Eelvaade AR-eelvaade Osta käsitsi maalatud teos Lülita digitaalse pildi juurde Saada
Teave teose kohta Juhend Lisa lemmikutesse Laadi alla Sarnased teosed Röntgenuuring Slaidietendus Q&A Statistika
Yasui Sōtarō

Flowers

Loe lähemalt

Discover Yasui Sōtarō (1888-1955), a key figure in Japanese Yōga painting. Explore his unique 'Yasui style' – blending Western techniques with Japanese aesthetics in striking portraits & landscapes.
Loe lähemalt

Giclée / Kunstiprint

Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Osta käsitsi maalatud teos Lülita digitaalse pildi juurde)

Loe lähemalt

Standardne suurus
kohandatud
CM
INCH

Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.

laius
kõrgus

Sisestage vajalik laius ja kõrgus, et see sobiks teie raamile või seinale. Trükki saab ainult lõigata, seda ei saa kunagi pildist suuremaks teha, seega ka erineva mustega suurus kaotab osa pildist. Enne trükkimist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kujuta reaalset lõiget — seda näitab ainult näidisprojektsioon.

Loe lähemalt

Loe lähemalt

Loe lähemalt

Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (2 november)

Loe lähemalt

Tasuta ekspresssaatmine üle maailma
Kõrgekvaliteediline lina-kangas
Täielik transpordikindlustus
Tollimaksude tagastamise garantii
Värvitoime täpsuse garantii
100 päeva tagastusõigus (ainult valmistusdefektide korral)
100% raha tagasi garantii
Hulgusoodustus
Loe lähemalt

Kogu summa

€ 55

Flowers

Giclée / Kunstiprint

Reproduktsiooni suurus

-

Koguhind

€ 55

安井曾太郎は京都出身。1903年京都市立商業学校を中退。翌年浅井忠主宰の聖護院洋画研究所に入る。1907年に渡仏し、アカデミー・ジュリアンに入学してデッサン力を磨くかたわら、ミレー、ピサロ、セザンヌらの画法を研究する。帰国した翌年の1915年、二科展に滞欧作44点を特別陳列し話題を呼んだ。その後、日本の風土に合った油絵を求め続け、やがて大胆な構図、伸びやかな筆致、鮮やかな色彩のコントラスト、簡素で落ち着いた独自の画風を開拓した。また、実物に勝る芸術を生み出すためには、感動によってデフォルメされた形態や、強調された色彩や明暗が必要なことも示した。1935年帝国美術院会員となり、二科会会員を辞し、翌年一水会の創立に参加。1944年に帝室技芸員となり、東京美術学校教授に就任。1949年に日本美術家連盟初代会長に就任し、1952年に文化勲章を受賞。

Korduvad küsimused

Kas on olemas sarnaseid teoseid kui "Flowers"?

Teose „Flowers“, autor Yasui Sōtarō lehel Sarnased teosed on esiletõstetud sarnased teosed.

Kust saan alla laadida „Flowers“, autor Yasui Sōtarō?

Teose „Flowers“, autor Yasui Sōtarō digitaalset pilti vormatsis kõrge resolutsiooniga digitaalse pildi allalaadimine saab alla laadida selle Laadi alla lehelt.

Kas teos „Flowers“, autor Yasui Sōtarō on portree-, maastiku- või ruudukompositsioon?

Teose „Flowers“, autor Yasui Sōtarō vorm on Portrait. See vorm kirjeldab kompositsiooni proportsioone.

