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Self Portrait

Admire James Ward’s poignant self-portrait (1830), capturing the artist's aged visage and contemplative gaze within a richly textured canvas. Explore British Romanticism at Yale!

Istražite Jamesa Warda (1769-1859), britanskog majstora slikanja životinja i romantičnih pejzaža. Otkrijte 'Gordale Scar' i portrete – ključnu figuru umjetnosti 19. stoljeća.

Giclée / Umjetnički otisak

Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu proizvodnju i fleksibilne opcije završne obrade. ( Naručite ručno oslikano reprodukciju Prebacite na digitalnu prodaju slika)

Corner sample of the P118B picture frame: ližani polistiren, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: ližani polistiren, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: ližani polistiren, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: ližani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: ližani polistiren, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: ližani polistiren, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: ližani polistiren, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: ližani polistiren, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ €8

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Ukupna cijena

€ 54

Self Portrait

Giclée / Umjetnički otisak

Veličina reprodukcije

-

Ukupna cijena

€ 54

Brzi pregled

  • Notable elements or techniques: Chiaroscuro, Detailed facial features
  • Title: Self Portrait
  • Year: 1830
  • Movement: Romanticism
  • Location: Yale Center for British Art
  • Medium: Oil on canvas

Kviz o umjetnosti

Svako pitanje ima samo jedan točan odgovor.

Pitanje 1:
Who is the artist depicted in this self-portrait?
Pitanje 2:
Approximately what year was this 'Self Portrait' painted?
Pitanje 3:
What prominent artistic movement is associated with the context of this painting?
Pitanje 4:
Which physical feature is notably described in the portrait, suggesting the artist's age?
Pitanje 5:
What element is used in the background to add depth to the painting?

A Gaze Into the Soul: James Ward's Self Portrait

To stand before this self-portrait of James Ward is to encounter not merely a likeness, but a profound meditation on the passage of time and the enduring spirit of artistic creation. Painted in 1830, this work captures the artist at a mature juncture—a moment where experience has etched itself onto the countenance. The subject gazes out with an unwavering intensity, his white beard and mustache framing a face that speaks volumes without uttering a single word. It is a direct confrontation between the viewer and the creator, inviting us into the quiet, thoughtful chambers of his own self-awareness.

Technique and Compositional Depth

Ward’s mastery is evident in the meticulous rendering of texture, particularly visible in the depiction of skin and hair. The artist employed a technique that allows for both intimate detail—allowing one to trace the lines around the eyes or the subtle fall of the beard—and a broader sense of atmosphere. Notice how the background curtain serves not as mere backdrop, but as an element that adds palpable depth to the composition. This careful use of setting anchors the figure while simultaneously pushing the viewer's focus back to the arresting directness of his gaze. The close-up nature of the portrait ensures that every nuance of expression is magnified for our contemplation.

Historical Echoes of British Romanticism

Dating from 1830, this painting sits squarely within the rich currents of early Victorian and late Georgian artistic sensibilities, deeply influenced by the spirit of British Romanticism. While Ward was celebrated for his animal studies and landscapes, this portrait reveals a different facet: the intellectual depth of the professional artist. The stern yet contemplative expression reflects an era grappling with industrial change and shifting definitions of genius. It is a testament to the individual vision set against the backdrop of a rapidly evolving cultural landscape.

Symbolism of Self-Reflection

The act of painting oneself has always been fraught with symbolic weight. Here, James Ward presents himself not just as an aging man, but as an enduring artistic persona. The direct stare can be interpreted as both challenge and invitation—a silent acknowledgment that the art itself is inseparable from the hand that wields the brush. It symbolizes the artist's relationship with his own craft: a life spent observing, interpreting, and ultimately, recording the human condition.

Bringing the Masterpiece Home

For those who wish to incorporate this powerful piece of history into their own space, acquiring a high-quality reproduction allows one to possess this palpable connection to 19th-century genius. Whether placed in a formal study or a richly decorated drawing-room, this portrait serves as more than decoration; it acts as a conversation starter, an intellectual anchor that speaks to the enduring power of self-examination and artistic dedication.

Pitanja i odgovori

Tko je autor djela "Self Portrait" i u kojem je umjetničkom pravcu?

Iza djela "Self Portrait" stoje James Ward i pokret Romantic Landscape.

U kojoj je godini nastalo djelo "Self Portrait" autora James Ward?

"Self Portrait" autora James Ward nastalo je 1830.

Koju emociju dočarava djelo "Self Portrait" iz pokreta Romantic Landscape?

"Self Portrait" nosi Melancholic emocionalni ton unutar pokreta Romantic Landscape.


