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      uzo egonu

      The Lone Eater

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      Discover Uzo Egonu's groundbreaking art – a fusion of Igbo traditions & European modernism. Explore his iconic 'Flutist' & legacy as a pioneering African artist.
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      Giclée / Kunstiprint

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      $ 62

      reproduction

      The Lone Eater

      Giclée / Kunstiprint

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      Uzo Egonu was born in Onitsha in 1931. His first signs of interest in art was evident in his drawings during his education at Sacred Heart College, Calabar. He left Nigeria to the UK as a teenager in 1945 and enrolled in the Camberwell School of Arts and Crafts, London where he studied painting and topography from 1949 to 1952. Till he died in London in 1996, he never came back to Nigeria except once on a 2-day visit in 1977 for the second World Festival of Black Arts and African Culture (FESTAC ’77) held in Lagos. However, Nigeria, and, in particular, Onitsha played a very central role in his art and he ensured he never lost touch with current events and activities in his homeland while abroad. He painted about his rich local culture and heritage back home in Onitsha and also explored the struggles of adaptation to independence by the continent. His new life in London was not left behind as well. He drew inspirations from the new world around him and painted about great sites in London, life and custom of the society etc. His paintings are an interesting, yet mind-bugging mix of very abstract and figurative forms with a dynamic blend of colours of different hues.The Lone Eater, as the name implies is an abstract depiction of a lady sitting down and enjoying her meal alone. The scene brings to mind a downtown restaurant with tables designed to sit at least 2 people. One cannot tell her current mood as her face has been deliberately left out. Meanwhile, the important parts of her body are portrayed in black with white surrounding margins for visual effects. Uzo is probably exploring the variety of urban life in London with this painting and the interesting ways women spend their personal moments of leisure in the city. Anyone interested is welcome to sit and have a nice conversation if she is in the mood for one.

      Sarnased teosed

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      Juan Gris Madame Josette Gris portree
      Le Rideau Jaune Huile Sur Toile New York, Collection Stephen Hahn — Henri Matis, Fauvism
      Henri Matis Le rideau jaune Huile sur Toile New York, collection Stephen Hahn
      Ancient Epics Of Ancestors — Nina Tokhtaman Valetova, Magic Realism
      nina tokhtaman valetova Ancient Epics of Ancestors
      Composition, From The Portfolio Ten Works X Ten Painters — Stuart Davis, Modernism
      Stuart Davis Composition, from the portfolio Ten Works x Ten Painters
      Le Rêve Huile Sur Toile Collection Particulière — Henri Matis, Fauvism
      Henri Matis Le rêve Huile sur Toile Collection Particulière
      Bstraction With Picture Frame — Roy Fox Lichtenstein, Pop Art
      Roy Fox Lichtenstein Bstraction with Picture Frame
      The Promenade — Paul Cézanne, Post-impressionism
      Paul Cézanne The Promenade
      Vision At End Of Day — Mark Rothko, Color Field Painting
      Mark Rothko Vision at End of Day
      Moses Is Saved From The Waters Of Nile By Pharaoh's Daughter (exodus Ii, 5 6) — Mark Šagall, Expressionism
      Mark Šagall Moses is saved from the waters of Nile by Pharaoh's daughter (Exodus II, 5 6)
      Interior, Strandgade 30 — Vilhelm Hammershøi, Symbolism
      Vilhelm Hammershøi Interior, Strandgade 30

      Kunstniku elulugu

      **early life and education**

      uzo egonu, a nigerian-born artist, was born on december 25, 1931. he settled in britain in the 1940s, with only one brief return to his homeland in the 1970s. despite this, he remained deeply concerned with african political struggles. according to rasheed araeen, egonu was 'perhaps the first person from africa, asia or the caribbean to come to britain after the war with the sole intention of becoming an artist.'

      **artistic style and contributions**

      egonu's work merged european and igbo traditions, redefining the boundaries of modernism. his art challenged the european myth of the naive, primitive african artist. the flutist, a notable piece, showcases egonu's graphic representation of his cultural heritage.

      **notable works and exhibitions**

      * the flutist (gouache on canvas, yemisi shyllon museum of art, lagos, nigeria) * featured in the uzo egonu's portfolio on ArtsDot.com * exhibited at the yemisi shyllon museum of art, lagos, nigeria

      **legacy and impact**

      egonu's pioneering work in modernism has been recognized globally. his contributions to african art have been celebrated, inspiring a new generation of artists. **experience uzo egonu's art in a new dimension**: clicking on the uzo egonu's name at the top of any page on ArtsDot.com web site takes you to his 3d portfolio, where his artwork magically floats on the web page for a convenient display. move your mouse to browse better, and click on any work to view it in a larger size, already framed and hanging on the wall.
      uzo egonu

      uzo egonu

      1931 - 1996 , Nigeria

      Lühikest infot

      • Artistic Movement Or Style: Op art
      • Artists Or Movements Influenced By This Artist: ['Pointillism']
      • Artists Who Influenced This Artist: ['Jackson Pollock']
      • Date Of Birth: 24 April 1931
      • Full Name: Bridget Louise Riley
      • Nationality: English
      • Notable Artworks:
        • Praemium Imperiale
        • Cornwall paintings