Sarnased teosed

Feather Equilibrium (interatomic Balance Of A Swan's Feather), 1947 — Salvador Dalí, Surrealist Movement
Salvador Dalí Feather Equilibrium (Interatomic Balance of a Swan's Feather), 1947
Feather Equilibrium (interatomic Balance Of A Swans Feather) — Salvador Dalí, Surrealism
Salvador Dalí Feather Equilibrium (Interatomic Balance of a Swans Feather)
Woman Holding A Balance — Johannes Vermer, Dutch Golden Age Painting
Johannes Vermer Woman Holding a Balance
Woman With A Balance — Johannes Vermer, Baroque
Johannes Vermer Woman With A Balance
Tasakaalu Hoidja — Johannes Vermer, Dutch Golden Age
Johannes Vermer Tasakaalu Hoidja
Woman Holding A Balance Ngw — Johannes Vermer, Dutch Golden Age
Johannes Vermer Woman holding a balance ngw
Woman Holding A Balance Detalj 4 Ngw — Johannes Vermer, Dutch Golden Age
Johannes Vermer Woman holding a balance detalj 4 ngw
Woman Holding A Balance Detalj 5 Ngw — Johannes Vermer, Northern Renaissance
Johannes Vermer Woman holding a balance detalj 5 ngw
Flowers In A Pot — Bernard Meninsky
Bernard Meninsky Flowers in a Pot
Portrait Of A Woman With A Balance — Thomas De Keyser, Dutch Golden Age Portraiture
Thomas De Keyser Portrait of a Woman with a Balance

Kunstniku elulugu

Yasui Sōtarō: A Pioneer of Modern Japanese Painting

Early Life and Training

Yasui Sōtarō, born on May 17, 1888, in Kyoto, Japan, was a pivotal figure in the development of modern Japanese painting. He initially defied his family’s expectations by abandoning commercial studies to pursue art. His formal training began at the Shōgoin Institute of Western Art (later known as Kansai Bijutsuin) under the guidance of Asai Chū. This foundation in Western painting techniques proved crucial for his future artistic explorations, alongside fellow student Ryuzaburo Umehara.

Years in France and Artistic Influences

In 1907, at the age of nineteen, Yasui Sōtarō embarked on a transformative journey to Paris, where he studied at the Académie Julian under Jean-Paul Laurens. For seven years (until 1914), he immersed himself in the European art scene. He was profoundly influenced by Realist masters like Jean-François Millet and Pierre-Auguste Renoir, but it was Paul Cézanne’s emphasis on form and structure that left a lasting impression, shaping his unique artistic vision.

Artistic Style and Development

Returning to Japan in 1915 with the outbreak of World War I, Yasui Sōtarō began to forge his distinctive style – often referred to as the “Yasui style.” This approach masterfully blended Western painting techniques with Japanese aesthetic sensibilities. His work is characterized by bold deformations, deliberate omissions, and a striking use of color. He sought to move beyond mere imitation of Western styles, aiming for an authentically modern Japanese expression. A period of health challenges followed his return, but he persevered in refining his unique approach.

Notable Works and Achievements

Some of Yasui Sōtarō’s most celebrated works include:
  • Artist and His Model (1934): A prime example of his mastery of Western-style portraiture.
  • View of the Boso Peninsula (1932): Demonstrates his ability to capture Japanese landscapes through a distinctly modern lens.
  • Black-haired Woman (1924)
  • Portrait of a Woman (1930)
  • Chin-Jung (1934)
In 1935, he was nominated for membership in the prestigious Imperial Fine Arts Academy, solidifying his position within the Japanese art world. He also co-founded the Issui-kai in 1936 with Ikuma Arishima as a rival organization to the Nikakai.

Historical Significance and Legacy

Yasui Sōtarō’s innovative approach revolutionized Japanese portraiture and landscape painting in the 20th century. He played a crucial role in the development of Yōga (Western-style) painting in Japan, successfully integrating Western techniques with Japanese artistic traditions. His work continues to inspire artists today, and his paintings are held in prominent collections such as those at the Art Institute of Chicago and the Hiroshima Museum of Art. He received the Order of Culture from the Japanese government in 1952, recognizing his significant contributions to the nation’s cultural heritage. Yasui Sōtarō passed away on December 14, 1955, leaving behind a legacy as one of Japan's most important modern painters.
Yasui Sōtarō

Yasui Sōtarō

1888 - 1955 , Japan

Lühikest infot

  • Name: Yasui Sōtarō
  • Movement: Yōga (Western-style)
  • Birth Date: May 17, 1888
  • Death Date: December 14, 1955
  • Birth Place: Kyoto, Japan
  • Nationality: Japanese
  • Date Of Birth: 1888
  • Date Of Death: 1955
  • Influenced By:
    • Jean-François Millet
    • Pierre-Auguste Renoir
    • Paul Cézanne
  • Notable Works:
    • Artist and his model (1934)
    • View of the Boso Peninsula (1932)
  • Place Of Birth: Kyoto, Japan