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      Joseph Glasco

      Landscape

      • Datum stvaranja1958
      • Dimenzije122.0 x 183.0 cm

      Joseph Glasco (1925-1996) was a pivotal American Abstract Expressionist painter & sculptor. Influenced by Pollock, Dubuffet & Hofmann, his work evolved from figurative art to non-objective abstraction. Featured in MoMA, Met & Guggenheim collections.
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      Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.

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      Giclée / Umjetnički otisak

      Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu proizvodnju i fleksibilne opcije završne obrade. ( Naručite ručno oslikano reprodukciju Prebacite na digitalnu prodaju slika)

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      Standardne dimenzije
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      Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (21 Listopad)

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      Ukupna cijena

      € 54

      Landscape

      Giclée / Umjetnički otisak

      Veličina reprodukcije

      -

      Ukupna cijena

      € 54

      Srodna umjetnička djela

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      Jan Vermeer Woman holding a balance detalj 4 ngw
      Woman Holding A Balance Detalj 3 Ngw — Jan Vermeer, Dutch Baroque
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      Portrait Of A Woman With A Balance — Thomas De Keyser, Dutch Golden Age Portraiture
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      Biografija umjetnika

      Joseph Glasco: Pioneer of Textured Abstraction

      Joseph Glasco (1925 – 1996) stands as a singular figure in American Abstract Expressionism, an artist whose distinctive approach to painting—characterized by layered textures and monumental scale—earned him recognition within the vanguard of postwar art. Born in Pauls Valley, Oklahoma, Glasco’s formative years were spent amidst the sprawling landscapes of Texas, shaping his artistic sensibility from an early age. His family comprised Lowell and Pauline Glasco, alongside three brothers and two sisters, fostering a rich familial environment that nurtured his creative pursuits. He pursued higher education at the University of Texas at Austin before enlisting in the United States Army during World War II, serving bravely in the Battle of the Bulge—a testament to his commitment to duty and resilience. Following the war, Glasco embarked on an artistic journey fueled by intellectual curiosity and exploration. He enrolled at Portsmouth Art School in Bristol, England, immersing himself in European artistic traditions and honing his technical skills. Simultaneously, he studied at the École Supérieure des Beaux-Arts in San Miguel de Allende, Mexico, absorbing influences from Mexican muralism and engaging with diverse cultural perspectives. Further refining his craft at the Art Students League of New York solidified his position within the burgeoning New York art scene of the 1950s and 60s. Glasco’s artistic vision was profoundly impacted by collaborations with luminaries like Jackson Pollock and Alfonso Ossorio, as well as by the groundbreaking theories of Hans Hofmann—a teacher who championed spontaneous gesture and color exploration. Hofmann's emphasis on “psychological abstraction” resonated deeply with Glasco, guiding him toward a style that prioritized emotional expression over representational accuracy. Glasco’s canvases became monumental explorations of texture and pigment, often incorporating burlap or other materials to create palpable surfaces that conveyed depth and dynamism. He drew inspiration from the work of Jean Dubuffet, whose “primitive art” championed unfiltered emotion and challenged conventional artistic standards—a conviction that permeated Glasco's oeuvre. Glasco’s prolific output spanned decades, producing canvases ranging in size from modest portraits to colossal works measuring over eight feet wide. His paintings are housed in prestigious institutions worldwide, including the Metropolitan Museum of Art, MoMA, Guggenheim Museum, Whitney Museum of American Art, Hirshhorn Museum and Smithsonian American Art Museum—a testament to his enduring legacy as a master of abstract expressionism. Beyond his artistic achievements, Glasco established the Joseph Glasco Charitable Foundation, demonstrating his dedication to supporting artistic endeavors and fostering creativity within younger generations. Notably, he had a significant relationship with William Goyen, documented in Clark Davis’ biography “It Starts With Trouble,” offering insight into his personal life alongside his professional accomplishments. He retired to Galveston, Texas in 1972, maintaining a studio on the Strand near the Strand Emporium and retreating from public life—leaving behind an indelible mark on the art world. Glasco passed away peacefully in Galveston on May 31, 1996.
      Joseph Glasco

      Joseph Glasco

      1925 - 1996

      Brzi pregled

      • Artistic Movement Or Style: Abstract Expressionism
      • Artists Or Movements Influenced By This Artist: ['Dubuffet']
      • Artists Who Influenced This Artist:
        • Jackson Pollock
        • Jean Dubuffet
        • Hans Hofmann
      • Date Of Birth: 1925
      • Date Of Death: 1996
      • Full Name: Joseph Glasco
      • Nationality: American
      • Notable Artworks:
        • Standing Man
        • Erwinna
        • Head
      • Place Of Birth: Paulsville, Oklahoma