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Explore Mark Hewitt's incroyables vaisseaux céramiques cuits au bois – des grands pots salés inspirés par les traditions asiatiques et nord-caroliennes. Découvrez des glaçures uniques et des conceptions captivantes.

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Livraison dans le monde entier () en 2 semaines au lieu des 4/5 semaines habituelles. (12 août)

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Livraison express gratuite dans le monde entier
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Toile de lin de qualité supérieure
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Assurance transport complète
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Politique de retour de 60 jours (uniquement en cas de défaut)
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Garantie de remboursement à 100%
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Offre de tarifs dégressifs

Prix total

$ 62

reproduction

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Giclées et impressions d'art

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Prix total

$ 62

Description de la pièce

Art of War: World War II Propaganda . “A Arte da Guerra – Propaganda da II Guerra Mundial”. The exhibition (Dec 18, 2010 - Sep 30, 2011) showcased propaganda produced during the world conflict, through examples that show that the war was fought not only in the battlefield, but also in the background, as the people of the involved nations were mobilised in an active support of the war effort by the powerful images in the posters. The printed poster was the main form of propaganda, especially since it was easy to produce and could be glued almost anywhere, so that the message was always present among the citizens, asking them to give more of themselves, produce more and sacrifice themselves for the sake of the war effort. The posters were also the most democratic way of reaching equally all kinds of people. In the United States alone, more than 3000 different posters were produced. The temporary exhibition showed propaganda under the light of an art form, which it has assumed, carrying the purpose of any other work of art: to raise emotions and change the world.

Biographie de l'artiste

Mark Alan Hewitt: Sculpting Giants from Clay

Mark Alan Hewitt (born March 31, 1953) is an American architect, preservationist and architectural historian, recognized foremost for his extraordinary contribution to studio pottery – monumental wood-fired ceramic vessels that have captivated collectors and critics alike. His artistic journey began with a serendipitous redirection from architectural studies at Yale University, where a transformative encounter with Vincent Scully ignited his passion for visual storytelling and fundamentally shaped his approach to artmaking.

Early Influences: The Leach Legacy

Hewitt’s formative years were profoundly impacted by exposure to Bernard Leach’s pioneering stoneware tradition in Cornwall, England – a connection that instilled within him an unwavering appreciation for craftsmanship, simplicity, and the harmonious dialogue between material and form. This influence is palpable throughout his oeuvre, mirroring Leach's insistence on tactile experience and honoring the inherent beauty of clay itself. The Cornish potter championed a philosophy rooted in mindful creation, prioritizing functionality alongside aesthetic consideration – principles that continue to resonate within Hewitt’s artistic practice.

Formal Training: Classical Foundations

Continuing his architectural pursuits at Pennsylvania University, Hewitt honed his technical skills under esteemed mentors like Allan Greenberg, Robert A.M. Stern, David Van Zanten, and Steven Izenour—a grounding in classical design principles that subtly informs his sculptural explorations. These formative experiences instilled a disciplined approach to artistic endeavor, emphasizing precision and understanding the enduring power of architectural heritage.

The Catalyst: Scully’s Vision

A pivotal moment arrived during Hewitt's undergraduate studies when he encountered Vincent Scully’s lectures on architecture – specifically, Scully’s exploration of how buildings communicate ideas and emotions. This encounter profoundly shifted Hewitt’s perspective, demonstrating that art could transcend mere representation to engage in a deeper contemplation of human experience—a conviction that would permeate his subsequent artistic endeavors.

Pittsboro & The Alchemy of Glazes

Hewitt relocated to Pittsboro, North Carolina, seeking environments conducive to innovation and embracing the challenges presented by working with alkaline glazes – techniques inspired by both Asian pottery traditions and the distinctive aesthetic sensibilities of the region. He deliberately cultivated spaces that fostered experimentation, mirroring Leach’s own unwavering commitment to pushing boundaries within ceramic art. This move resulted in vessels characterized by striking color contrasts and a deliberate rejection of ornamentation—a conscious decision to distill the essence of the material itself into powerful visual statements.

Recognition & Enduring Influence

Hewitt's work has garnered considerable acclaim, securing its place within prestigious collections at institutions like Yale University LUX and the North Carolina Museum of Art. Furthermore, he served as co-curator of ‘The Potter’s Eye,’ exploring the enduring influence of Leach’s legacy on contemporary ceramic practice – a testament to Hewitt’s dedication to fostering dialogue between artistic disciplines and preserving the rich heritage of American ceramics. His unwavering commitment to honoring tradition while embracing innovation ensures that Mark Alan Hewitt's contribution to art history will continue to inspire generations to come.
Mark Alan Hewitt

Mark Alan Hewitt

1955 - , Royaume-Uni

L'essentiel de l'artiste

  • Artistic Movement Or Style: Ceramiques cuites à bois
  • Artists Or Movements Influenced By This Artist: ['Poterie asiatique']
  • Artists Who Influenced This Artist: ['Bernard Leach']
  • Date Of Birth: 1953
  • Full Name: Mark Alan Hewitt
  • Nationality: Britannique
  • Notable Artworks: ['Ils']
  • Place Of Birth: Stoke-on-Trent, Royaume Uni