Pregledaj u stvarnoj veličini
Pošalji
Podijeli
Detalji o umjetničkom djelu
Preuzmi
Slični predmeti
Rentgenska snimka
Automatska prezentacijaChristopher Grant Perry
1840
9.0 x 7.0 cm
Prikaži više
Giclée / Umjetnički otisak
Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu proizvodnju i fleksibilne opcije završne obrade. (
Kupi ručno naslikanu sliku Kupi digitalnu sliku)
Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.
Možete unijeti vlastite dimenzije kako biste umjetničko djelo prilagodili specifičnom okviru ili prostoru. Ako odabrana veličina ne odgovara proporcijama izvornog rada, izrezat ćemo dio slike ili je proširiti pomoću ogledalnog efekta ili jednobojne rubne površine. Digitalni prikaz (mockup) bit će vam poslan na odobrenje prije početka proizvodnje.
Imajte na umu da pregled na zaslonu ne odražava stvarno izrezivanje ili proširivanje. Samo će mockup točno prikazati konačnu kompoziciju.
Iako su dostupne prilagođene veličine, preporučujemo odabir dimenzije iz unaprijed definirane liste kako biste očuvali izvorne proporcije.
Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (21 Kolovoz)
Besplatna ekspresna dostava širom svijeta
Visokokvalitetno laneno platno
Potpuno osiguranje dostave
Jamstvo povrata carine i uvoznih poreza
Garancija vjernog podudaranja boja
Politika povrata u roku od 60 dana (samo u slučaju nedostataka)
Jamstvo povrata 100% novca
Popust na više proizvoda
Opcija stakla dostupna je samo za dimenzije manje od 110 cm
Christopher Grant Perry
Giclée / Umjetnički otisak
Veličina reprodukcije
-
Ukupna cijena
$ 62
Srodna umjetnička djela
Biografija umjetnika
Richard Morrell Staigg: A Boston Miniature Maestro
Richard Morrell Staigg (1817 – 1881) stands as a quietly influential figure in the landscape of 19th-century American portraiture, particularly renowned for his exquisite miniature paintings. Born in obscurity, Staigg’s artistic journey began unexpectedly when he was apprenticed to an architect's office at the tender age of thirteen—a formative experience that instilled within him a disciplined eye and fostered early exposure to visual craftsmanship. This initial training swiftly transitioned into focused instruction in portrait painting, setting the stage for his lifelong dedication to capturing likenesses with remarkable precision and sensitivity. His relocation to Newport, Rhode Island, around 1831, alongside his family, marked a pivotal moment in Staigg’s personal life and artistic development. The encouragement of fellow artist Washington Allston proved invaluable, propelling him toward a singular passion: miniature painting. Unlike the grand canvases favored by many contemporaries, Staigg excelled at crafting diminutive artworks—often no larger than six inches square—that demanded meticulous detail and an unparalleled understanding of tonal gradation. These miniatures weren’t merely reproductions; they were imbued with a profound respect for their subjects, conveying not just physical appearance but also subtle expressions of character and emotion. Staigg's membership in the Boston Artists' Association solidified his position within the burgeoning artistic community of New England. He consistently participated in exhibitions at the National Academy of Design in New York City, earning recognition as an Associate in 1856 and subsequently achieving Academician status in 1861—honors indicative of his sustained commitment to artistic excellence and scholarly pursuits. A visit to Europe between 1867 and 1869 broadened Staigg’s horizons artistically and intellectually, while another journey in 1872-1874 allowed him to further refine his technique and absorb influences from European masters. The latter half of Staigg's life was dedicated to tackling larger commissions—primarily oil portraits—though he never abandoned his beloved miniatures. His oeuvre encompasses a diverse range of subjects, including portraits of luminaries such as Washington Allston, Edward Everett, Daniel Webster, William H. Prescott, and numerous prominent figures from Boston society. Among his celebrated miniature works are depictions of Mrs. George Henry Loring (Amalia Heredia) and Ann King, which garnered considerable acclaim for their nuanced portrayals. Furthermore, Staigg produced evocative genre scenes—such as “The Crossing Sweeper” and “The Sailor’s Grave”—and landscapes that demonstrate a keen observation of the natural world. Notably, his painting "Cat's Cradle" (1863) exemplifies his masterful handling of light and color. Staigg’s legacy extends beyond his individual artworks; he represents a cornerstone of American miniature painting tradition—a genre characterized by its intimacy, technical virtuosity, and ability to convey profound psychological insight. His meticulous attention to detail and unwavering dedication to capturing the essence of his subjects ensured that Staigg's miniatures would endure as treasured relics of a bygone era, continuing to captivate viewers with their understated beauty and enduring artistic merit.
richard morrell staigg
1817 - 1881
Osnovne informacije
- Artistic Movement Or Style: Portraiture
- Artists Or Movements Influenced By This Artist: ['Romanticism']
- Artists Who Influenced This Artist: ['Washington Allston']
- Date Of Death: 1881
- Full Name: Richard Morrell Staigg
- Nationality: American
- Notable Artworks:
- Crossing Sweeper
- Sailor's Grave
- Cat's Cradle
