Quels thèmes Composition explore-t-il ?

abstract composition, prison art theme, korean ink style, chaotic brushwork, symbolic imagery, dark brown palette, textured surface

Commandez une impression giclée de Composition - Korean Expressionism

In 1967, Lee Ungno was imprisoned for 2 years and 6 months for his involvement in the East Berlin Affair. He suffered most from an inability to continue his practice there; however, as he adjusted to the prison environment, he started painting on tissue using soy sauce as ink and making models with rice paste, which he collected from his meal. This painting shows one example of the Abstract Letter paintings that he made in prison using ink on hanji and then painting over the canvas with soy sauce as if testifying to his imprisonment. Unlike ink, soy sauce is not a proper pigment and thus, its colour is brownish rather than black when it is put on paper; as it is not rich enough to make a long spread, the canvas shows several marks where he had to resume the application of the soy sauce at each moment.

Questions et réponses

Combien de personnes consultent « Composition » ?

Les statistiques concernant «Composition» de Yi Eungro se trouvent sur la page Statistiques de l'œuvre : visites mensuelles de l'œuvre, visites des œuvres de l'artiste, ainsi que la répartition par pays et par langue des visiteurs récents.

«Composition» de Yi Eungro est-il une composition en portrait, en paysage ou carrée ?

«Composition» de Yi Eungro présente un format Tall. Le format décrit les proportions de la composition.

Est-ce que «Composition» de Yi Eungro est dans le domaine public ?

Le statut des droits d'auteur pour «Composition» de Yi Eungro : l'œuvre est dans le toujours protégé par le droit d'auteur. Cela détermine si les reproductions de l'image peuvent être réalisées librement.

Existe-t-il une fiche informative sur «Composition» de Yi Eungro destinée aux étudiants ?

Le guide de « Composition » est la page Guide de l'œuvre — une fiche informative imprimable présentant l'œuvre accompagnée de sa légende, de sa mention de crédit et de son tableau d'identification (artiste, dates, technique, dimensions originales, collection).

Comment la composition chromatique de «Composition» de Yi Eungro est-elle construite ?

Dans « Composition », un Statement contraste s'allie à une Strong Color Unity harmonie.

Quelle place occupe « Composition » dans l'œuvre de Yi Eungro ?

Dans l'œuvre de Yi Eungro, « Composition » s'inscrit dans le style Korean Expressionism, tout en abordant les thèmes de east asian calligraphy, sumi-e techniques, prisoner's testimony, korean expressionism", political imprisonment, abstracted landscape, symbolic narrative, artist's resilience.

Qui est l'auteur de « Composition » et en quelle année a-t-elle été créée ?

L'auteur de « Composition » est Yi Eungro, et l'œuvre date de 1968.

À quel courant artistique «Composition» de Yi Eungro appartient-il ?

«Composition» de Yi Eungro appartient au mouvement Korean Expressionism. Ce mouvement apporte le contexte stylistique de l'œuvre.

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Biographie de l'artiste

Early Life and Training

Yi Eungro (이응노), also known as Lee Ungno, was born in Seoul, South Korea in 1904. His childhood was shaped by a brief foray into Hongseong Botong Hakyo (홍성보통학교, 홍城초등학교, 洪城普通學校), after which he dedicated himself to mastering painting under Yeomjae Song Tae-hoe from 1920. This formative influence instilled in him the foundational principles of Korean classical painting and set the stage for his artistic journey.

Artistic Career in Korea and Japan

Lee Ungno’s artistic vocation blossomed when he relocated to Seoul in 1922, becoming an apprentice to Haegang Kim Gyu-jin—a celebrated calligrapher-painter-photographer—who profoundly impacted his stylistic development. He honed his skills primarily through the study of “Haegang Style,” focusing on capturing the essence of traditional Korean landscape painting with meticulous detail and expressive brushwork. A pivotal moment arrived in 1923 when his depiction of a bamboo, Mukjuk (묵죽, 墨竹, ink bamboo), garnered recognition at the 3rd Annual Joseon Art Exhibition—a testament to his burgeoning talent and securing him a place among Korea’s emerging artistic voices. Throughout the colonial period, Lee consistently achieved acclaim in successive Joseon Art Exhibitions, demonstrating unwavering dedication and establishing himself as a prominent figure within Korean art circles. However, recognizing the need for innovation, he championed the modernization of Eastern ink painting techniques, advocating for stylistic advancements inspired by Western artistic traditions. From the early 1930s onward, Lee experimented with blending Eastern mediums and brushstrokes alongside Western perspective and form—a bold step toward forging a distinctive artistic identity.

International Recognition and Later Life

Following intensive training in traditional inkwash painting in Korea until 1933, Lee embarked on a transformative path towards embracing Western influences. He pursued his studies in Tokyo, immersing himself in the realm of realistic expression championed by the Japanese Southern School of Painting—a pivotal experience that broadened his artistic horizons. Notably, he gained acceptance as a pupil of Matsubayasi Keigetsu, furthering his understanding of Western painting methodologies. In 1958, Lee relocated to France, where he solidified his position as an abstract artist—a decision fueled by the encouragement of exhibitions showcasing his work and marking a significant turning point in his artistic career. He achieved renown for his series of ink and paper collages, abstract letters, and crowd paintings—works that epitomized the spirit of French abstraction and cemented his legacy as one of Korea’s foremost pioneers in this movement. Lee Ungno's unwavering commitment to artistic exploration continued throughout his life, leaving an indelible mark on Korean art history.

Notable Achievements

Lee Ungno’s contribution to Korean art is undeniable. He was recognized as a cornerstone of the first generation of Korean abstract artists and played a crucial role in elevating Eastern artistic traditions within the global landscape. His museum, inaugurated in Daejeon in 2007, serves as a beacon for preserving and disseminating his artistic legacy—a testament to his enduring influence on subsequent generations of Korean painters.

Yi Eungro

1904 - 1989 , Corée du Sud

En bref

Artistic Movement Or Style: Eastern & Western Expressionism
Artists Or Movements Influenced By This Artist: ['Haegang Style']
Artists Who Influenced This Artist: ['Yeomjae Song Tae-hoe']
Date Of Birth: January 12, 1904
Date Of Death: January 10, 1989
Full Name: Yi Eungro (Lee Ungno)
Nationality: Korean-French
Notable Artworks: ['Composition']
Place Of Birth: Seoul, South Korea

Yi Eungro: Bridging East & West in the Landscape of Korean Modernism

Explore the captivating world of Yi Eungro (Lee Ungno), a pivotal figure in Korean modernism. Discover his unique fusion of Eastern and Western artistic traditions, abstract masterpieces, and lasting legacy. A must-read for discerning art collectors.