Servant's Clock
1939
50.0 x 65.0 cm
Giclées et impressions d'art
Impressions giclées ou sur toile de qualité musée, avec une production rapide et des finitions au choix. ( Acheter la peinture faite à la main
Acheter l'image)
Choisissez parmi nos formats prédéfinis qui respectent les proportions originales de l’œuvre.
Vous pouvez saisir vos propres dimensions pour vous adapter à un cadre ou à un espace spécifique. Si la taille sélectionnée ne correspond pas aux proportions de l'image originale, nous recadrerons l'œuvre ou étendrons l'image avec une bordure en miroir ou une couleur unie. Une maquette numérique vous sera envoyée pour approbation avant le début de la production.
Veuillez noter que l'aperçu à l'écran ne reflète pas le recadrage ou l'extension réelle. Seule la maquette montrera avec précision la composition finale.
Bien que des tailles personnalisées soient disponibles, nous vous recommandons de choisir une dimension dans la liste prédéfinie afin de préserver les proportions originales.
Livraison dans le monde entier () en 2 semaines au lieu des 4/5 semaines habituelles. (23 août)
Livraison express gratuite dans le monde entier
Toile de lin de haute qualité
Assurance transport complète
Garantie de remboursement des droits de douane
Garantie de fidélité des couleurs
Politique de retour de 60 jours (uniquement en cas de défaut)
Garantie de remboursement à 100%
Tarifs dégressifs sur quantité
Servant's Clock
Giclées et impressions d'art
Format de la reproduction
-
Prix total final
$ 62
Œuvres similaires
Biographie de l'artiste
Louis Soutter: The Silent Mask Maker
Louis Soutter (1871 – 1942) was a Swiss artist whose singular vision—characterized by hauntingly expressive “masks”—earned him belated recognition as a pivotal figure in the Art Brut movement. Born in Lausanne, Switzerland, Soutter’s life unfolded amidst a backdrop of intellectual curiosity and personal struggle, shaping his artistic output into a deeply introspective exploration of human emotion and psychological complexity. Despite facing significant mental health challenges throughout his adult years, Soutter persevered in pursuing his creative passions, leaving behind an astonishing body of work that continues to fascinate scholars and artists alike.Early Life & Education
Soutter’s formative years were marked by a fascination with engineering and architecture—disciplines he pursued diligently at Lausanne Polytechnic. However, it was music that truly captivated him; he mastered the violin in Brussels, honing his skills under renowned pedagogue Eugène Ysaÿe, whose influence profoundly shaped Soutter's musical sensibilities. Simultaneously, he cultivated an interest in painting, studying primarily in Lausanne and Paris, absorbing stylistic cues from Impressionism and Post-Impressionism. These diverse influences would coalesce into a distinctive artistic style—one defined by meticulous detail and symbolic imagery.The Emergence of “Masks”
Soutter’s artistic breakthrough arrived in the early 1920s when he began producing his iconic “masks”—large, intricately rendered drawings featuring stylized faces that conveyed profound psychological states. These masks weren't mere representations; they were embodiments of inner turmoil and contemplation, imbued with a palpable sense of sorrow and vulnerability. Soutter’s technique—characterized by painstaking layering of graphite and pastel—created surfaces rich in texture and tonal variation, mirroring the emotional depth of his subjects. The masks became his signature motif, appearing repeatedly throughout his oeuvre and establishing him as an unparalleled innovator within the burgeoning Art Brut movement.Influences & Artistic Development
Soutter’s artistic trajectory was significantly impacted by encounters with fellow artists who championed his work—most notably Roberto Matta (1911-2002), Julian Schnabel, Arnulf Rainer and Elmar Trenkwalder. These collaborations fostered a dialogue about the expressive potential of unconventional materials and techniques, propelling Soutter’s artistic exploration into uncharted territory. His unwavering dedication to his craft persisted despite institutionalization in 1922 and subsequent relocation to Ballaigues, where he continued to produce drawings until his death in 1942.Legacy & Recognition
Though largely unrecognized during his lifetime, Soutter's work gained considerable acclaim posthumously—primarily due to the efforts of his cousin Le Corbusier who championed Soutter’s artistic vision and brought him to the attention of contemporary artists. Critics lauded Soutter’s masterful use of drawing as a medium for conveying psychological experience, recognizing him as a visionary artist whose oeuvre transcends conventional stylistic boundaries. Today, Louis Soutter stands as an exemplar of Art Brut—a testament to the transformative power of creativity born outside the confines of academic art institutions and a poignant reminder that profound artistic expression can emerge from unexpected sources.louis soutter
1871 - 1942
En bref
- Artistic Movement Or Style: Art Brut
- Artists Or Movements Influenced By This Artist: ['Roberto Matta']
- Artists Who Influenced This Artist: ['']
- Date Of Birth: 1871
- Date Of Death: 1942
- Full Name: Louis Adolphe Soutter
- Nationality: Swiss
- Notable Artworks: ['Masks']
- Place Of Birth: Lausanne, Switzerland

L'option verre n'est disponible que pour les dimensions inférieures à 110 cm.