Objects for everyday use

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Descripción del objeto

A poignant sepia-toned glimpse into 19th-century Indian social realism through Raja Deen Dayal's evocative photograph Objects for everyday use, inviting you to explore this rare piece of historical artistry.

Biografía del artista

"meta_description": "Raja Deen Dayal (1844-1905) fue un pionero fotógrafo indio, famoso por capturar majestuosas templos, palacios y retratos de gobernantes. Fotógrafo oficial del Nizam de Hyderabad y nombrado por la Reina Victoria. Descubre su icónica fotografía india del siglo XIX."

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Corner sample of the WhiteWrap canvas edge finish, stretched on madera maciza bars
Blanco €1
Corner sample of the BlurSideWrap canvas edge finish, stretched on madera maciza bars
Bordes difuminados €1
Corner sample of the ExtendedWrap canvas edge finish, stretched on madera maciza bars
Continuación de imagen €1
Corner sample of the P118B picture frame: poliestireno moldeado, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: poliestireno moldeado, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: poliestireno moldeado, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: poliestireno moldeado, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: poliestireno moldeado, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: poliestireno moldeado, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: poliestireno moldeado, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: poliestireno moldeado, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: poliestireno moldeado, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: poliestireno moldeado, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: poliestireno moldeado, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: poliestireno moldeado, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: poliestireno moldeado, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: madera maciza, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: madera maciza, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: madera maciza, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: madera maciza, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: madera maciza, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: madera maciza, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: madera maciza, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: madera maciza, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: madera maciza, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: madera maciza, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: madera maciza, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: madera maciza, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: madera maciza, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: madera maciza, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: madera maciza, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: madera maciza, 6 cm wide and 3.5 cm thick
W953PJ €8
Corner sample of the H24-GOLD picture frame: madera tallada con estuco, 10 cm wide and 6 cm thick
H24-GOLD €30
Corner sample of the H24-SILVER picture frame: madera tallada con estuco, 10 cm wide and 6 cm thick
H24-SILVER €30
Corner sample of the H36-GOLD picture frame: madera tallada con estuco, 15 cm wide and 6.5 cm thick
H36-GOLD €45
Corner sample of the H36-SILVER picture frame: madera tallada con estuco, 15 cm wide and 6.5 cm thick
H36-SILVER €45

Moldura: . Dimensiones totales con marco: .

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¿Desea realizar algún cambio en la pintura?

La mayoría de las personas responden que no. Debido a que cada pintura se realiza a mano, nuestro artista también puede adaptarla para usted.

Ejemplos de lo que se puede cambiar: Reemplazar el rostro con la foto del cliente; Añadir una mascota (por ejemplo, cambiar un gato por un perro); Incluir un mensaje oculto en el fondo; Cambiar el paisaje o los elementos del fondo.
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¿Una placa de identificación, como en un museo?

Detalles de la placa de bronce grabada

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detalles de la placa de acrílico transparente

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detalles de la placa de acrílico negro

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Su pintura, tal como la solicitó

Objects for everyday use

Técnica de reproducción

Dimensiones de la reproducción

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Selección de artistas premium

Mayor nivel de detalle, delicadeza y tiempo de producción adicional

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Enmarcado de reproducción

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Para obras de arte o reproducciones que midan más de 105 cm (aproximadamente 41 pulgadas) en cualquiera de sus lados, el marco se enviará como un kit desmontado. Este método garantiza una entrega segura y evita daños durante el transporte.

Se requiere montaje profesional: este no es un producto para hacer usted mismo (DIY).
El kit debe ser ensamblado y el lienzo tensado por un enmarcador profesional con experiencia, utilizando cola para madera (no incluida), una tenaza para tensar lienzos y sargentos para mantener los bastidores alineados mientras la cola se seca. Un montaje incorrecto o una tensión desigual del lienzo pueden dañar la obra de arte de forma permanente y no están cubiertos por nuestra garantía.

  • Se incluyen todos los listones de madera maciza, cortados con precisión según las medidas.

  • Se ensambla con los tornillos incluidos, además de cola para madera para las uniones de las esquinas, la cual no se incluye y debe ser proporcionada por su enmarcador.

