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Strips

Experience 'Strips' by Gordon Bennett AO – a powerful quilt reflecting Gee’s Bend heritage & resilience. Explore vibrant colors, geometric patterns, & Indigenous artistry. Hand-painted reproduction.

Istražite moćno djelo Gordona Bennetta AO – australskog umjetnika s autohtonim korijenima. Njegova djela izazivaju povijest i identitet.

Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.

Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.

Giclée / Umjetnički otisak

Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu izradu i raznolike opcije završne obrade. ( Kupi ručno oslikano djelo Prebacite na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ €8

Standardne dimenzije
po mjeri
CM
INCH

Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.

širina
visina

Unesite potrebnu širinu i visinu kako bi odgovarali vašem okviru ili zidu. Print se može samo izrezati, nikada ne može biti veći od slike, stoga format s drugačijim omjerom stranica uzrokuje gubitak dijela slike. Prije bilo kakve štampe šaljemo vam digitalni prikaz (mockup) na odobrenje. Slika prikazana na ovoj stranici ne prikazuje stvarni rez — to prikazuje isključivo digitalni prikaz.

Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (7 Studeni)

Besplatna ekspresna dostava širom svijeta
Visokokvalitetno laneno platno
Potpuno osiguranje dostave
Jamstvo povrata carine i uvoznih poreza
Jamstvo vjernosti boja
Politika povrata u roku od 100 dana (samo u slučaju nedostataka)
Jamstvo povrata 100% novca
Popust na više proizvoda

Ukupna cijena

€ 56

Strips

Giclée / Umjetnički otisak

Veličina reprodukcije

-

Ukupna cijena

€ 56

I was born December 29, 1960, in Gee’s Bend, Alabama. As a young child living in Gee’s Bend, I grew up on a farm and had to work in the fields. Because of my young age, I was only allowed to carry water to those who were big enough to chop cotton and the other things that we grew in our fields. Our field was located in an area called Carson, although my grandfather had two fields, one in Carson and the other one located in a place called Hotel (some people called it Long Bottom). Hotel was the area where the old cemetery was located. There, my family grew cotton, corn, peanuts, and sweet potatoes, just to name a few of our crops.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.We started our day early because my mother had to make breakfast and lunch so we could carry our lunch with us to the fields. When I got a little older, about eight years old, I also helped with getting the meals prepared, and now I was old enough to chop and pick cotton. This was not an easy job, and I can remember we hardly ever complained. And even if we did, we were only wasting time and energy. In my early teens, cotton started to fade away, and only a few people who were a little more well-off than the rest continued with planting cotton. So we “hired out,” working for those who had a bigger farm. To pick a hundred pounds of cotton a day was really hard for me because I was so small, but I am sure it was no problem for my grandfather, Tank Pettway, because he was a big, tall man. It was not long before cotton completely faded away from Gee’s Bend and another crop of hard work was born—the birth of cucumbers.Roman Pettway, the community entrepreneur, introduced Gee’s Bend to a new mode of farming. Cucumbers were the “new cotton,” but thank God, the season for cucumber picking was very short, from late May to the first week in July. We knew when the month of July came it would not be long before we could finally have a summer break. Growing cucumbers lasted for nearly a decade, and many families planted a second crop because this was a quicker and faster way to earn income. My family and others planted their own gardens and grew almost all the vegetables needed to survive the winter months. I learned to can vegetables and to make plum and blackberry jelly and jams. My mother Qunnie Pettway’s first paying job was working at the Freedom Quilting Bee. Her paycheck was not a whole lot, and sometimes she would have to work several weeks before getting any pay. During her absence, my oldest brother and I had to do most of the household chores. We didn’t have a water pump of our own, so we carried water from my aunt Lucy T. Pettway’s house. We also carried water from a natural spring, a spring called Cross Spring. Some of the men in the community tailored the spring into a well by damming it up with barrels; this made it much easier to obtain the water. The water was used to cook and wash our clothes. We also heated our bathwater in the same wash pot we used to wash our clothes. By the time I turned about fifteen, we got running water and paved roads. Now that the roads were paved and we had running water, washing, cleaning, riding the school bus, and walking got a lot better. I can recall that I was about five or six years old when I was first introduced to sewing. At that age we were only allowed to thread the needles for the quilters in my grandmother’s and my mother’s quilting group. The leftover scraps are what we got to sew and piece together, practicing on how to make a real quilt. We never actually made a quilt, because the leftover pieces were so small in size, so I looked for something else more interesting to do than sticking my fingers with a needle. During grade school the bulk of my school clothes were homemade by my mother, Qunnie Pettway; she has always had a passion for sewing. Since quilting and making quilts were such a big part of my grandmother’s, my mother’s, and my aunt’s life, I believe the seed of quiltmaking was planted into my genes. Whenever we would go to either aunt Lucy T. Pettway’s or aunt Ruth Mosely’s houses to play during the summer months, t../..

