Paper

Student Artwork Guide

Self Portrait Between Clock and Bed

Name Class Date

Edvard Munch, Self Portrait Between Clock and Bed. Public domain.

The facts

Artist
Edvard Munch artsdot.com/en/artists/edvard-munch/
Artist’s dates
1863 – 1944
Medium
Acrylic On Canvas
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
Modern
Artistic style
Psychological realism
Influences
Symbolism
Notable elements or techniques
Distorted forms; Bold brushstrokes
Subject or theme
Mortality; Anxiety

In context

Self Portrait Between Clock and Bed — Edvard Munch

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Shaded: the lifetime of Edvard Munch (1863–1944)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/edvard-munch-self-portrait-between-clock-and-bed-9H5RMR-en/

Colours

Measured from the image

    Main colour

    Gray #778673

    Catalogued palette

    • #778673
    • #AA7916
    • #2C3524
    • #CFCAB1
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Self Portrait Between Clock and Bed — Edvard Munch

    Self Portrait Between Clock and Bed

    Edvard Munch’s Self Portrait Between Clock and Bed stands as a haunting emblem of Expressionism—a movement dedicated to conveying raw emotion rather than objective representation. Created in 1940-43 during Munch’s final artistic period, this painting isn't merely an image; it’s a visceral exploration of anxiety, mortality, and the inescapable confrontation with one’s own fading vitality. It resides within the Munch Museum in Oslo and is accompanied by reproductions available on AllPaintingsStore.com.

    Munch’s artistic journey was profoundly shaped by personal tragedy—the early deaths of his mother and sister instilled a deep preoccupation with loss and suffering that permeated his oeuvre. This painting embodies precisely this psychological intensity, reflecting his own anxieties about aging and the encroaching darkness of death.

    Analysis of Style and Technique

    The artwork’s distinctive style is unmistakably Expressionist. Munch eschewed traditional realism, opting instead for distorted forms and jarring lines to communicate inner turmoil. Thick brushstrokes dominate the canvas, layering colors—primarily muted yellows, blues, and reds—to create an atmosphere of unease and melancholy. The artist meticulously applied pigment, capturing not just what he saw but how he felt. This technique is evident in the way Munch renders the figure’s torso and limbs, emphasizing their fragility and vulnerability.

    Symbolism: Time, Mortality, and Isolation

    The Clock: Representing relentless time passing and impending doom, the clock dominates the composition. Its facelessness underscores the indifference of time to human suffering.

    The Bed: Symbolizing rest, vulnerability, and ultimately death, the bed contrasts sharply with the vibrancy of the room behind it.

    The Room Behind: The illuminated room symbolizes Munch’s past life—a reminder of what has been lost and a poignant contrast to his present state.

    Munch's deliberate use of color contributes significantly to the painting’s emotional impact. The muted yellows and blues evoke feelings of sadness and decay, while the reds hint at suppressed passion and impending danger. These colors aren’t merely decorative; they are integral to conveying Munch’s psychological state.

    Historical Context: Expressionism's Roots

    Expressionism emerged in early 20th-century Europe as a reaction against Impressionism’s focus on optical perception. Artists like Munch sought to express subjective experience—fear, anxiety, despair—rather than objective reality. They utilized distorted forms and bold colors to convey raw emotion, mirroring the turbulent social and intellectual climate of the time. Munch's influence extended beyond painting; he championed Expressionist ideals and helped establish it as a prominent artistic movement.

    To appreciate Self Portrait Between Clock and Bed fully, consider its place within Expressionism’s broader artistic landscape. Explore other notable works by Munch—such as Despair and Puberty, available on AllPaintingsStore.com—to gain a deeper understanding of his artistic vision.

    Discover the raw emotional power of Edvard Munch's art

    Explore our collection of hand-made oil painting reproductions on AllPaintingsStore.com

    Experience the intensity and depth of Expressionism firsthand

    You can also delve into other masterpieces by Munch, including *The Scream*, showcased at SFMOMA and The Metropolitan Museum of Art in New York—accessible on AllPaintingsStore.com.

    Artist and museum

    Artist

    Edvard Munch

    Born in Adelsbruk, Sweden

    A Life Shrouded in Shadow: The World of Edvard Munch

    Edvard Munch, born in 1863 amidst the stark landscapes of Norway, was an artist whose work became synonymous with the anxieties and emotional turmoil of the modern age. His life, deeply marked by loss and a pervasive sense of melancholy, served as the wellspring for his profoundly expressive art. From a childhood shadowed by the early deaths of his mother and sister – both claimed by tuberculosis – Munch developed a haunting preoccupation with mortality, sickness, and the fragility of human existence. These experiences weren’t merely biographical details; they became the very core of his artistic vision, fueling a relentless exploration of the inner landscape of fear, grief, and longing. His father's strict religious beliefs and own struggles with mental illness further contributed to a sense of dread that permeated Munch’s world, shaping not only his personal life but also the symbolic language of his paintings. He wasn’t simply depicting scenes; he was externalizing an internal state, translating psychological distress into visual form.

