Maternity
Giclée / Impresión de arte
Impresiones giclée o en lienzo de calidad de museo con producción rápida y opciones de acabado flexibles. ( Cambiar a pintura hecha a mano
Cambiar a imagen)
Elija entre nuestros tamaños predefinidos que respetan las proporciones originales de la obra.
Puede introducir sus propias dimensiones para adaptarse a un marco o espacio específico. Si el tamaño seleccionado no coincide con las proporciones de la imagen original, recortaremos la obra de arte o extenderemos la imagen con un borde con efecto espejo o de color sólido. Se enviará una maqueta digital para su aprobación antes de que comience la producción.
Tenga en cuenta que la vista previa en pantalla no refleja el recorte o la extensión real. Solo la maqueta mostrará con precisión la composición final.
Aunque existen tamaños personalizados, recomendamos seleccionar una dimensión de la lista predefinida para preservar las proporciones originales.
Envío a todo el mundo () en 2 semanas en lugar de las 4/5 semanas estándar. (11 agosto)
Envío exprés gratuito a todo el mundo
Lienzo de lino de alta calidad
Seguro de envío completo
Garantía de reembolso de aranceles aduaneros
Garantía de fidelidad cromática exacta
Política de devolución de 60 días (solo por defectos)
Garantía de devolución del 100% del dinero
Oferta por volumen
Maternity
Giclée / Impresión de arte
Tamaño de la reproducción
-
Precio total
$ 62
Descripción de la pieza
Biografía del artista
Darío de Regoyos: A Pioneer of Impressionism in Spain
Darío de Regoyos y Valdés (1857-1913) stands as a crucial figure in the revitalization of modern Spanish painting, marking a decisive shift away from academic traditions and embracing the vibrant aesthetic principles of Impressionism and Neo-Impressionism. Born in Ribadesella, Asturias, his artistic journey began under the tutelage of Carlos de Haes at the Real Academia de Bellas Artes de San Fernando in Madrid, establishing him firmly within the burgeoning artistic landscape of late 19th century Spain. Early Influences & Education: De Regoyos’s formative years were characterized by a rigorous academic training, mirroring the prevailing stylistic norms of his time. However, recognizing the transformative potential of European avant-garde movements, he actively sought inspiration from Belgian painter Carlos de Haes and subsequently enrolled at the Académie Royale des Beaux-Arts in Brussels. This foundational education instilled in him a disciplined approach to artistic craft while simultaneously exposing him to the groundbreaking ideas circulating amongst European artists—ideas that would ultimately propel him toward a radically different aesthetic vision. Brussels & Les XX: His decade spent in Brussels proved pivotal, immersing him in a dynamic artistic environment fostered by Edmond Picard and fellow artists like Enrique Fernández Arbós and Isaac Albéniz. This period cemented his affiliation with Les XX, a groundbreaking Belgian avant-garde group that championed Impressionist ideals and challenged established conventions. Les XX represented a bold assertion of artistic freedom against the conservative forces dominating the art world, advocating for experimentation and prioritizing subjective experience as paramount to artistic expression. De Regoyos’s involvement in this influential collective solidified his commitment to pushing boundaries and redefining artistic standards. His travels extended beyond Belgium, encompassing Morocco and the Netherlands, fueling his artistic vision and broadening his understanding of diverse cultural contexts. These expeditions profoundly impacted his oeuvre, injecting elements of exoticism and capturing fleeting moments of natural beauty—characteristics emblematic of Impressionistic painting. The influence of artists like Claude Monet and Camille Pissarro is undeniable in De Regoyos’s stylistic choices; he meticulously studied their techniques, absorbing their mastery of light and color to inform his own artistic endeavors. Notable Works & Artistic Style: De Regoyos's artistic output comprises a series of evocative landscapes, notably “El paseo de Alderdi eder” (1894), which exemplifies his masterful depiction of light and atmosphere—a hallmark of Impressionism. He skillfully employed broken brushstrokes and vibrant hues to convey the immediacy of perception, capturing the ephemeral qualities of nature with remarkable sensitivity. His "Black Spain" cycle ("España negra: víctimas de la fiesta") powerfully conveys the emotional resonance of Spanish society during the Belle Époque, utilizing Neo-Impressionist techniques—specifically pointillism—to achieve textural richness and vibrant color palettes. This stylistic innovation demonstrated De Regoyos’s willingness to embrace new artistic methodologies while retaining a deep connection to traditional landscape painting traditions. Legacy & Recognition: Though initially overshadowed by contemporaries, De Regoyos’s artistic legacy gained prominence posthumously. A tribute exhibition organized in 1913 at the Biblioteca Nacional de España honored his contribution to Spanish art history—a testament to the enduring impact of his work and its recognition as a cornerstone of modern Spanish artistic heritage. Today, his paintings reside in prestigious collections including the Bilbao Fine Arts Museum, Museu Nacional d'Art de Catalunya, Abelló Museum and Carmen Thyssen Museum, securing his place as one of Spain’s foremost Impressionist painters—a figure whose unwavering dedication to capturing the essence of visual experience continues to inspire artists today.Darío de Regoyos
1857 - 1913 , España
Datos clave
- Artistic Movement Or Style: Impresionismo & Neoimpresionismo
- Artists Or Movements Influenced By This Artist: ['Les XX']
- Artists Who Influenced This Artist: ['Carlos de Haes']
- Date Of Birth: 1857
- Date Of Death: 1913
- Full Name: Darío de Regoyos y Valdés
- Nationality: Español
- Notable Artworks:
- El paseo de Alderdi eder
- Penaas de Duranguesado
- La España negra: Victimas de la fiesta
- Place Of Birth: Ribadesella, España


La opción de vidrio solo está disponible en tamaños inferiores a 110 cm.