Paper

Student Artwork Guide

Procession on Easter

Name Class Date

Vasily Grigoryevich Perov, Procession on Easter (1862). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Vasily Grigoryevich Perov artsdot.com/en/artists/vasily-grigoryevich-perov/
Artist’s dates
1833 – 1882
Painted
1862
Original size
53 x 67 cm
Movement
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

In context

Procession on Easter — Vasily Grigoryevich Perov

How big is it?

The original measures 53 × 67 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 49 at death.

Painted when the artist was 29. The artist lived to 49. 10 of the 135 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Vasily Grigoryevich Perov (1833–1882) ▲ this work, 1862 every dated painting, decade by decade

First works: up to 1865 Main working years: 1865–1874 Late works: from 1874

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/vasily-grigoryevich-perov-procession-on-easter-8XZ45U-en/

Colours

Measured from the image

    Main colour

    Gray #82725a

    Catalogued palette

    • #82725A
    • #545243
    • #CEAE88
    • #AD8F6D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Vasily Grigoryevich Perov over the last twelve months — 9 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 67.8%
    2. 2 United States of America 10.2%
    3. 3 Indonesia 6.8%
    4. 4 Argentina 5.1%
    5. 5 Hong Kong 3.4%
    6. 6 Brazil 1.7%
    7. 7 Germany 1.7%
    8. 8 El Salvador 1.7%
    9. 9 Taiwan 1.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Vasily Grigoryevich Perov

    1. 1 Last Journey, 1865 11.6%
    2. 2 The conversation at the round table, 1866 5.8%
    3. 3 A Drowned Woman (also known as Found Drowned), 1867 4.3%
    4. 4 Fishing 4.3%
    5. 5 Pugachev`s Judgement, 1875 2.9%
    6. 6 Portrait of the Historian Mikhail Pogodin, 1872 2.9%
    7. 7 Scouts at Sevastopol, 1874 2.9%
    8. 8 Portrait of the composer P.S. Campione, 1872 2.9%
    9. 9 Art teacher, 1867 2.9%
    10. 10 By train, 1879 2.9%
    11. 11 Fisherman, 1871 1.4%
    12. 12 Troika. Apprentice Workmen Carrying Water, 1866 1.4%
    13. 13 Incorrigible One, 1873 1.4%
    14. 14 Arriving at an the inquiry, 1857 1.4%
    15. 15 Students talk with the monk, 1871 1.4%
    16. 16 Amateur, 1862 1.4%
    17. 17 Portrait of Vasily Bezsonov, 1869 1.4%
    18. 18 Organ Grinder in Paris, 1864 1.4%
    19. 19 Self-portrait, 1870 1.4%
    20. — Procession on Easter, 1862 this painting 0.0%

    Together these works take 56.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 162 works by this artist, of which 49 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Vasily Grigoryevich Perov

    Born in Tyumen, Russia

    A Life Etched in Realism: Vasily Perov and the Soul of Russia

    Vasily Grigoryevich Perov, born Vasily Vasiliev in 1834 in the remote Siberian town of Tobolsk, emerged as a pivotal figure in Russian art, a painter whose work became synonymous with critical realism. His life story is itself imbued with the social complexities he would later portray on canvas. Born out of wedlock to Baron Grigory Kridener and Akulina Ivanova, Perov’s early years were marked by an unconventional upbringing that instilled within him a keen sensitivity to societal inequalities. The adoption of the surname “Perov,” derived from the Russian word for ‘feather,’ a nod to his early skill in calligraphy, foreshadowed his dedication to meticulously detailing the world around him—a world often overlooked or deliberately obscured. His formal artistic journey began at the Alexander Stupin Art School in Arzamas, where he honed fundamental skills before progressing to the Moscow School of Painting, Sculpture and Architecture in 1853. This period was crucial in shaping his technical abilities and exposing him to a broader range of artistic influences. Early recognition came with silver and gold medals awarded by the Imperial Academy of Arts for works like “Commissary of Rural Police Investigating” and, most notably, "Sermon in a Village" in 1861—a painting that would propel him into the national spotlight and earn him the opportunity to study abroad.