Pitanja i odgovori

Kako se stil djela "Strips" odnosi na doba u kojem je njegov autor stvarao?

"Strips" autora Gordon Bennett Ao pripada pokretu Contemporary Folk Art, unutar ere suvremeno doba svog tvorca.

U kojoj je godini nastalo "Strips"?

"Strips" autora Gordon Bennett Ao nastalo je 2005.

Kako se pokret Contemporary Folk Art u djelu "Strips" povezuje s domovinom umjetnika?

"Strips" djelo je koje je stvorio/la Gordon Bennett Ao, rođen/a u Australija, unutar pokreta Contemporary Folk Art. Umjetnikovo podrijetlo povezuje ovo djelo s Contemporary Folk Art onako kako su ga prakticirali umjetnici iz Australija.


Biografija umjetnika

pionirska figura u autohtonističkoj australijskoj umjetnosti

Gordon Bennett Ao, istaknuti australski umjetnik aboridžinskog i anglo-celtičkog podrijetla, ostavio je neizbrisiv trag u suvremenoj umjetničkoj sceni. Rođen 9. listopada 1955. godine u Montu, u Queenslandu, Bennettov život bio je svjedočanstvo njegovog višestranog identiteta, koji je odjepno izražavao kroz svoju umjetnost.

Njegov put do umjetničke slavi bio je neobičan; prije nego što se potpuno posvetio umjetnosti, Bennett je radio u Telecom Australiji sve do svoje 32. godine. Ta tranzicija označila je početak njegovog plodnog umjetničkog putovanja. Poznat po svojim živopisnim i potaknućima na razmišljanje djelima, Bennettova umjetnost izazivala je percepcije o identitetu, povijesti i konstrukciji znanja. Njegov odvažan stil, human u svom pristupu, odjekivao je kod publike širom svijeta. Kao vodeća figura u suvremenoj autohtonističkoj australijskoj umjetnosti, njegovo radove nisu samo odražavali njegovo podrijetlo, već su i otvorili put budućim generacijama aboridžinskih umjetnika.

značajna djela i izložbe

Iako ovdje nije naveden točan popis Bennettovih najznačajnijih djela, njegov doprinos svijetu umjetnosti detaljno je dokumentiran na stranici ArtsDot.com. Neka od njegovih djela mogu se pronaći u odjeljku art movements 1/2, pružajući uvid u njegovu umjetničku evoluciju.

naslijeđe i utjecaj

Bennettov utjecaj proteže se izvan njegove vlastite generacije, inspirirajući nove umjetnike da istražuju teme identiteta i kulturne baštine. Njegov doprinos osigurao je stalnu relevantnost i priznatost autohtonističke australijske umjetnosti na globalnoj razini.

sjećanje na Gordona Bennetta Ao

Bennett je preminuo 3. lipnja 2014., ali njegovo naslijeđe opstaje. Za one zainteresirane za istraživanje njegovih radova ili dublje uranjanje u svijet autohtonističke australijske umjetnosti, prints that you can afford na ArtsDot.com nudi jedinstvenu priliku da se njegova umjetnost doživi na opipljiv i pristupačan način.

  • ključna poruka: život i rad Gordona Bennetta Ao služe kao snažan podsjetnik na utjecaj koji jedan umjetnik može imati na širi kulturni krajolik.
  • budući smjerovi: dok idemo naprijed, neophodno je nastaviti slaviti i podržavati umjetnike koji, poput Bennetta, izazivaju naše percepcije i šire naše razumijevanje svijeta.

zaključak

Gordon Bennett Ao, njegovo iznimno putovanje, iako prerano prekinuto, ostavilo je neizbrisiv trag u svijetu umjetnosti. Njegovo naslijeđe služi kao svjetionik za buduće generacije, inspirirajući nove glasove i vizije u stalno evoluirajućem krajoliku suvremene autohtonističke australijske umjetnosti.
Gordon Bennett Ao

Gordon Bennett Ao

1955 - 2014 , Australija

Osnovne informacije

  • Artistic Movement Or Style: Narativni realizam
  • Artists Or Movements Influenced By This Artist: ['Socijalni realizam']
  • Artists Who Influenced This Artist: ['Charles White']
  • Date Of Birth: 1955.
  • Date Of Death: 2014.
  • Full Name: Kerry James Marshall
  • Nationality: Američka
  • Notable Artworks:
    • Untitled (The Figure)
    • Small Arches
    • Pastimes
  • Place Of Birth: Mount Ommanoo, Australija