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Student Artwork Guide

Jealousy I

Name Class Date

Edvard Munch, Jealousy I (1896). Public domain.

The facts

Artist
Edvard Munch artsdot.com/en/artists/edvard-munch/
Artist’s dates
1863 – 1944
Painted
1896
Medium
Oil
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
Emotional intensity
Influences
Symbolism
Notable elements
Distorted forms, reds/yellows
Subject or theme
Jealousy, despair

In context

Jealousy I — Edvard Munch

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Shaded: the lifetime of Edvard Munch (1863–1944) ▲ this work, 1896

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/edvard-munch-jealousy-i-6WHKB5-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a9a5aa

    Catalogued palette

    • #A9A5AA
    • #292222
    • #E9E6EB
    • #635D60
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Jealousy I — Edvard Munch

    Introduction to Edvard Munch and Expressionism

    Edvard Munch, a Norwegian painter, is renowned for his significant contributions to the Expressionist movement. His works often delve into the depths of human emotion, revealing raw feelings through distorted forms and vivid colors. One such masterpiece is 'Jealousy I' (1895), which exemplifies Munch's unique style and emotional intensity.

    Understanding 'Jealousy I': Context and Analysis

    'Jealousy I' is a powerful exploration of the green-eyed monster that consumes the human heart. Painted in 1895, this piece captures the anguish and despair of jealousy through its use of color, form, and composition. The painting features two figures: a man and a woman, locked in a tumultuous embrace, with a third figure—a spectral apparition—looming behind them. The vibrant reds and yellows that saturate the canvas evoke feelings of passion, anger, and fear. These intense colors draw the viewer into the emotional vortex of jealousy, creating a sense of unease and discomfort. The distorted forms further emphasize the turmoil of emotion, as the figures become entangled in a twisted dance of desire and betrayal.

    The Emotional Impact of 'Jealousy I'

    Munch's 'Jealousy I' is a profound exploration of human emotion, tapping into the deepest fears and desires that lie within us all. The painting's raw emotional power resonates with viewers, evoking feelings of anxiety, melancholy, or even empathy for the figures depicted.

    Munch's Legacy: Expressionism and Beyond

    Edvard Munch's 'Jealousy I' is a seminal work in the Expressionist movement, paving the way for future artists to explore the depths of human emotion through their art. At AllPaintingsStore.com, we offer high-quality handmade oil painting reproductions that capture the essence of Munch's masterpiece, allowing you to experience the emotional impact of this extraordinary work in your own home or office.

    Conclusion: The Enduring Power of Emotion in Art

    Edvard Munch's 'Jealousy I' stands as a testament to the enduring power of emotion in art. Through its vivid colors, distorted forms, and raw emotional intensity, this painting continues to captivate audiences more than a century after its creation. By exploring the complexities of human emotion, Munch has left an indelible mark on the world of art, inspiring generations of artists and collectors alike. Discover the beauty and emotional depth of 'Jealousy I' and other masterpieces at AllPaintingsStore.com.

    Artist and museum

    Artist

    Edvard Munch

    Born in Adelsbruk, Sweden

    A Life Shrouded in Shadow: The World of Edvard Munch

    Edvard Munch, born in 1863 amidst the stark landscapes of Norway, was an artist whose work became synonymous with the anxieties and emotional turmoil of the modern age. His life, deeply marked by loss and a pervasive sense of melancholy, served as the wellspring for his profoundly expressive art. From a childhood shadowed by the early deaths of his mother and sister – both claimed by tuberculosis – Munch developed a haunting preoccupation with mortality, sickness, and the fragility of human existence. These experiences weren’t merely biographical details; they became the very core of his artistic vision, fueling a relentless exploration of the inner landscape of fear, grief, and longing. His father's strict religious beliefs and own struggles with mental illness further contributed to a sense of dread that permeated Munch’s world, shaping not only his personal life but also the symbolic language of his paintings. He wasn’t simply depicting scenes; he was externalizing an internal state, translating psychological distress into visual form.

