Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 47 teost Giambologna meie kataloogis
Lühidalt
Enim inimesi teavad kunstniku Giambologna teost Rape of the Sabines (1581), mida saab näha museas Loggia dei Lanzi, linnas Firenze. Kohe pärast seda järgavad Rape of the Sabines (1585) ja Crouching Venus. Giambologna kataloogis olevatest 47 teosest on need 47 kõige tuntumat. Iga teose juures on märgitud aasta, muuseum ja lühike kirjeldus, mis teeb sellest teosest erilise.
Giambologna’s “Rape of the Sabines,” sculpted in 1581, stands as an emblem of Mannerist art—a stylistic movement that prioritized expressive dynamism and psychological complexity over idealized beauty. Created during Rome's turbulent Baroque era, this monumental sculpture transcends mere depiction; it embodies a profound exploration of violence, desire, and societal upheaval rooted in Roman mythology.
The sculpture titled Rape of the Sabines by the artist Giambologna depicts a specific moment of abduction and struggle. This work was completed between 1579 and 1583 for Francesco I de' Medici of Tuscany. The subject matter originates from the legendary tale of the founding of Rome, specifically the event where Etruscan kings abducted Sabine women to secure alliances. This narrative provides the basis for the physical interaction between the…
To gaze upon Giambologna's Crouching Venus is to encounter a moment suspended between dream and reality. This magnificent bronze sculpture does not merely depict the goddess; it embodies her very essence—a confluence of divine beauty, earthly sensuality, and exquisite artistic tension. The figure is captured in a pose that is both languidly graceful and dynamically charged. She seems caught mid-thought, or perhaps mid-sigh, allowing the viewer an intimate glimpse into…
Giovanni da Bologna, universally known as Giambologna (1529 – 1608), remains a titan amongst sculptors of the Italian Renaissance and Baroque eras. Born in Douai, Flanders—now France—his artistic trajectory began with foundational training under Jacques Du Broeucq in Antwerp before he decisively chose Rome in 1550 as his creative crucible. This relocation wasn’t merely geographical; it was a profound immersion into the intellectual currents of classical sculpture and the stylistic…
To stand before a depiction such as the Anointment of the Dead Christ is to be drawn into a moment suspended between profound death and nascent resurrection. This bronze painting captures an intimacy that transcends mere narrative; it breathes with the weight of sacred ritual. The composition centers on the figure reclined upon the stone slab, his hands folded in a gesture of ultimate surrender or quiet acceptance. It is…
Giambologna's "Astronomy," a bronze sculpture created around 1580, isn’t merely a depiction of a woman gazing upwards; it’s an invitation to contemplate the vastness and beauty of the cosmos. This masterpiece, currently residing within the Metropolitan Museum of Art in New York City, embodies the height of Mannerist artistry – a style characterized by its elegant restraint, dynamic poses, and profound psychological depth. The sculpture immediately draws the viewer in…
Giambologna's "Bathing Venus," a bronze sculpture of breathtaking elegance and subtle sensuality, isn’t merely a depiction of a goddess; it’s an embodiment of the Renaissance fascination with classical ideals, a testament to masterful technique, and a poignant exploration of beauty itself. Created during the late 16th century, this captivating work transcends its historical context, offering a timeless allure that continues to resonate with viewers today. The sculpture captures Venus in…
Giambologna’s “Mercury,” created in 1580, stands as a pinnacle achievement of the Mannerist artistic movement—a testament to refined elegance and dramatic dynamism. Housed at the Museo Nazionale del Bargello in Florence, Italy, this bronze sculpture transcends mere representation; it embodies the spirit of its time and continues to captivate viewers centuries later.
