Paper

Student Artwork Guide

Number 1

Name Class Date

Paul Jackson Pollock, Number 1 (1948), MOMA - Museum of Modern Art. Public domain.

The facts

Artist
Paul Jackson Pollock artsdot.com/en/artists/paul-jackson-pollock/
Artist’s dates
1912 – 1956
Painted
1948
Medium
Acrylic On Canvas
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Held at
MOMA - Museum of Modern Art artsdot.com/en/museums/moma-museum-of-modern-art-new-york-city/
Artistic style
Action painting
Influences
Pollock
Notable elements
Drip technique, black lines
Subject or theme
Abstract composition

In context

Number 1 — Paul Jackson Pollock

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Shaded: the lifetime of Paul Jackson Pollock (1912–1956) ▲ this work, 1948

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/paul-jackson-pollock-number-1-9DPLHX-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #aea08f

    Catalogued palette

    • #AEA08F
    • #312F2D
    • #5F574C
    • #887B69
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Number 1 — Paul Jackson Pollock

    A Universe in Chaos and Control: Deconstructing Jackson Pollock’s “Number 1”

    Jackson Pollock's "Number 1, 1948," housed within the hallowed halls of the Museum of Modern Art in New York, isn’t merely a painting; it’s an immersion. It’s a visceral experience that pulls you into the heart of Abstract Expressionism, demanding not just observation but engagement – a willingness to surrender to its dynamic energy and embrace the inherent ambiguity at its core. Created during a pivotal moment in Pollock's career, this monumental canvas represents a radical departure from traditional artistic conventions, embodying a new language of gesture, color, and emotion.

    The painting’s genesis lies within Pollock’s revolutionary “drip” technique – a method he meticulously developed over years. Forget brushes and palettes; here, the artist became a conduit, channeling paint directly from cans onto an unstretched canvas laid flat on the floor of his studio. This unorthodox approach liberated him from the constraints of conventional composition, allowing for a breathtaking freedom of movement and a profound connection between the artist’s body and the artwork. The result is a surface teeming with layered pigments – yellows, blues, blacks, reds, and whites – all suspended in a chaotic yet strangely balanced arrangement. It's as if Pollock has captured a fleeting moment of pure, unadulterated energy, frozen in time.

    Decoding the Composition: Order Within the Storm

    At first glance, “Number 1” appears to be an explosion of color and form – a swirling vortex of seemingly random marks. However, beneath this surface chaos lies a carefully constructed composition. The painting is anchored by four distinct black masses that frame the central field, creating a sense of contained dynamism. These dark shapes act as boundaries, defining the space within which the vibrant colors dance and collide. A vertical element, resembling a column of black paint and canvas, powerfully directs the viewer’s eye across the expanse of the painting, mimicking the movement of a flowing river or a towering structure.

    Furthermore, a diagonal line slicing through the composition from lower left to upper right generates a subtle tension, adding a layer of complexity to the overall visual experience. Scattered throughout the canvas are tiny, intensely colored drips – reds, yellows, oranges, and blues – that function as miniature focal points, each carrying its own symbolic weight. The prominent red dot near the center is often interpreted as a representation of individuality within the vastness of existence, a small beacon of self-awareness amidst an overwhelming universe.

    The Soul of Abstraction: Pollock’s Legacy

    Number 1” isn't simply about color and form; it’s deeply rooted in the context of Abstract Expressionism, a movement that emerged in mid-20th century America as a reaction against European artistic traditions. Artists like Pollock sought to express raw emotion and subjective experience through non-representational imagery. Pollock himself struggled with personal demons – alcoholism and emotional instability – and many believe these internal conflicts found expression within his art. The frenetic energy of “Number 1” can be seen as a reflection of this turbulent inner world.

    Jackson Pollock’s legacy extends far beyond the canvas. He fundamentally altered our understanding of what painting could be, paving the way for future generations of artists to explore new forms of expression. “Number 1, 1948” stands as a testament to his innovative spirit and his profound impact on the art world – a captivating masterpiece that continues to challenge and inspire viewers today.

    Artist and museum

    Artist

    Paul Jackson Pollock

    Born in Cody, United States of America

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    Though initially met with mixed reviews—some critics dismissed his work as chaotic or lacking skill—Pollock’s reputation grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Museum

    MOMA - Museum of Modern Art

    On show in New York City, United States of America

    A Sanctuary of Modernity: Exploring the Soul of MoMA

    Nestled within the vibrant pulse of Midtown Manhattan, the Museum of Modern Art (MoMA) stands as far more than a mere repository for artistic treasures; it’s a living testament to the relentless spirit of innovation and the enduring power of human expression. Established in 1929 by visionary philanthropists, MoMA emerged from the shadows of the Great Depression not merely as an institution, but as a defiant declaration: a dedicated space consecrated solely to embracing the radical, the challenging, and profoundly influential works destined to shape the future of art. From its humble beginnings within the Heckscher Building, it has blossomed into an architectural marvel and a globally recognized landmark, inviting visitors on a profound journey through over a century of artistic evolution – a continuous narrative woven from groundbreaking movements and individual genius.

