- होमपेज
- कैनवस पर प्रिंट हेतु
- yee, sookyung
- Translated Vase
पेंटिंग ऑर्डर करें छवि खरीदें
साझा करें
साझा करें
विस्तृत विवरण
पसंदीदा में जोड़ें
डाउनलोड करें
समान कलाकृतियाँ
एक्स-रे
स्लाइड शो देखें
Translated Vase
पूरा देखें
गिक्ली / आर्ट प्रिंट
तेज़ उत्पादन और विभिन्न फिनिश विकल्पों के साथ म्यूजियम-क्वालिटी गिकली (giclée) या कैनवस प्रिंट।
कलाकृति के मूल अनुपात से मेल खाने वाले हमारे पूर्व निर्धारित आकारों में से चुनें।
आप किसी विशिष्ट फ्रेम या स्थान के अनुसार अपने स्वयं के आयाम (dimensions) दर्ज कर सकते हैं। यदि आपके द्वारा चुना गया आकार मूल छवि के अनुपात से मेल नहीं खाता है, तो हम कलाकृति को क्रॉप कर देंगे या मिरर किए गए या सॉलिड-फिल किनारे के साथ छवि का विस्तार करेंगे। उत्पादन शुरू होने से पहले आपकी स्वीकृति के लिए एक डिजिटल मॉकअप भेजा जाएगा।
कृपया ध्यान दें कि स्क्रीन पर दिखने वाला प्रीव्यू वास्तविक क्रॉपिंग या विस्तार को नहीं दर्शाता है। केवल मॉकअप ही अंतिम संरचना को सटीक रूप से दिखाएगा।
हालाँकि कस्टम आकार उपलब्ध हैं, फिर भी हम मूल अनुपात बनाए रखने के लिए पूर्व-निर्धारित सूची में से एक आयाम चुनने की सलाह देते हैं।
विश्वव्यापी डिलीवरी (), मानक 4/5 सप्ताह के बजाय मात्र 2 सप्ताह में। (21 जुलाई)
दुनिया भर में मुफ़्त एक्सप्रेस शिपिंग
उच्च गुणवत्ता वाला लिनेन कैनवास
पूर्ण शिपिंग बीमा
सीमा शुल्क और आयात कर वापसी की गारंटी
सटीक रंग मिलान की गारंटी
60-दिन की वापसी नीति (केवल दोषों के लिए)
100% पैसे वापसी की गारंटी
थोक छूट का लाभ
ग्लास का विकल्प केवल 110 सेमी से कम आकार में ही उपलब्ध है।
Translated Vase
गिक्ली / आर्ट प्रिंट
प्रतिकृति का आकार
-
कुल देय राशि
-
कलाकार का जीवन परिचय
The Alchemy of Fragments: The Art of Yeesookyung
In the delicate intersection where destruction meets rebirth, the work of Yeesookyung resides. Born in Seoul, South Korea, in 1963, the artist has cultivated a visual language that speaks to the profound resilience of the human spirit. Her practice is not merely one of sculpture, but of a deep, meditative alchemy—a process of taking what has been shattered, discarded, or rendered obsolete and breathing into it a new, luminous life. To encounter her work is to witness a silent dialogue between the brokenness of history and the enduring promise of beauty.
Yeesookyung’s artistic journey began within the rigorous academic traditions of Seoul National University, where she studied Western painting in the late 1980s. This foundational period provided her with a mastery of form and color, yet her creative soul remained tethered to the cultural textures of Korea. During her formative years, the influence of the Minjung movement—a socially conscious art movement in Korea that critiqued systemic inequality—left an indelible mark on her consciousness. This early exposure to art as a vehicle for social reflection and collective healing would later evolve into her unique sculptural philosophy, where the personal act of repairing ceramics becomes a metaphor for repairing the societal and psychological ruptures of the past.
The Translated Vase: A Symphony of Gold and Porcelain
The most profound manifestation of Yeesookyung’s vision is found in her celebrated Translated Vase series. In these works, the artist engages in a meticulous, almost ritualistic reconstruction of shattered Korean porcelain. Rather than attempting to hide the cracks or restore the object to its original, seamless state, she embraces the trauma of the break. By utilizing gold leaf to bridge the gaps between ceramic shards, she employs a technique reminiscent of Kintsugi, yet she pushes the concept into a more biomorphic and sculptural realm.
These are not merely repaired vessels; they are transformed entities. The gold does not just mend; it illuminates, turning every fracture into a vein of light. Through this process, the "translated" object carries the memory of its former self while asserting a new, more complex identity. This technique serves as a powerful symbol for the reclamation of grace following loss. In her hands, the debris of the past is elevated to the status of high art, suggesting that true beauty is found not in perfection, but in the courageous integration of our scars.
Biomorphic Forms and Material Memory
Beyond the porcelain fragments, Yeesookyung’s oeuvre explores a fascination with organic, biomorphic shapes that seem to pulse with an internal life. Her sculptures often evoke cellular structures, skeletal remains, or the fluid movements of nature, blurring the line between the inanimate and the living. This exploration of material decay and organic growth allows her to touch upon universal themes of mortality and regeneration.
The significance of her work lies in its ability to bridge the gap between the physical and the metaphysical. Her achievements are marked by a rare ability to make the heavy feel weightless and the broken feel whole. As she continues to manipulate textures—from the smooth glaze of ancient pottery to the shimmering brilliance of precious metals—she invites the viewer into a space of profound reflection. In an era often defined by rapid consumption and disposability, Yeesookyung stands as a vital guardian of memory, reminding us that even in the wake of rupture, there is a path toward redemption and a breathtaking capacity for renewal.
yee, sookyung
1963 - , South Korea
मुख्य तथ्य
- Artistic Movement Or Style: Biomorphic sculpture
- Date Of Birth: 1963
- Full Name: yee soo-kyung
- Nationality: Korean
- Notable Artworks:
- Translated Vase
- Daily Drawing 100226
- Place Of Birth: Seoul, South Korea
