The Little Orme
1897
35.0 x 52.0 cm
Llyfrgell Genedlaethol Cymru / The National Library of Wales
Giclée-printit ja taideprintit
Museolaatuisia giclée- tai kankaitaulun tulosteita nopealla tuotannolla ja joustavilla viimeistelyvaihtoehdoilla.
Valitse valmiista mitoistamme sellaiset, jotka vastaavat teoksen alkuperäisiä mittasuhteita.
Voit syöttää omat mitat sopiaksesi tiettyyn kehykseen tai tilaan. Jos valittu koko ei vastaa alkuperäisen kuvan mittasuhteita, rajaamme teosta tai laajennamme kuvaa peilatulla tai yhtenäisellä reunalla. Digitaalinen mallikuva lähetetään hyväksyttäväksi ennen tuotannon aloittamista.
Huomaathan, että näytöllä näkyvä esikatselu ei vastaa lopullista rajausta tai laajennusta. Vain mallikuva näyttää lopullisen sommittelun tarkasti.
Vaikka räätälöityjä kokoja on saatavilla, suosittelemme valitsemaan mitat valmiista listasta alkuperäisten mittasuhteiden säilyttämiseksi.
Toimitus maailmanlaajuisesti () kahdessa viikossa tavallisen 4–5 viikon sijaan. (13 heinäkuu)
Ilmainen pikatoimitus ympäri maailman
Korkealaatuinen pellavakangas
Kattava kuljetusvakuutus
Tulliveron palautustakuu
Täydellinen värien vastaavuustakuu
60 päivän palautusoikeus (vain valmistusvirheet)
100% rahat takaisin -takuu
Määräalennus tarjous
The Little Orme
Giclée-printit ja taideprintit
Replikaatin koko
-
Kokonaishinta
-
Taiteilijan elämäkerta
John Finnie (1829–1907): A Pioneer of Welsh Landscape Painting and Mezzotint Engraving
John Finnie was a Scottish landscape painter and engraver whose meticulous mezzotint prints and evocative oil paintings captured the beauty of Wales, particularly Snowdonia, establishing him as one of the foremost artists of his era. Born in Aberdeen in 1829, he possessed an innate talent for observation and artistic expression that would define his lifelong career. His formative years were spent honing skills in painting and japanning – crafts reflecting the industrial spirit of Victorian Scotland – before embarking on a path toward formal artistic training at Edinburgh and Newcastle. A pivotal moment arrived with his enrollment at William Bell Scott’s School of Design in Newcastle, where he immersed himself in the burgeoning realist movement and developed a mastery of etching techniques. This experience profoundly shaped Finnie's artistic sensibilities, fostering an unwavering dedication to capturing natural landscapes with unparalleled accuracy and emotional resonance. By 1853, he relocated to London, furthering his studies at Marlborough House and establishing himself as a teacher, cementing his role in nurturing the next generation of British artists. From 1855 until his retirement in 1896, Finnie served as Headmaster of Liverpool Mechanics Institute and School of Art – a position that cemented his influence on artistic education and fostered a vibrant creative environment within the city. During this period, he became an ardent supporter of the Royal Academy and actively participated in its exhibitions, showcasing his evolving style and securing recognition for his contributions to British art history. His involvement extended beyond painting; he was president of the Artists’ Club and the Liverpool Sketching Club, demonstrating a commitment to artistic discourse and collaboration. Finnie's artistic journey began with early etchings like “Head of Windermere” (1864), showcasing his initial exploration of mezzotint engraving – a technique he would champion throughout his career. He skillfully utilized this medium to produce stunningly detailed prints of Snowdonia and other Welsh landscapes, capturing the dramatic grandeur of the mountains and the subtle nuances of light and atmosphere. Notable works include “Chester with St John’s Church” (1865), "A Member of the Naval Reserve" (1862) and “Gathering Wild Flowers” (1865). These paintings exemplify Finnie's signature style: precise observation combined with expressive brushwork, resulting in images that convey both scientific accuracy and profound emotional depth. Finnie’s legacy resides not only in his artistic output but also in his role as a transformative figure within Liverpool’s art scene. He championed realism and meticulous detail, influencing countless aspiring artists and shaping the aesthetic landscape of Victorian Britain. His paintings are prominently displayed in the Walker Art Gallery in Liverpool and Portsmouth Museum, ensuring that his remarkable vision continues to inspire admiration and scholarly study. Furthermore, St John's College Cambridge holds a collection of Finnie’s artworks, showcasing his enduring contribution to British art heritage.John Finnie
1829 - 1907
Pikatiedot
- Artistic Movement Or Style: Romantic/Realist
- Artists Or Movements Influenced By This Artist: ['Caravaggio']
- Artists Who Influenced This Artist: ['William Bell Scott']
- Date Of Birth: 1829
- Date Of Death: 1907
- Full Name: John Finnie
- Nationality: Scottish
- Notable Artworks:
- Chester with St John's Church
- A Member of the Naval Reserve
- Gathering Wild Flowers
- Place Of Birth: Aberdeen, Scotland

Lasivaihtoehto on saatavilla vain alle 110 cm kokoisina teoksina