Wealth for toil I
Textile Art
Textile
Contemporary Art
2014
Contemporary
220.0 x 270.0 cm
Museo Ian Potter de Arte
Giclée / Impresión de arte
Impresión giclée o en lienzo de calidad de museo con producción rápida y opciones de acabado flexibles.
Elija entre nuestros tamaños predefinidos que respetan las proporciones originales de la obra.
Puede introducir sus propias dimensiones para adaptarse a un marco o espacio específico. Si el tamaño seleccionado no coincide con las proporciones de la imagen original, recortaremos la obra de arte o extenderemos la imagen con un borde con efecto espejo o de color sólido. Se enviará una maqueta digital para su aprobación antes de que comience la producción.
Tenga en cuenta que la vista previa en pantalla no refleja el recorte o la extensión real. Solo la maqueta mostrará con precisión la composición final.
Aunque existen tamaños personalizados, recomendamos seleccionar una dimensión de la lista predefinida para preservar las proporciones originales.
Entrega mundial () en 2 semanas en lugar de las 4/5 semanas estándar. (22 julio)
Envío exprés gratuito a todo el mundo
Lienzo de lino de alta calidad
Seguro de envío total
Garantía de reembolso de impuestos aduaneros
Garantía de fidelidad de color
Política de devolución de 60 días (solo por defectos)
Garantía de devolución del 100% del dinero
Descuento por pedido múltiple
Wealth for toil I
Giclée / Impresión de arte
Tamaño de la reproducción
-
Precio total final
-
Descripción de la obra
Obras similares
Biografía del artista
Raquel Ormella: A Voice for Ecology and Activism
Raquel Ormella (born 1969) stands as a prominent figure in contemporary Australian art, recognized for her multifaceted approach to multimedia works—ranging from posters and banners to videography and intricate needlework. Her artistic vision consistently champions themes of activism and social justice, skillfully interwoven into diverse mediums, earning critical acclaim across galleries and museums throughout Australia and internationally. From the Shepparton Art Museum to the Art Gallery of New South Wales, Ormella’s oeuvre has captivated audiences with its exploration of pressing issues concerning national identity and environmental stewardship. Early Life & Education: Born in Sydney, Australia, Ormella pursued her artistic passions at the University of Western Sydney (UWS), culminating in a Master of Fine Arts degree and subsequently earning a Doctor of Philosophy (PhD) from Australian National University (ANU). Her doctoral research focused on examining human interactions with urban birds—a fascination that profoundly informs her artistic practice. This meticulous investigation into avian behavior became the bedrock for her subsequent explorations of materiality and its capacity to convey profound meaning, mirroring the influence of Conceptual Art and particularly the Vienna School of Art and Design. Conceptual Foundations & Influences: Ormella’s artistic trajectory is marked by engagement with Conceptual Art, influenced significantly by the Vienna School of Art and Design. She recognized that art could transcend mere representation, prioritizing thoughtful consideration and resisting simplistic depictions—a conviction that permeated her entire oeuvre. This intellectual framework fueled her desire to challenge conventional narratives and provoke critical reflection on societal values. Multimedia Exploration & Artistic Style: Ormella’s artistic style defies categorization, embracing a remarkable spectrum of mediums—video installations, textile art—specifically hand-stitched embroidery—and zine production. Her distinctive technique prioritizes meticulous detail and layering of textures, creating immersive experiences that invite contemplation on complex subjects. The resulting artworks are characterized by an evocative blend of visual and auditory elements, reflecting her deep understanding of how artistic expression can communicate nuanced ideas about the natural world and political discourse. Notable Achievements & Exhibitions: Ormella’s artistic endeavors have garnered considerable recognition on a national and international scale. She was an inaugural Spiros ZouNazis Memorial Fellow at the Australian War Memorial in 2015, delving into representations of animals within military collections—a project that underscored her commitment to confronting societal narratives and fostering critical reflection. Her participation in biennials such as the Asian Art Biennial (Taiwan), California-Pacific Triennial, Aichi Triennale (Japan), Sydney Biennale, Istanbul Biennale, and São Paulo Biennale cemented her position as a leading voice within the global art community. Furthermore, she serves on the Artist Advisory Board of Museum of Contemporary Art Australia (MCA) and is a board member of Australian National Capital Artists Inc. (ANCA). Recent Projects & Continuing Engagement: Ormella’s ongoing artistic practice continues to push boundaries, exploring innovative mediums and engaging with pressing social issues. Her current projects include *City Without Crows*, a performance lecture transformed into an immersive installation combining video, soundscapes, and embroidered textiles—a testament to her commitment to blending artistic expression with scholarly inquiry. This ambitious undertaking exemplifies her belief that art possesses the power to inspire dialogue and catalyze change regarding critical questions surrounding national identity and environmental preservation. Her exploration of ornithological themes underscores her dedication to fostering awareness about ecological vulnerabilities and advocating for responsible stewardship of our planet’s biodiversity.Raquel Ormella
1969 - , Australia
Datos clave
- Artistic Movement Or Style: Arte multimedia
- Artists Or Movements Influenced By This Artist: ['Vienna School']
- Artists Who Influenced This Artist: ['Conceptual Art']
- Date Of Birth: Sydney, Australia (1969)
- Date Of Death: Living
- Full Name: Raquel Ormella
- Nationality: Australiana
- Notable Artworks:
- Wealth for toil I
- City Without Crows
- Place Of Birth: Australia

La opción de vidrio solo está disponible en tamaños inferiores a 110 cm.
