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Composition

The sculpture’s form evokes primitive sculpture, emphasizing positive/negative space and reflecting Moore's rejection of classical art.

Henry Moore je najpoznatiji po monumentalnim apstraktnim brončanim skulpturama koje prikazuju ljudsko tijelo u jednostavnoj i elegantnoj obliku – često majku s djetetom ili položaj ležeće osobe. Njegova umjetnička ostvarenja inspiriraju ljepotu i unutarnju harmoniju, dok je njegov stil revolucionarno promijenio britanski suvremeni kiparstvo.

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Opis umjetničkog djela

When Henry Moore died in 1986, he left a legacy of primeval public monuments across the world. From Scotland to Saudi Arabia, his bronze and slate-coloured hulks brood over the landscape like monoliths from an earlier era, presiding over our global disasters with a prophetic power. Moore’s sculptures were born out of two world wars and the glories of the machine age, yet their rugged textures and simple forms were inspired by the Yorkshire countryside of his childhood. It was this duality, of nature and modernity, which instilled in the sculptures a timeless quality that has had a lasting universal appeal. It is perhaps because of this that Moore’s relationship with the British Council was a close one throughout his career. The British Council Collection includes sculptures, paintings, prints and sketches by the artist, and for many years his bronze sculpture Large Spindle Piece (1974) sat on a plinth outside their headquarters on The Mall in London.The sculptures featured in this exhibition were all made in the 1930s at a time when Moore was living in Hampstead with his wife, Irina Radetsky. The North London suburb was a playground of the bohemian set and many artists had settled there, including Barbara Hepworth, Ben Nicholson and Naum Gabo, all of whom had an influence on the young Moore. Each of the three sculptures plays a vital role in revealing Moore’s move towards abstraction. He had already rejected tradition, preferring non-Western art over classical figures of the Renaissance and the Graeco-Romans, and Girl with Clasped Hands, made the year after his marriage, is clearly inspired by an ancient Sumerian sculpture he had written about after visiting the British Museum. At the time, Moore had been very influenced by the critic Roger Fry, and in particular Fry’s book Vision and Design (1920), which propounded the theory of significant form. The eyes, hands and breasts of Girl with Clasped Hands evoke primitive sculpture, especially through the positive/negative switch Moore made by drilling holes into the breasts where the nipples should have been.The 1930s were also characterised by Moore’s admiration for Epstein and Brancusi, artists who insisted on direct carving and truth to materials. Moore was fascinated with Surrealism, too, and he even signed the manifesto in 1936. Composition, made in 1933, is an undulating concrete form that appears intent on stretching beyond the capabilities of its rigid medium. Its emerging breasts and nipple, and the yawning cavities, are suggestive of a human form struggling to break free. Moore’s love of Surrealism, coupled with his move towards abstraction, can be seen in this work as a friction between the two opposing forces.In 1934, he visited Spain, and as a consequence was very much affected by the outbreak of the Civil War in 1936. He petitioned Parliament on their non-intervention and even tried to travel to the country as part of a delegation of artists and writers that included Auden and Spender, but he was refused a travel permit by the British government. One of the sculptures to emerge out of this time is Mother and Child, a strange, amorphous form in which two figures appear to be melting into, or emerging out of, one another. Naturally, the work continues to embody Moore’s conflict between the opposing forces of Surrealism and abstraction, but more significantly it is highly charged emotionally, as a response to the outbreak of war in Spain. It was an early indication that this sculptor would become a powerful critic of the Second World War and a sensitive recorder of the plight of the common man caught in the crossfire.(C) Jessica Lack 2009

Srodna umjetnička djela


Biografija umjetnika

A Life Sculpted in Form: The World of Henry Moore

Henry Spencer Moore, OM CH FBA (30 July 1898 – 31 August 1986) was an English visual artist. He is best known for his semi-abstract monumental bronze sculptures, which are prominently displayed across the globe and have profoundly impacted the trajectory of modern British sculpture. Born in Castleford, a modest mining town nestled within Yorkshire’s rolling hills—a landscape that would indelibly shape his artistic vision—Moore embarked on an extraordinary journey from humble beginnings to become one of Britain's most revered sculptors. His formative years were marked by a profound appreciation for education instilled by his father, Raymond Spencer Moore, who steered him away from the traditional path of coal mining towards formal schooling, fostering a lifelong dedication to intellectual pursuits. Even as a young boy, Moore exhibited an innate fascination with manipulating clay and carving wood—activities that foreshadowed the artistic vocation he would embrace throughout his life. This early engagement with tactile materials served as a catalyst for honing his sculptural skills and cultivating a distinctive aesthetic sensibility rooted in organic form and spatial exploration.

