- Avaleht
- Õlimaalireproduktsioon
- Augustus Vincent Tack
- The High Command Left Panel
Telli trükis Osta digipilt
Saada
Jaga
Teave teose kohta
Lisa lemmikutesse
Laadi alla
Sarnased teosed
Röntgenuuring
Slaidietendus
The High Command Left Panel
Loe lähemalt
Käsitsi valmistatud õlimaalireproduktsioon
Meie kunstnike poolt tellimusel valmistatud käsitsi maalitud õli-kainaste teos teie soovitud suuruses ja raamis.
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sa võite sisestada oma mõõtmed konkreetse raami või ruumi sobivuse tagamiseks. Kui teie valitud suurus ei vasta originaalpildi proportsioonidele, siis kärvime kunstiteost või laiendame maali täiendavate käsitsi maalitud elementidega. Enne tootmise algust saadetakse teile heakskiitmiseks digitaalne eelvaade.
Palun pidage meeles, et ekraanil kuvatav eelvaade ei kajasta tegelikku kärpimist või laiendamist. Ainult eelvaade näitab täpselt lõplikku kompositsiooni.
Kuigi on saadaval kohandatud suurused, soovitame originaalproportsioonide säilimiseks valida mõõdud eelmääratletud nimekirjast.
Pärast tellimust saadab ArtsDot.com meeskond kliendile e-posti juhised ning esitab eelvaate kavandi.
Maailmline tarne 3–4 nädala jooksul tavalise 5 nädala asemel. (22 juuli). Kvaliteedis kompromisse ei tehta.
Tasuta ekspresssaatmine üle maailma
Kõrgekvaliteediline linakangas
Täielik transpordikindlustus
Tollimaksude tagastamise garantii
Värvitoime täpsuse garantii
60-päevane tagastusõig: ainult tootmisdefektide korral
100% raha tagasi garantii
Hulgusoodustus
Klaasivalik on saadaval ainult suuruses kuni 110 cm
The High Command Left Panel
Reproduktsiooni tehnika
Reproduktsiooni suurus
-
Kogusumma
-
Kunstniku elulugu
Augustus Vincent Tack: Pioneer of Spiritual Landscape
Augustus Vincent Tack (1870 – 1949) stands as a singular figure in American art history, recognized primarily for his distinctive blend of realism and abstraction—a stylistic approach that foreshadowed the burgeoning movement of Abstract Expressionism. Born in Pittsburgh, Pennsylvania, Tack’s artistic journey began with formal training at St. Francis Xavier College before he honed his skills at the Art Students League of New York, absorbing influences from luminaries like John La Farge whose studio he frequented. This formative period established a foundation for his subsequent explorations into landscape painting and, crucially, into deeply symbolic representations of nature—a preoccupation that would define much of his oeuvre.- Early Career & Influences: Tack’s debut exhibition at Kraushaar Galleries in 1896 marked the commencement of a prolific artistic career characterized by consistent engagement with prominent institutions such as Worcester Art Museum, Carnegie International Exhibitions, and Pennsylvania Academy of Fine Arts. His collaborations with Duncan Phillips—particularly their involvement in the Allied War Salon of 1918—demonstrated not only his social connections but also his commitment to addressing pressing societal concerns through artistic expression.
- Deerfield Colony & Marriage: Seeking inspiration and camaraderie, Tack relocated to Deerfield, Massachusetts, where he established an artist’s colony and married Agnes Gordon Fuller, daughter of renowned painter George Fuller. This union fostered a supportive environment conducive to creative pursuits and solidified his position within the artistic community.
- Teaching & Yale University: Tack’s pedagogical role extended beyond Deerfield; he lectured at the Art Students League of New York between 1906 and 1910 and subsequently taught at Yale University from 1910 to 1913, imparting his artistic vision to a new generation of artists.
A Distinctive Style: Realism Infused with Mysticism
Tack’s artistic style distinguished itself through a careful balance between traditional realism and evocative abstraction. While his portraits adhered to academic conventions—capturing likenesses with meticulous detail and dramatic lighting—his landscapes transcended mere depiction, delving into realms of spiritual contemplation. Paintings like “Time and Timelessness” exemplify this approach, juxtaposing geometric forms with figurative elements to convey a sense of enduring beauty and profound symbolism. Critics noted that Tack’s work "was a contemporary reworking of nineteenth-century heroic idealism," highlighting its ambition to elevate the viewer beyond the mundane.- Notable Works: Among his most celebrated pieces are “The High Command Right Panel” (1949), portraying naval officers with masterful realism and compositional complexity; portraits of Harry S. Truman and Elihu Root—executed in 1948 and 1922 respectively—demonstrating Tack’s ability to convey character and emotion through nuanced brushwork; and “Time and Timelessness,” a landscape masterpiece reflecting his fascination with spiritual themes.
Legacy & Recognition
Despite commercial setbacks, Tack's artistic legacy persists as a precursor to Abstract Expressionism—a movement that would reshape the landscape of American art in the decades following his death. His paintings remain housed in major collections and continue to inspire artists and scholars alike. Augustus Vincent Tack’s contribution to American art lies not merely in his stylistic innovations but also in his unwavering pursuit of artistic truth—a testament to the enduring power of imagination and vision.
Augustus Vincent Tack
1870 - 1949 , United States of America
Lühikesed faktid
- Artistic Movement Or Style: Abstract Expressionism
- Artists Or Movements Influenced By This Artist: ['Nineteenth-century heroic idealism']
- Artists Who Influenced This Artist: ['John La Farge']
- Date Of Birth: 1870
- Date Of Death: 1949
- Full Name: Augustus Vincent Tack
- Nationality: American
- Notable Artworks:
- Time and Timelessness
- The High Command Right Panel
- Elihu Root
- Harry S. Truman
- Place Of Birth: Pittsburgh, United States