  • Se requieren herramientas profesionales que no están incluidas: un alicate para tensar lienzos (tensor) y abrazaderas para mantener los bastidores alineados mientras se seca el pegamento.

Importante:
Las uniones de las esquinas requieren cola para madera, los listones deben sujetarse con prensas hasta que la cola esté completamente seca, y para tensar el lienzo en el bastidor ensamblado se requiere una pinza para tensar lienzos. Ninguno de estos elementos está incluido en el kit. Por favor, contacte con un profesional del enmarcado con experiencia antes de realizar un pedido de este tamaño.

Cartela

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Barniz protector

Barniz brillante (realza los colores y protege contra la luz y la humedad)

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Personalizar mi obra

Ejemplos de lo que se puede personalizar: sustituir el rostro por una foto del cliente; añadir una mascota (por ejemplo, cambiar un gato por un perro); incluir un mensaje oculto en el fondo; cambiar el paisaje o los elementos del fondo.

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Envío urgente

Envío a todo el mundo () en 3 o 4 semanas, en lugar de las 5 semanas habituales. (7 noviembre). Sin comprometer la calidad.

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Envío urgente

Envío internacional () en 5 semanas. (14 noviembre).

Incluido

Precio total final

€ 235

Precio total € 235

La opción de vidrio solo está disponible en tamaños inferiores a 110 cm.

Incluido en cada pedido

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  • Política de devolución de 100 días (solo por defectos)
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  • Descuento por cantidad

A Window into a Vanished Era

In the quiet, sepia-toned depths of Raja Deen Dayal’s "Objects for Everyday Use," we are invited to step through a temporal threshold into the heart of nineteenth-century India. This evocative albumen print serves as much more than a mere photographic record; it is a poignant piece of social realism that captures the profound dignity found within the simplicity of daily existence. The composition presents two figures seated against a rustic, weathered backdrop of stone and brick, their presence anchored by the heavy, earthen vessels that occupy the foreground. There is an undeniable stillness in the scene, a meditative quality that draws the viewer into a world where time seems to move at the rhythm of manual labor and tradition rather than the frantic pace of modernity.

The artistry of Deen Dayal lies in his ability to transform the mundane into the monumental. Through his masterful use of light and shadow, the textures of the scene—the coarse grain of the pottery, the intricate folds of traditional garments, and the rugged surface of the stone wall—are rendered with a tactile clarity that feels almost palpable. The person on the left, draped in a modest headscarf with hands clasped in a gesture of quiet contemplation, provides a soulful counterpoint to the figure on the right, who holds a curved musical or utilitarian instrument. This interplay between human presence and the physical tools of survival creates a narrative of resilience and cultural continuity that resonates deeply with the contemporary observer.

The Mastery of the Albumen Print

As a pioneer of Indian photography, Raja Deen Dayal utilized the albumen printing process to achieve a level of detail and tonal range that was revolutionary for his time. This technique, involving the coating of paper with egg white and salt before sensitizing it with silver nitrate, allowed for the rich, warm sepia hues that define this masterpiece. The subtle gradations of brown and cream lend the image an organic, antique warmth, making it an exquisite choice for collectors who appreciate the aesthetic of historical nostalgia. For the interior designer, this piece offers a sophisticated way to introduce texture and "soul" into a space, acting as a conversation piece that bridges the gap between historical documentation and fine art.

Beyond its technical brilliance, the photograph carries a profound emotional weight. It captures a sense of social realism that avoids the romanticized tropes often found in colonial-era photography, instead offering an intimate glimpse into the lives of those navigating the complexities of their era. The large pottery vessel and the smaller pouring pot are not merely props; they are symbols of sustenance, community, and the enduring cycle of life. To possess a reproduction of this work is to hold a fragment of history—a silent, beautiful testament to the strength of the human spirit amidst the humble objects of everyday use.

Preguntas y respuestas

¿Qué representa "Objects for everyday use" de Raja Deen Dayal?

Los temas presentes en "Objects for everyday use" de Raja Deen Dayal incluyen indian history, daily life, portrait, traditional attire, vintage photography, social realism, pottery, los cuales resumen la temática de la obra.

¿Cuándo se creó "Objects for everyday use" y a qué movimiento pertenece?

"Objects for everyday use" fue creada en 1800 como una obra del movimiento Social Realism. La fecha y el movimiento sitúan la pieza en su contexto histórico dentro de la historia del arte.