    A Tapestry of Artistic Innovation

    At the heart of MoMA’s breathtaking collection lies a carefully curated panorama spanning the late 19th century to the present day. Iconic works resonate across generations, each piece a window into a specific moment in art history. Vincent van Gogh's Starry Night, with its turbulent brushstrokes and swirling vortex of emotion, embodies the raw intensity of Expressionism. The canvas seems to breathe, capturing not just a night sky but the artist’s profound inner turmoil. Pablo Picasso’s Les Demoiselles d’Avignon shattered artistic conventions, laying the foundation for Cubism and forever altering our perception of representation. Its fragmented forms and jarring perspectives challenged traditional notions of beauty and perspective, ushering in an era of unprecedented experimentation. And Andy Warhol’s iconic silkscreen prints – particularly Campbell Soup Cans – capture the electric energy of postwar America with their bold colors and playful engagement with popular culture. These seemingly mundane objects, elevated to the realm of art, became symbols of consumerism and mass production, reflecting a rapidly changing society.

    Beyond these monumental figures, MoMA boasts an astonishing breadth: from the delicate brushstrokes of early Impressionists like Monet, whose Water Lilies evoke a serene contemplation of nature, to the abstract explorations of Kandinsky, who pioneered non-representational art; the pioneering photography of Alfred Stieglitz, documenting the dawn of modern photography; and the architectural designs that have shaped our world. Each gallery unfolds as a new chapter in this ongoing story, revealing the diverse voices and perspectives that have defined modern artistic expression.

    A Space Designed for Contemplation

    The transformation of MoMA in 2004, spearheaded by Japanese architect Yoshio Taniguchi, was more than just a renovation; it was a reimagining of the museum’s very soul. Taniguchi's design prioritized natural light, creating an atmosphere of luminous serenity that profoundly enhances the impact of the artwork. The atrium, bathed in sunlight streaming through expansive windows, serves as a central gathering area – a space designed for quiet contemplation and a deeper engagement with the art on display. This deliberate architectural choice reflects MoMA’s commitment to fostering a holistic experience, recognizing that the environment itself can contribute significantly to our understanding and appreciation of artistic expression. The careful consideration given to light, space, and flow creates an immersive setting where visitors are invited to lose themselves in the world of modern art.

    Shaping Art Historical Narratives Through Landmark Exhibitions

    MoMA’s legacy extends far beyond its permanent collection; it has consistently been a catalyst for groundbreaking exhibitions that have fundamentally reshaped public perception and redefined art historical narratives. Alfred H. Barr Jr.’s “Cubism and Abstract Art” (1936) stands as a watershed moment, introducing audiences to Picasso, Braque, Kandinsky, and Mondrian – artists who dared to transcend representational limitations and explore uncharted territories of expression. This exhibition wasn’t simply an exposition; it was a bold assertion that art could move beyond mere imitation and delve into the realm of pure feeling and form. Later exhibitions have continued this legacy, tackling contemporary issues with remarkable insight and fostering critical dialogue about our world – from explorations of Surrealism to the rise of Pop Art and Minimalism. The museum’s curatorial team has consistently demonstrated a willingness to challenge conventional wisdom and present new perspectives on art history.

    A Museum for Our Time

    Today, MoMA remains deeply engaged with pressing social issues through exhibitions that address climate change, identity, and justice. It champions artistic innovation and fosters dialogue globally, recognizing the vital role of art in shaping a more equitable and sustainable future. The museum’s commitment to inclusivity is evident not only in its collection but also in its programming, which actively seeks to amplify diverse voices and perspectives. Furthermore, MoMA's dedication extends beyond the purely aesthetic; it embraces a responsibility to engage with the complexities of our time, using art as a tool for critical reflection and social change. The museum’s ongoing efforts to connect with contemporary concerns underscore its role as a vital cultural institution in the 21st century.

    Where to read more

    Find this online

    QR code linking to the download page for Number 1

    artsdot.com/en/art/download/paul-jackson-pollock-number-1-9DPLHX-en/

    Cite this artwork

    MLA
    Pollock, Paul Jackson. Number 1. 1948, MOMA - Museum of Modern Art. https://artsdot.com/en/art/paul-jackson-pollock-number-1-9DPLHX-en/
    APA
    Pollock, Paul Jackson (1948). Number 1 [Painting]. MOMA - Museum of Modern Art. https://artsdot.com/en/art/paul-jackson-pollock-number-1-9DPLHX-en/
    Chicago
    Paul Jackson Pollock. Number 1. 1948. MOMA - Museum of Modern Art. https://artsdot.com/en/art/paul-jackson-pollock-number-1-9DPLHX-en/
    Harvard
    Pollock, Paul Jackson (1948) Number 1. MOMA - Museum of Modern Art. Available at: https://artsdot.com/en/art/paul-jackson-pollock-number-1-9DPLHX-en/

    Look closely

    Number 1 — Paul Jackson Pollock

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: jackson pollock, number 1, drip technique. Do you agree? What would you add, or take away?
    4. Look back at Number 1, 1949 (1950), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Number 1 — Paul Jackson Pollock

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary artistic movement to which Jackson Pollock’s ‘Number 1’ belongs?

      • A Cubism
      • B Abstract Expressionism
      • C Impressionism
    2. 2. The technique Pollock used to create 'Number 1' is most closely associated with which of the following terms?

      • A Pointillism
      • B Drip Painting
      • C Fauvism
    3. 3. What does the black line in ‘Number 1’ primarily serve to do?

      • A Create a sense of chaos and randomness
      • B Define the boundaries of the composition
      • C Add depth and contrast to the painting
    4. 4. The red dot in ‘Number 1’ is often interpreted as representing:

      • A A specific color palette choice
      • B An element of individuality within a larger context
      • C A technical aspect of the painting's execution
    5. 5. In what year was Jackson Pollock’s ‘Number 1’ created?

      • A 1945
      • B 1948
      • C 1950

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3C · 4B · 5B