Movement Or Style: Politički pop
  • Artists Who Influenced This Artist:
    • Andy Warhol
    • Joseph Beuys
    • Ernst Gombrich
  • Date Of Birth: 1957
  • Full Name: Wang Guangyi
  • Nationality: Kineski
  • Notable Artworks:
    • Serija North Pole
    • Serija Post-Classical
    • Serija Great Criticism
    • Serija VISA
    • Serija Passport
  • Place Of Birth: Harbin, Kina