    The Voice of the Voiceless: Themes and Techniques

    Perov’s artistic vision was deeply rooted in a commitment to portraying Russian society with unflinching honesty. He rejected the idealized depictions favored by many of his contemporaries, instead choosing to focus on the lives of ordinary people—peasants, laborers, the marginalized, and the forgotten. His paintings are not merely representations of reality; they are powerful social commentaries that expose the hardships, injustices, and spiritual emptiness prevalent in 19th-century Russia. “Sermon in a Village,” for example, subtly critiques religious hypocrisy by depicting a disengaged congregation during a church service, while "The Queue at the Fountain" starkly illustrates the daily struggles of rural life. His technique was characterized by meticulous detail, somber color palettes, and a masterful use of light and shadow to create dramatic effect. He wasn’t interested in romanticizing poverty or suffering; rather, he sought to present it with dignity and empathy, forcing viewers to confront uncomfortable truths about their own society. Works like “The Last Journey,” depicting a peasant funeral procession, and "Troika: Apprentice Workmen Carrying Water" are poignant examples of his ability to evoke profound emotional responses through realistic portrayals of everyday life. Perov’s skill extended beyond oil painting; he also excelled in etching, as demonstrated by the powerful monochromatic work “Naushnitsa. Before the storm,” which showcases his mastery of chiaroscuro and intricate detail.

    Founding a Movement: The Peredvizhniki

    Perov’s dedication to realism aligned perfectly with the burgeoning spirit of artistic rebellion that led to the formation of the Peredvizhniki (Wanderers) in 1870. This collective of Russian realist painters broke away from the constraints of the Academy, establishing an independent society dedicated to exhibiting art throughout Russia—reaching audiences beyond the confines of St. Petersburg and Moscow.

    The Peredvizhniki aimed to bring art directly to the people,

    to address social issues through their work,

    and to promote a uniquely Russian artistic identity.

    Perov was not merely a member; he was a founding force, instrumental in shaping the movement’s ideals and advocating for its principles. His commitment to portraying the lives of ordinary Russians resonated deeply with the Peredvizhniki's mission, solidifying his position as a leading figure within the group. The Wanderers’ exhibitions became immensely popular, attracting large crowds and sparking important conversations about art, society, and national identity.

    Legacy and Enduring Influence

    Vasily Perov’s untimely death from tuberculosis in 1882 at the age of 48 marked a significant loss for Russian art. However, his legacy continued to inspire generations of artists who followed in his footsteps. His influence can be seen in the works of Ilya Repin and Vasily Surikov, both masters of realist painting who further developed the tradition he helped establish. Perov’s paintings remain relevant today not only for their artistic merit but also for their enduring social commentary. They serve as a powerful reminder of the hardships faced by ordinary people throughout history and continue to provoke empathy and understanding. His works are now housed in prominent collections, including the Tropinin and Contemporary Moscow Artists Museum, ensuring that his vision continues to resonate with audiences worldwide. Perov’s contribution extends beyond mere artistic skill; he was a social conscience etched onto canvas, a voice for the voiceless, and a pioneer of Russian realism. He left behind a body of work that not only documented his time but also challenged it, forever changing the landscape of Russian art.

    Where to read more

    Find this online

    QR code linking to the download page for Procession on Easter

    artsdot.com/en/art/download/vasily-grigoryevich-perov-procession-on-easter-8XZ45U-en/

    Cite this artwork

    MLA
    Perov, Vasily Grigoryevich. Procession on Easter. 1862, https://artsdot.com/en/art/vasily-grigoryevich-perov-procession-on-easter-8XZ45U-en/
    APA
    Perov, Vasily Grigoryevich (1862). Procession on Easter [Painting]. https://artsdot.com/en/art/vasily-grigoryevich-perov-procession-on-easter-8XZ45U-en/
    Chicago
    Vasily Grigoryevich Perov. Procession on Easter. 1862. https://artsdot.com/en/art/vasily-grigoryevich-perov-procession-on-easter-8XZ45U-en/
    Harvard
    Perov, Vasily Grigoryevich (1862) Procession on Easter. Available at: https://artsdot.com/en/art/vasily-grigoryevich-perov-procession-on-easter-8XZ45U-en/

    Look closely

    Procession on Easter — Vasily Grigoryevich Perov

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: funeral, procession, winter. Do you agree? What would you add, or take away?
    4. Look back at Incorrigible One (1873), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which color stands out most in "Procession on Easter"?

    The dominant color of "Procession on Easter" by Vasily Grigoryevich Perov is gray (#82725a).

    Can I see "Procession on Easter" by Vasily Grigoryevich Perov on my own wall before buying?

    The AR Preview page of "Procession on Easter" by Vasily Grigoryevich Perov uses augmented reality to show the artwork in your own space, on a compatible device.

    What style does "Procession on Easter" belong to?

    "Procession on Easter" by Vasily Grigoryevich Perov belongs to the Realism movement. This movement provides the stylistic context of the work.