Biografija umjetnika

James Ward: Život u britanskoj umjetnosti

James Ward (1769-1859) bio je istaknuti britanski slikar, poznat po svojim očaravajućim prikazima životinja, romantičnim pejzažima i prodornim portretima. Iako su ga često zasjenjivali suvremenici, njegov jedinstveni stil i vještina značajno su utjecali na razvoj britanske umjetnosti tijekom 19. stoljeća.

Rano djetinjstvo i edukacija

Rođen 23. listopada 1769. u Londonu, James Ward bio je mlađi brat slikara i gravira Williama Warda. Njegovi su rani umjetnički nagnuća nježno poticali unutar kreativnog obiteljskog okruženja. Iako je prošao kroz određenu formalnu obuku, njegov je razvoj u velikoj mjeri bio samoinicijativan, snažno oblikovan neprestanim promatranom i vježbanjem.

Umjetnički razvoj i utjecaji

Wardova je karijera konvencionalno podijeljena na dva različita razdoblja prema utjecajima koji su ga oblikovali. U početku, sve do otprilike 1803. godine, njegovo je djelo snažno podsjećalo na rad njegovog šogora, Georgea Morlanda, obilježeno žanrovskim scenama i fokusom na svakodnevni život. Nakon tog razdoblja, duboko je inspiriran baroknim majstorom, Peterom Paulom Rubensom, usvajajući dinamičniju kompoziciju, bogatu paletu boja te dramatičnu upotrebu svjetla i sjene.

Značajna djela i umjetnički stil

Wardov je singularni stil izdvajao od mnogih suvremenika. Izvrsno se snalazio u različitim žanrovima, uključujući povijesnu slikarstvo, portretstvo, pejzaž i umjetnost prikazivanja životinja. Njegova najslavnija djela uključuju:

  • Gordale Scar (1814/15): Smatra se njegovim remek-djelom; ovaj dramatični prikaz jordske klisure primjer je uzvišenih kvaliteta engleskog romantizma.
  • The Deer Stealer (1823): Naručeno od strane Theophilusa Levetta, ovo djelo prikazuje Wardovu vještinu u narativu i predstavljanju životinja.
  • John Levett Hunting at Wychnor, Staffordshire (1817): Portret jednog od njegovih poklonika koji demonstrira njegovu sposobnost da uhvati kako sličnost i atmosferu.

Njegova su djela obilježena pedantnom pažnjom prema detaljima, osobito u prikazivanju životinja, što je spojeno s romantičnim senzibilitetom koji naglašava ljepotu i moć prirode.

Narudžbe i izložbe

Ward je uživao pokroviteljstvo istaknutih figura poput Theophilusa Levetta, što je dovelo do brojnih umjetničkih narudžbi. Redovito je izlagao svoje radove u Kraljevskoj akademiji (Royal Academy), stječući priznanje za svoju vještinu i originalnost. Njegovo primanje u članstvo 1811. godine učvrstilo je njegov položaj unutar britanske umjetničke ustanove.

Kasni život i naslijeđe

Ward je nastavio plodno slikati sve dok mu moždani udar 1855. godine nije prekinuo karijeru. Preminuo je 17. studenog 1859. u relativnom siromaštvu, unatoč ranijem uspjehu.

Iako se u kasnijim godima suočavao s financijskim poteškoćama, utjecaj Jamesa Warda na britansku umjetnost ostaje neosporan. Njegova jedinstvena mješavina realizma i romantizma otvorila je put budućim generacijama slikara životinja i pejzažnih umjetnika. Njegova djela danas se čuvaju u prestižnim kolekcijama kao što su Tate Britain i Yale Center for British Art.

Povijesni značaj

James Ward zauzima značajno mjesto u prijelazu iz neoklasicizma u eru romantizma u britanskoj umjetnosti. On je premostio jaz između tradicionalnog žanrovskog slikarstva i tadašnje bujne interesa za pejzaž i naturalizam, ostavljajući za sobom naslijeđe očaravajućih djela koja i danas nastavljaju inspirirati i radovati.

James Ward

James Ward

1769 - 1859 , Ujedinjeno Kraljevstvo

Brzi pregled

  • Birth Date: 23. listopada 1769.
  • Birth Place: London, Ujedinjeno Kraljevstvo
  • Death Date: 17. studenog 1859.
  • Influenced By:
    • George Morland
    • Rubens
  • Movement: Romantizam
  • Name: James Ward
  • Nationality: Britanac
  • Notable Works:
    • Gordale Scar
    • The Deer Stealer
    • John Levett Hunting at Wychnor