Self-portrait
Giclée / Kunstiprint
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Telli käsitsi maalitud reproduktsioon
Ülemineku digitaalse pildi müügi kanalisse)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Saate sisestada oma mõõdud, et need sobiks konkreetse raami või ruumi sisse. Kui valitud suurus ei vasta originaalteose proportsioonidele, lõigame teose ära või laiendame pilti peegeldatud või ühtlase servaga. Enne tootmisprotsessi algust saadetakse Teie kinnitamiseks digitaalne näidis.
Palun märka, et ekraanil kuvatav eelvaade ei kajasta tegelikku lõigamist või laiendamist. Ainult näidis kujutab täpselt lõplikku kompositsiooni.
Kuigi erimõõdu on saadaval, soovitame originaaproportsioonide säilitamiseks valida mõõt ette määratud nimekirjast.
Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (22 september)
Tasuta ekspresssaatmine üle maailma
Kõrgekvaliteediline lina-kangastest muld
Täielik transpordikindlustus
Tollimaksude tagastamise garantii
Värvitoime täpsuse garantii
100 päeva tagastusõigus (ainult defektide korral)
100% raha tagasi garantii
Hulgusoodustus
Self-portrait
Giclée / Kunstiprint
Reproduktsiooni mõõtmed
-
Lõppsumma
$ 62
Sarnased teosed
Kunstniku elulugu
Christina Robertson: A Scottish Artist at the Russian Court
Early Life and Training
- Born: December 17, 1796, in Kinghorn, Fife, Scotland (though records indicate Edinburgh).
- Family Background: Robertson’s early life was shaped by her artistic family connections. Her mother was the sister of George Saunders, a miniature painter who became her initial mentor.
- Early Training: She received foundational training from her uncle, George Saunders, in London, mastering the art of miniature painting before expanding into oils and watercolors.
Artistic Development and Early Success
- Establishing a Career: Robertson quickly established herself as a successful portraitist, initially attracting Scottish patrons. Her skill allowed her to surpass her mentor financially.
- Royal Academy Exhibition: By 1823, she was exhibiting at the Royal Academy, gaining recognition within the British art world.
- Pioneering Studio Ownership: In 1828, Robertson opened her own studio in London – a remarkable achievement as one of the first women to do so.
- Royal Scottish Academy Honor: A significant milestone came in 1829 when she became the first woman honorary member of the Royal Scottish Academy.
Move to Russia and Imperial Patronage
- Parisian Connections: During the 1830s, Robertson traveled and worked in Paris, where she encountered members of the Russian court who may have already been familiar with her work through engravings.
- St. Petersburg Invitation: She was invited to St. Petersburg in 1839, partly due to increased demand for portraits following the fire that destroyed parts of the Winter Palace in 1837.
- Imperial Commissions: Robertson executed full-length paintings of Tsar Nicholas I and Empress Alexandra Feodorovna, along with their daughters Maria, Olga, and Alexandra.
- Academy Recognition: In 1841, she became the first (and only) woman to be made an honorary member of the Imperial Academy of Arts.
Life as a Court Painter & Later Years
- Ten Years in Russia: Robertson served as a royal artist for ten years, creating portraits of prominent figures within the Russian imperial family.
- Challenges and Commissions: While some portraits were initially rejected (like those of daughters-in-law), she continued to receive commissions, including one from Grand Duchess Maria Alexandrovna for a portrait of herself and her children, and an updated portrait of Empress Alexandra at the Empress’s request.
- Death and Burial: Christina Robertson died in St. Petersburg on April 30, 1854, and was buried in the Volkovo Cemetery.
Artistic Style and Historical Significance
- Portraiture Focus: Robertson’s work primarily focused on portraiture, characterized by academic precision and a keen ability to capture the likeness and personality of her sitters.
- Legacy & Rediscovery: Though largely forgotten after the Russian Revolution, recent exhibitions have helped revive interest in her life and art. Her portraits provide valuable historical documentation of the Russian Imperial family.
- Unique Position: Robertson’s success as a female artist in both Britain and Russia was exceptional for her time, breaking barriers and paving the way for future generations of women artists.
christina robertson
1796 - 1854 , United Kingdom
Lühikest infot
- Birth Date: 17 December 1796
- Birth Place: Kinghorn, United Kingdom
- Death Date: 30 April 1854
- Influenced By: George Saunders
- Movement: Academic Art
- Name: Christina Robertson
- Nationality: British
- Notable Works:
- Portrait of Empress Alexandra Fedorovna
- Portraits of the Russian Imperial Family

Klaasivalik on saadaval ainult kuni 110 cm suuruses teostes