    The Genesis of Expression: Influences and Artistic Development

    Munch's artistic journey began with formal training at the Royal School of Art and Design in Kristiania (Oslo), but it was his encounter with the bohemian circles and the nihilist philosophy of Hans Jæger that truly ignited his creative fire. Jæger encouraged Munch to abandon conventional academic styles and instead delve into the depths of his own subjective experience, a concept he termed “soul painting.” This pivotal shift marked the beginning of Munch’s distinctive style – one characterized by raw emotion, distorted forms, and a rejection of naturalistic representation. His travels to Paris in the 1890s exposed him to the burgeoning Post-Impressionist movement, where he absorbed influences from artists like Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec. The bold use of color, expressive brushstrokes, and psychological intensity of these masters resonated deeply with Munch’s own artistic inclinations. He wasn't merely imitating their techniques; he was synthesizing them into something uniquely his own – a visual language capable of conveying the most profound and unsettling human emotions. His time in Berlin also proved crucial, bringing him into contact with playwright August Strindberg, whose exploration of psychological themes further fueled Munch’s artistic investigations.

    Iconic Visions: Major Works and Their Symbolic Weight

    Munch's oeuvre is populated by images that have become deeply ingrained in the collective consciousness. The Scream, perhaps his most iconic work, transcends its status as a painting to become a universal symbol of existential angst. The swirling, fiery landscape and the figure’s contorted face embody a primal scream against the indifference of the universe. Madonna, a controversial and deeply personal piece, explores themes of sexuality, motherhood, and mortality with unsettling frankness. Recurring motifs like The Sick Child – inspired by the loss of his sister Sophie – serve as poignant reminders of Munch’s childhood trauma and the ever-present specter of death. Melancholy I & II, powerful depictions of profound sadness and isolation, reveal a vulnerability that is both deeply personal and universally relatable. These works aren't simply representations of external reality; they are windows into the artist’s soul, offering viewers an unflinching glimpse into the darkest corners of the human psyche. Munch didn’t aim to create beautiful images; he sought to convey truth – even if that truth was painful and unsettling.

    A Lasting Legacy: Historical Significance and Enduring Influence

    Edvard Munch's contribution to modern art is immeasurable. He stands as a pivotal figure in the development of Expressionism, paving the way for artists who prioritized subjective emotion over objective representation. His unflinching exploration of universal human experiences – love, loss, anxiety, and death – continues to resonate with audiences today, solidifying his place as one of the most influential and enduring figures in art history. His work profoundly impacted subsequent generations of artists, influencing movements like German Expressionism and beyond. He dared to confront the darker aspects of the human condition, challenging conventional notions of beauty and artistic representation. Even after achieving fame and recognition – culminating in the establishment of the Munch Museum in Oslo – his personal life remained turbulent, marked by periods of mental instability and isolation. Yet, through it all, he continued to create, leaving behind a body of work that continues to provoke, challenge, and inspire. Munch’s legacy isn't just about the paintings themselves; it’s about the courage to confront the complexities of human existence and to translate those experiences into art that speaks to the deepest parts of our being.

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait Between Clock and Bed

    artsdot.com/en/art/download/edvard-munch-self-portrait-between-clock-and-bed-9H5RMR-en/

    Cite this artwork

    MLA
    Munch, Edvard. Self Portrait Between Clock and Bed. n.d., https://artsdot.com/en/art/edvard-munch-self-portrait-between-clock-and-bed-9H5RMR-en/
    APA
    Munch, Edvard (n.d.). Self Portrait Between Clock and Bed [Painting]. https://artsdot.com/en/art/edvard-munch-self-portrait-between-clock-and-bed-9H5RMR-en/
    Chicago
    Edvard Munch. Self Portrait Between Clock and Bed. n.d. https://artsdot.com/en/art/edvard-munch-self-portrait-between-clock-and-bed-9H5RMR-en/
    Harvard
    Munch, Edvard (n.d.) Self Portrait Between Clock and Bed. Available at: https://artsdot.com/en/art/edvard-munch-self-portrait-between-clock-and-bed-9H5RMR-en/

    Look closely

    Self Portrait Between Clock and Bed — Edvard Munch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: self-portrait, clock, bed. Do you agree? What would you add, or take away?
    4. Look back at The Scream (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Self Portrait Between Clock and Bed — Edvard Munch

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Edvard Munch’s ‘Self Portrait Between Clock and Bed’ primarily associated with?

      • A Romanticism
      • B Impressionism
      • C Expressionism
    2. 2. The painting depicts Munch himself positioned between what two symbolic objects?

      • A A mountain and a river
      • B A cathedral and a forest
      • C A clock and a bed
    3. 3. What is the dominant color palette used in ‘Self Portrait Between Clock and Bed’, contributing to its melancholic atmosphere?

      • A Bright reds and yellows
      • B Pale blues and greens
      • C Muted browns and grays
    4. 4. What technique is Munch known for employing in his paintings, characterized by bold brushstrokes and vivid colors?

      • A Pointillism
      • B Cubism
      • C Impasto
    5. 5. According to the description, what does ‘Self Portrait Between Clock and Bed’ represent in terms of Munch's artistic intentions?

      • A A celebration of youthful vitality
      • B An exploration of existential anxieties about mortality
      • C A depiction of idealized beauty

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5A