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Nicholas Chevalier

Kapiti

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Giclée / Kunstiprint

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Kapiti

Giclée / Kunstiprint

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This essay originally appeared in New Zealand Art at Te Papa (Te Papa Press, 2018). Nicholas Chevalier is a rather glamorous figure in nineteenth-century New Zealand painting, having travelled widely in Europe and studied at the Academy of Munich and the Royal Academy, London. From Melbourne, he made his second visit to New Zealand, travelling around the lower North Island in November 1868 as part of the Duke of Edinburgh’s entourage on HMS Galatea. The two watercolours made on this journey, Near Paekakariki, Cook Strait and Kapiti, are directly associated with the larger watercolour Cook’s Strait, New Zealand and the oil painting Cook Strait, New Zealand. It was typical practice of nineteenth-century landscape artists to use the sketches and watercolours made on site as the basis for larger, studio-based watercolours or oil paintings. Both Cook’s Strait, New Zealand and Cook Strait, New Zealand were created in this way. The original watercolours are factual and topographical records of a first impression, from which the larger watercolour and the oil painting take their cues. The three Māori waka in Near Paekakariki, Cook Strait are reproduced in both later images. In the oil painting they have been transferred to a beach further up the coast to align them geographically with the view of Kapiti Island. Similarly, the pattern of waves in Kapiti has been repeated in the oil painting. In Near Paekakariki, Cook Strait, the figures engaged in a typical food-gathering activity add a picturesque element to the scene, which Chevalier has enhanced with a more detailed, colourful group of figures adjacent to the waka in the larger watercolour. The figure with the horse in Kapiti emphasises the breadth and depth of the seascape in the oil painting. In each of the watercolours the size of the figures in relation to their surroundings underlines the grandeur of nature and introduces an element of the sublime — the aesthetic quality inspiring awe and even fear. The larger formats and turbulent atmosphere depicted in both later works reinforce this aspect of the romantic landscape tradition. Though used as visual notes towards the oil painting, both Near Paekakariki, Cook Strait and Kapiti are finished works in their own right. Tony Mackle

Korduvad küsimused

Kuidas saan teoseid „Kapiti“, autor Nicholas Chevalier vaadata diapositatsioonina?

Teose "Kapiti" diaporama on vaadatav teose Pildikava lehel.

Milline toon on teoses „Kapiti“, autor Nicholas Chevalier domineeriv?

Teose „Kapiti“, autor Nicholas Chevalier domineeriv toon on Green to Violet Spectrum. See toon on paleti alusvärv.

Kuidas saan vaadata reproduktsiooni teosele „Kapiti“, autor Nicholas Chevalier?

Teose „Kapiti“, autor Nicholas Chevalier eelvaade on saadaval teose Eelvaade lehel.

Sarnased teosed

Woman Holding A Balance — Johannes Vermer, Dutch Golden Age Painting
Johannes Vermer Woman Holding a Balance
Woman With A Balance — Johannes Vermer, Baroque
Johannes Vermer Woman With A Balance
Tasakaalu Hoidja — Johannes Vermer, Dutch Golden Age
Johannes Vermer Tasakaalu Hoidja
Woman Holding A Balance Ngw — Johannes Vermer, Dutch Golden Age
Johannes Vermer Woman holding a balance ngw
Woman Holding A Balance Detalj 4 Ngw — Johannes Vermer, Dutch Golden Age
Johannes Vermer Woman holding a balance detalj 4 ngw
Woman Holding A Balance Detalj 5 Ngw — Johannes Vermer, Northern Renaissance
Johannes Vermer Woman holding a balance detalj 5 ngw
Portrait Of A Woman With A Balance — Thomas De Keyser, Dutch Golden Age Portraiture
Thomas De Keyser Portrait of a Woman with a Balance
American Neutrality Obverse — Karl Otto Götz, German Art Informel
Karl Otto Götz American Neutrality Obverse
Woman Holding A Balance Detalj 1 Ngw — Johannes Vermer, Dutch Golden Age Painting
Johannes Vermer Woman holding a balance detalj 1 ngw
Seascape 2 — William Trost Richards, Hudson River School
William Trost Richards Seascape 2