Giambologna's "Astronomy," a bronze sculpture commanding attention with its opulent gilding and dynamic pose, isn’t merely a depiction of a figure; it’s an invitation to contemplate the vastness of the cosmos. Created during the height of Mannerism in the early 17th century, this piece transcends simple portraiture, embodying a profound connection between humanity and the heavens. The sculpture, housed within the Metropolitan Museum of Art in New York City, immediately…
Rape of the Sabines1581 · Loggia dei Lanzi
12
Fountain of Neptune1563 · Piazza Maggiore
13
Triumph of Virtue over Vice1564 · Palazzo Vecchio
14
Mercury1563 · Museo Civico Medievale
15
Neptune from the Fountain of Neptune1563 · Piazza Maggiore
16
Rape of the Sabines (12)1581 · Loggia dei Lanzi
17
Schreitender Mars1590
18
Abduction of a Sabine Woman1583 · Palazzo Vecchio
Cosimo I Triumphant over Siena (detail)1595 · Piazza della Signoria
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BullMetropolitan Museum of Art
37
Francesco I De' MediciMetropolitan Museum of Art
Neli kõige sagedamini esinemist vajavat teemat koos nende kõige tuntumate näidetega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Giambologna teosid | Selle nimekirja maalid |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 10 | Crouching Venus, Anointment of the Dead Christ, Astronomy |
 Loggia dei Lanzi |
Firenze | 6 | Rape of the Sabines, Rape of the Sabines, Rape of the Sabines (12) |
 Piazza della Signoria |
Firenze | 4 | Equestrian Portrait of Cosimo I, Equestrian Portrait of Cosimo I (11), Equestrian Portrait of Cosimo I (12) |
 Palazzo Vecchio |
Firenze | 3 | Apollo, Triumph of Virtue over Vice, Abduction of a Sabine Woman |
 Museo Nazionale del Bargello |
Firenze | 3 | Mercury (rear view), Turkey, Mercury (front view) |
 Piazza Maggiore |
Bologna | 2 | Fountain of Neptune, Neptune from the Fountain of Neptune |
 Boboli aiad |
Firenze | 2 | The Fountain of Oceanus, Perseus |
 Villa Medici aed |
Pratolino | 2 | Appenine, Appenine (detail) |
Vali vuosakülg, et näha selle erimärgilisi teost.
The Fountain of Neptune is a bronze and stone monument located in Piazza del Nettuno, adjacent to Piazza Maggiore in Bologna, Italy. Created by the sculptor Giambologna, the work emerged from a collaboration with the architect Tommaso Laureti. The project was commissioned to glorify the Papal State of Pope Pius IV. It was constructed between 1563 and 1566.
Giambologna’s “Rape of the Sabines,” sculpted in 1581, stands as an emblem of Mannerist art—a stylistic movement that prioritized expressive dynamism and psychological complexity over idealized beauty. Created during Rome's turbulent Baroque era, this monumental sculpture transcends mere depiction; it embodies a profound exploration of violence, desire, and societal upheaval rooted in Roman mythology.
The bronze sculpture titled Schreitender Mars captures a singular moment of movement. Created by the sculptor Giambologna, the work presents a muscular male figure in a heroic pose. This depiction of a Roman god occupies the space with a sense of weight and purpose. The metal holds the tension of a stride caught in mid-motion.
Nimekirja tipis on Rape of the Sabines (1581), Loggia dei Lanzi, Firenze. Kohe selle järel: Rape of the Sabines (1585) ja Crouching Venus.
52 aastat vanus. Giambologna sündis aastal 1529 ning teos Rape of the Sabines pärineb aastast 1581.
Rape of the Sabines, Rape of the Sabines, Crouching Venus, Mercury, Anointment of the Dead Christ, Astronomy, Apollo, Bathing Venus, Mercury (rear view) ja Astronomy. Üri loetlist esmalt leida iga teose kuupäev ja muuseum.
Meie kataloogist leiate 47 teost kunstnikult Giambologna, mis on pärinev ajavahemikus 1560 kuni 1602.
Enamik neist on leetav Metropolitan Museum of Art (New York), Loggia dei Lanzi (Firenze) ja Piazza della Signoria (Firenze). Ülemal oleval muuseumite ninal on täielik ülevaade.
1580s ahel on rohkem kui kunagi varem: 15 47 teoseid sellel lehel pärineb sellest ajast, მათtagu Rape of the Sabines.
Kõige vanem teos siin on Turkey (1560); kõige värskeim on Saint John the Evangelist (1602).
Sculpture (12), Renaissance (10) ja Bronze (8) 47 teoseทั้งหมด sellel lehel.
Bronze, mida on kasutatud 8 teoseks 47 teose kohta sellel lehel.
Mannerism, nagu näet selle lehekülje teosest.
Sellel lehel on Metropolitan Museum of Art, New York kogumikus 10 teost, sealhul ka Crouching Venus, Anointment of the Dead Christ ja Astronomy.
Jah. Iga maal on sellel lehel saadav kas käsitsi maalitud õlimaalina või trükkina, teile sobivas suuruses. Tellimiseks avage maali oma leht.
