FAREWELL AT SPRING RIVERSIDE

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27.0 x 245.0 cm

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Admire "Farewell at Spring Riverside" by Yang Jin – a stunning Qing Dynasty landscape painting. Explore intricate details & serene beauty of this iconic artwork.

Kunstniku elulugu

Discover Yang Jin, a Qing Dynasty painter known for meticulous landscapes & exquisite style mirroring Wang Hui’s work. Explore his 'zi he' artistry & iconic pieces.

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Corner sample of the WhiteWrap canvas edge finish, stretched on massivpuit bars
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Graveeritud pronksplaadi üksikasjad

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Läbipaistva akrüülplaadi üksikasjad

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Musta akrüülplaadiรายละเอียด (Note: The user provided "Musta akrüülplaadi detailid" as the current translation and asked for an improved version. Since "Musta akrüülplaadi

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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FAREWELL AT SPRING RIVERSIDE

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Kiire tarne

Ülemaailmne tarne riiki 3–4 nädalaga tavalise 5 nädala asemel. (10 november). Kvaliteedis kompromisse ei tehta.

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Kiirsaatmine

Ülemaailmne tarne () 5 nädala jooksul. (17 november).

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Koguhind

€ 235

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Klaasivalik on saadaval ainult kuni 110 cm suuruses teostes

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Yang Jin

Yang Jin

1644 - 1728

Kunstniku elulugu

Yang Jin: A Master of Tranquil Landscapes in the Qing Dynasty

The world of Chinese art offers a profound journey through centuries of cultural expression, and within that vast landscape, Yang Jin (1644-1728) stands as a particularly revered figure. Born during the tumultuous years of the Qing Dynasty’s establishment, Yang Jin emerged as a master of landscape painting, skillfully blending traditional techniques with a uniquely serene aesthetic. His work, deeply rooted in the philosophies of Daoism and Confucianism, reflects a profound appreciation for nature's harmony and a quiet contemplation of existence – qualities that resonated powerfully within the cultural context of his time.

Yang Jin’s artistic journey began under the tutelage of Wang Hui, a prominent painter known for his meticulous depictions of mountains and rivers. This formative influence profoundly shaped Yang Jin’s style, imbuing it with an extraordinary level of detail and realism. However, unlike Wang Hui's often grand and dramatic compositions, Yang Jin favored a more restrained approach, prioritizing subtle nuances of light, shadow, and texture. He was particularly celebrated for his ability to capture the ephemeral beauty of fleeting moments – the mist rising over distant peaks, the dappled sunlight filtering through bamboo groves, or the quiet stillness of a mountain stream.

A key element in Yang Jin’s artistic philosophy was his adoption of the ‘zi he’ (子鶴) style name, translating roughly to “Crane Child.” This moniker reflected his aspiration to emulate the grace and serenity of the crane – an animal often associated with longevity, wisdom, and spiritual enlightenment. He also utilized the pseudonym ‘xi ting’ (西停), meaning "West Pause," further emphasizing his desire for a contemplative and introspective artistic practice. These stylistic choices weren't merely decorative; they represented a deep commitment to embodying the values he sought to express through his art.

The Influence of Wang Hui and the Jin Dynasty Style

Yang Jin’s artistic development was inextricably linked to the legacy of Wang Hui, whose meticulous attention to detail and realistic rendering profoundly influenced generations of Chinese painters. However, Yang Jin subtly diverged from Wang Hui's approach, injecting a greater sense of tranquility and emotional resonance into his landscapes. While Wang Hui often depicted scenes of heroic encounters with nature or grand historical events, Yang Jin focused on capturing the quiet beauty of the natural world – inviting viewers to contemplate their own place within it.

The late Ming and early Qing dynasties witnessed a flourishing of landscape painting, fueled by the rise of Daoist philosophy and a growing appreciation for the restorative power of nature. Yang Jin’s work exemplifies this trend, reflecting a shift away from overtly political or religious themes towards a celebration of the natural world. His paintings often incorporate elements of traditional Chinese symbolism – such as pine trees (representing longevity), bamboo (symbolizing resilience), and water (representing fluidity and change) – creating layered meanings that resonate with viewers on multiple levels.

Iconic Works: “Farewell at Spring Riverside” and Beyond

Among Yang Jin’s most celebrated works is "Farewell at Spring Riverside" (春江晚景), a breathtaking depiction of a solitary figure standing before a flowing river, contemplating the setting sun. This painting exemplifies Yang Jin's signature style – characterized by its meticulous detail, subtle color palette, and profound sense of tranquility. The composition draws upon traditional Chinese landscape motifs, yet it possesses a unique emotional depth that transcends mere representation.

Other notable works include “Pavilion for Listening to the Sound of Banana Leaves in the Wind” (听竹风亭), which captures the delicate beauty of a bamboo grove bathed in sunlight, and "Landscapes After Li Zhaodao" (李杂道山水), a series of paintings inspired by the renowned landscape painter Li Zhaodao. These works demonstrate Yang Jin’s mastery of technique and his ability to evoke a wide range of emotions – from serenity and contemplation to awe and wonder.

Legacy and Historical Significance

Yang Jin's influence on subsequent generations of Chinese landscape painters is undeniable. His meticulous attention to detail, coupled with his profound appreciation for nature’s beauty, established a new standard for realism and emotional resonance in the genre. He remains one of the most revered figures in Qing Dynasty art, celebrated for his ability to capture the essence of the natural world and invite viewers to contemplate their own relationship with it.

His work is now housed in prestigious museums around the world, including the Museum of Fine Arts Boston and Google Arts & Culture. Yang Jin’s legacy extends beyond the realm of art; he embodies a timeless philosophy – one that celebrates the beauty of simplicity, the importance of contemplation, and the profound connection between humanity and nature.