Early Influences and Artistic Development

Moore’s formal artistic education commenced at Castleford Secondary School, where his art teacher recognized and nurtured his burgeoning talent—a recognition that would prove pivotal in shaping his future endeavors. Subsequently, he pursued higher studies at Leeds School of Art and then the Royal College of Art in London, immersing himself in the study of classical sculpture alongside pioneering movements like Cubism. However, Moore’s artistic trajectory wasn't merely dictated by prevailing trends; rather, he skillfully synthesized these influences into a singular style characterized by profound innovation. A transformative encounter occurred during his visit to Mexico in 1925—a journey that exposed him to the breathtaking artistry of pre-Columbian civilizations, particularly Aztec sculptures. The striking simplicity and evocative abstraction inherent in these monumental forms captivated Moore’s imagination, liberating him from restrictive representational conventions and propelling him toward a more liberated artistic expression. This pivotal period witnessed the genesis of his signature style: semi-abstract sculptures imbued with rounded, organic shapes—a stylistic hallmark that would define his oeuvre for decades to come—and frequently incorporating voids or apertures that skillfully manipulated light and space.

The Reclining Figure and Mother and Child

Moore’s artistic explorations centered around two recurring motifs—the reclining figure and the mother and child—which became synonymous with his artistic identity. The *reclining figure*, in particular, transcended mere depiction; it functioned as a conduit for investigating fundamental concepts of form, volume, and the relationship between the human body and its surrounding environment. These sculptures weren’t simply representations of repose but rather meditations on stillness, contemplation, and the inherent beauty of natural curves—a stylistic choice that echoed the undulating contours of Yorkshire's landscape. Simultaneously, Moore relentlessly pursued the depiction of *mother and child*, recognizing in this primal pairing universal themes of love, protection, and nurturing. His sculptures portraying mothers and children captured not idealized perfection but rather honest portrayals of human connection—often reflecting anxieties and uncertainties prevalent during his lifetime—demonstrating a remarkable ability to convey profound emotional depth through sculptural form.

Wartime Reflections and Public Commissions

The Second World War irrevocably altered Moore’s artistic trajectory, prompting him to document the experiences of Londoners sheltering from the Blitz—a harrowing period marked by fear and resilience—through a series of poignant drawings executed during the siege. These *Shelter Drawings*, far surpassing mere historical records, showcased Moore's mastery in translating sculptural principles into two-dimensional media—a testament to his versatility as an artist. Following the war’s conclusion, Moore received numerous prestigious public commissions—opportunities that enabled him to create monumental sculptures for educational institutions, hospitals, and civic spaces—affirming his conviction that art should serve the broader community. His unwavering commitment to artistic innovation while maintaining fidelity to his distinctive sculptural style solidified his reputation as a luminary of twentieth-century sculpture.

Legacy and Enduring Influence

Henry Moore’s legacy extends far beyond his individual artworks; he fundamentally reshaped the landscape of modern sculpture, challenging conventional notions of representation and advocating for exploration of form and space—a pioneering stance that paved the way for subsequent generations of sculptors. His sculptures continue to inspire awe and contemplation today—serving as enduring emblems of human creativity and ingenuity—and demonstrating the transformative power of art. In 1977, Moore established the Henry Moore Foundation—a philanthropic endeavor dedicated to nurturing artistic talent and disseminating knowledge about sculpture—ensuring that his profound contribution to the arts would endure for posterity. The foundation actively supports artists, scholars, and institutions worldwide—furthering Moore’s unwavering belief in fostering creativity and artistic innovation—solidifying his position as one of Britain's most influential sculptors and cementing his enduring impact on the global art scene.
  • Major Themes: Human form, abstraction, mother and child, reclining figures, landscape
  • Key Influences: Classical sculpture, Cubism, pre-Columbian art, Yorkshire’s rolling hills
  • Notable Works: *Reclining Figure: 1951*, *Family Group*, *Shelter Drawings*
Moore's sculptures stand as timeless monuments to human ingenuity and a poignant reminder of the transformative potential inherent in artistic expression.
Henry Lambov

Henry Lambov

1898 - 1986 , Velika Britanija

Osnovne informacije

  • Artistic Movement Or Style: Modernizam, Apstraktna skulptura
  • Artists Who Influenced This Artist:
    • Klasička skulptura
    • Kubizam
  • Date Of Birth: 30 srpnja 1898.
  • Date Of Death: 31 kolovoza 1986.
  • Full Name: Henry Spencer Moore
  • Nationality: Engleski
  • Notable Artworks:
    • Ležeća figura
    • Podzemlje
  • Place Of Birth: Castleford, UK
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