¿Puedo usar la realidad aumentada para ver "Objects for everyday use" de Raja Deen Dayal en mi habitación?

"Objects for everyday use" cuenta con una vista previa en realidad aumentada: la página de Vista previa en RA de la obra permite visualizarla en su propio espacio mediante un dispositivo compatible.

Raja Deen Dayal

Raja Deen Dayal

1844 - 1905, India

Biografía del artista

Early Life and Training

Raja Deen Dayal, a name synonymous with the dawn of modern Indian photography, emerged from humble beginnings in Sardhana, a small town near Meerut in present-day Uttar Pradesh, in 1844. His early life was shaped by his family’s lineage as skilled jewelers – a craft that instilled within him an appreciation for meticulous detail and artistic precision. Rather than following the traditional path of his family, Deen Dayal's destiny took a different turn when he enrolled at the Thomason College of Civil Engineering in Roorkee, a decision driven by a burgeoning interest in engineering and a desire to acquire technical skills. This seemingly unconventional choice proved pivotal, providing him with a foundational understanding of surveying techniques – knowledge that would later become instrumental in his photographic endeavors. It was during this period that he began to develop an eye for capturing the world around him, laying the groundwork for his future career as a pioneering photographer.

A Career Forged in Royal Service

Deen Dayal’s professional journey truly commenced in the mid-1870s, marked by a series of strategic appointments and collaborations that propelled him to prominence within India's burgeoning photographic scene. Initially employed as a surveyor and draughtsman for the Public Works Department in Indore, he quickly demonstrated an aptitude for documenting landscapes and architectural details with remarkable accuracy. A significant turning point arrived when he was entrusted with photographing the visit of Prince of Wales (later King George V) to India in 1875 – an assignment that catapulted him into the public eye and established his reputation as a skilled portraitist. This early success paved the way for further engagements, including collaborations with Sir Lepel Griffin, the Agent to the Governor General for Central India, on architectural tours of the region. These experiences honed his skills and broadened his understanding of both Indian culture and photographic techniques. A defining moment in Deen Dayal’s career came with his appointment as court photographer to the sixth Nizam of Hyderabad, Mahbub Ali Khan Asif Jah VI, in 1894. This prestigious role afforded him unparalleled access to the opulent palaces, vibrant ceremonies, and distinguished figures within the Nizam's court – a setting that profoundly influenced his photographic style. He meticulously documented the lavish lifestyle of the Nizam and his entourage, capturing portraits of royal family members, dignitaries, and everyday scenes with an eye for detail and grandeur. His work during this period became synonymous with the splendor and richness of Hyderabad’s courtly life. In 1897, he received a Royal Warrant from Queen Victoria, recognizing his exceptional talent and service to the British Crown – a testament to his growing international recognition as a leading photographer.

A Master of Diverse Subjects

Deen Dayal's photographic repertoire extended far beyond portraits of royalty. He skillfully captured a diverse range of subjects, reflecting the multifaceted nature of India during the late 19th century. His photographs showcased magnificent temples and monuments – often depicting intricate architectural details with remarkable precision – as well as bustling cityscapes and rural landscapes. He also produced intimate portraits of British officials and Indian dignitaries, offering a glimpse into the complex dynamics between colonial powers and indigenous rulers. Notably, he was one of the first photographers to document the interiors of palaces and forts, revealing the luxurious spaces within these grand structures. His work served as both a visual record of India’s architectural heritage and a reflection of its social and political landscape.

Legacy and Recognition

Raja Deen Dayal's contributions to Indian photography are undeniable and profoundly significant. He was truly one of the first Indian photographers to achieve international renown, establishing a photographic style that blended technical skill with artistic sensitivity. His photographs provide invaluable insights into India’s architectural heritage, social customs, and political landscape during a pivotal period in its history. His legacy extends beyond his individual achievements; he played a crucial role in shaping the development of photography as an art form in India, paving the way for future generations of photographers to explore and document the country's rich cultural tapestry. His work is now housed in prestigious collections around the world, including the J. Paul Getty Museum in Los Angeles and the Indira Gandhi National Centre for the Arts in New Delhi, ensuring that his artistic vision continues to inspire and educate audiences today.