    The Genesis of Expression: Influences and Artistic Development

    Munch's artistic journey began with formal training at the Royal School of Art and Design in Kristiania (Oslo), but it was his encounter with the bohemian circles and the nihilist philosophy of Hans Jæger that truly ignited his creative fire. Jæger encouraged Munch to abandon conventional academic styles and instead delve into the depths of his own subjective experience, a concept he termed “soul painting.” This pivotal shift marked the beginning of Munch’s distinctive style – one characterized by raw emotion, distorted forms, and a rejection of naturalistic representation. His travels to Paris in the 1890s exposed him to the burgeoning Post-Impressionist movement, where he absorbed influences from artists like Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec. The bold use of color, expressive brushstrokes, and psychological intensity of these masters resonated deeply with Munch’s own artistic inclinations. He wasn't merely imitating their techniques; he was synthesizing them into something uniquely his own – a visual language capable of conveying the most profound and unsettling human emotions. His time in Berlin also proved crucial, bringing him into contact with playwright August Strindberg, whose exploration of psychological themes further fueled Munch’s artistic investigations.

    Iconic Visions: Major Works and Their Symbolic Weight

    Munch's oeuvre is populated by images that have become deeply ingrained in the collective consciousness. The Scream, perhaps his most iconic work, transcends its status as a painting to become a universal symbol of existential angst. The swirling, fiery landscape and the figure’s contorted face embody a primal scream against the indifference of the universe. Madonna, a controversial and deeply personal piece, explores themes of sexuality, motherhood, and mortality with unsettling frankness. Recurring motifs like The Sick Child – inspired by the loss of his sister Sophie – serve as poignant reminders of Munch’s childhood trauma and the ever-present specter of death. Melancholy I & II, powerful depictions of profound sadness and isolation, reveal a vulnerability that is both deeply personal and universally relatable. These works aren't simply representations of external reality; they are windows into the artist’s soul, offering viewers an unflinching glimpse into the darkest corners of the human psyche. Munch didn’t aim to create beautiful images; he sought to convey truth – even if that truth was painful and unsettling.

    A Lasting Legacy: Historical Significance and Enduring Influence

    Edvard Munch's contribution to modern art is immeasurable. He stands as a pivotal figure in the development of Expressionism, paving the way for artists who prioritized subjective emotion over objective representation. His unflinching exploration of universal human experiences – love, loss, anxiety, and death – continues to resonate with audiences today, solidifying his place as one of the most influential and enduring figures in art history. His work profoundly impacted subsequent generations of artists, influencing movements like German Expressionism and beyond. He dared to confront the darker aspects of the human condition, challenging conventional notions of beauty and artistic representation. Even after achieving fame and recognition – culminating in the establishment of the Munch Museum in Oslo – his personal life remained turbulent, marked by periods of mental instability and isolation. Yet, through it all, he continued to create, leaving behind a body of work that continues to provoke, challenge, and inspire. Munch’s legacy isn't just about the paintings themselves; it’s about the courage to confront the complexities of human existence and to translate those experiences into art that speaks to the deepest parts of our being.

    Where to read more

    Find this online

    QR code linking to the download page for Jealousy I

    artsdot.com/en/art/download/edvard-munch-jealousy-i-6WHKB5-en/

    Cite this artwork

    MLA
    Munch, Edvard. Jealousy I. 1896, https://artsdot.com/en/art/edvard-munch-jealousy-i-6WHKB5-en/
    APA
    Munch, Edvard (1896). Jealousy I [Painting]. https://artsdot.com/en/art/edvard-munch-jealousy-i-6WHKB5-en/
    Chicago
    Edvard Munch. Jealousy I. 1896. https://artsdot.com/en/art/edvard-munch-jealousy-i-6WHKB5-en/
    Harvard
    Munch, Edvard (1896) Jealousy I. Available at: https://artsdot.com/en/art/edvard-munch-jealousy-i-6WHKB5-en/

    Look closely

    Jealousy I — Edvard Munch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: jealousy, emotion, red. Do you agree? What would you add, or take away?
    4. Look back at The Scream (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Jealousy I — Edvard Munch

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary emotion conveyed by Edvard Munch’s ‘Jealousy I’?

      • A Joy and contentment
      • B Anguish, despair, and fear
      • C Peaceful reflection
    2. 2. The painting ‘Jealousy I’ is a key example of which art movement?

      • A Renaissance Realism
      • B Impressionism
      • C Expressionism
    3. 3. What color palette dominates the canvas of ‘Jealousy I’?

      • A Pale blues and greens
      • B Vibrant reds, yellows, and oranges
      • C Monochromatic grays
    4. 4. The spectral apparition in ‘Jealousy I’ likely represents:

      • A A benevolent guardian angel
      • B The embodiment of jealousy itself
      • C A figment of the woman's imagination
    5. 5. In what year was ‘Jealousy I’ painted?

      • A 1889
      • B 1895
      • C 1901

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3B · 4B · 5B